In the earlier play Ostrovsky had adopted a satiric tone that proved him a worthy disciple of Gogol, the great founder of Russian realism. Not one lovable character appears in that gloomy picture of merchant life in Moscow; even the old mother repels us by her stupidity more than she attracts us by her kindliness. No ray of light penetrates the "realm of darkness" -- to borrow a famous phrase from a Russian critic -- conjured up before us by the young dramatist. In Poverty Is No Crime we see the other side of the medal. Ostrovsky had now been affected by the Slavophile school of writers and thinkers, who found in the traditions of Russian society treasures of kindliness and love that they contrasted with the superficial glitter of Western civilization. Life in Russia is varied as elsewhere, and Ostrovsky could change his tone without doing violence to realistic truth. The tradesmen had not wholly lost the patriarchal charm of their peasant fathers. A poor apprentice is the hero of Poverty Is No Crime, and a wealthy manufacturer the villain of the piece. Good-heartedness is the touchstone by which Ostrovsky tries character, and this may be hidden beneath even a drunken and degraded exterior. The scapegrace, Lyubim Tortsov, has a sound Russian soul, and at the end of the play rouses his hard, grasping brother, who has been infatuated by a passion for aping foreign fashions, to his native Russian worth. Alexander Ostrovsky (1823-1886) was an early Russian Realist whose work led to the founding of the Moscow Arts Theatre and to the career of Stanislavsky. He has been acknowledged to be the greatest of the Russian dramatists.

    Take the step into the unknown and find what you’ve been missing.”Those words lead Kelani Thomas into a forty-eight-hour adventure with a handsome, alluring, mysterious stranger. With Kelani missing a flight and Israel’s flight was delayed a spark was ignited in the Sky Lounge of Concourse D. But after the haze of lust evaporates in forty-eight hours can the raw emotions formed last?Join Kelani and Israel for the ride and find out.

    Both are struggling to escape from lingering parental domination and to establish their own lives and identities. In Janie's case this leads to an inconclusive involvement with a young Jewish doctor who calls her "Monkey"; while Harriet assails the world of big business and has an affair with her hard-driving (and married) boss. Told in a fast-moving series of inventive, alternately hilarious and touchingly revealing scenes, the play explores their parallel stories with uncommon wit and wisdom-resulting, ultimately, in a heightened awareness which, while not providing all the answers, goes a long way toward achieving the maturity and self-assuredness that both protagonists so desperately desire.

    The superstitious townspeople resent their happiness and their subsequent meddling ends in violence and tragedy. This play was proclaimed a Broadway hit.

    A short critical essay which considers the significance of the title.

    I enjoyed the attention so much, that I became Ed’s real girlfriend for a few weeks that summer. I put all that foolishness behind me until my senior year in high school, when due to an accident, the school became one cheerleader short. My sister Diane was a star cheerleader at the school back in her day. Since I used to help her practice, the cheerleader coach thought I was the best choice for an emergency one night substitute. My fake boyfriend is starting to feel less fake. Being a girl just seems to come naturally to me. What am I? A boy or a girl? I’m not sure anymore…

    Eddie Carbone is a Brooklyn longshoreman, a hard-working man whose life has been soothingly predictable. He hasn't counted on the arrival of two of his wife's relatives, illegal immigrants from Italy; nor has he recognized his true feelings for his beautiful niece, Catherine. And in due course, what Eddie doesn't know?about her, about life, about his own heart?will have devastating consequences.

    Three plays from Pulitzer-Prize winning playwright August Wilson: Ma Rainey's Black Bottom, Fences, and Joe Turner's Come and Gone.

    Her boss made a pass at her and she said no so she got a pink slip with her check. Julie's broke and disillusioned, so she drinks and turns on the stereo full blast to make the pain go away. Then her roommate comes home in the midst of an eating frenzy; her boyfriend has gone back to his wife so Alice has turned to food to forget. Julie suggests another way to vent their man

    Using her body and beauty has earned her the title, “Project Queen”. She’s got it, and was born to flaunt it! She’s determined to break away from her abusive mother, and leave her impoverished lifestyle far behind.When she begins dating a notorious drug dealer, she assumes all of her problems are over. She couldn’t be further from the truth. She finds out that beauty is only skin deep, and all of the money, spinning rims, and glitter, can come at a violent price.

    They illuminate as with a flash of lightning a deadly serious problem--and they bring an eloquent and exceptionally powerful voice to the American theatre.Dutchman opened in New York City on March 24, 1964, to perhaps the most excited acclaim ever accorded an off-Broadway production and shortly thereafter received the Village Voice's Obie Award. The Slave, which was produced off-Broadway the following fall, continues to be the subject of heated critical controversy.

    She's just 17, hates her parents, skives college and prefers life in the chatrooms. What she's looking for is someone honest and direct. Instead she finds Tim, a man twice her age, who thinks she is 11 and a boy.What seems at first to be a case of crossed wires, ends up as an unlikely, and unsettling friendship between the two, which culminates in a shocking, and morally challenging revelation.

    Set in 2008, the powerful crux of this new play is knowing the fate of the characters long before it's even in their sights.Based on Nottage's extensive research and interviews with real residents of Reading, Sweat is a topical reflection of the present and poignant outcome of America's economic decline.

    This edition contains the definitive versions of these works, a foreword in which Rabe examines the interwoven relationship of the plays, and an afterword in which he discusses the process of their construction.

    Still reeling from a bitter divorce, she is finally starting to move forward when the unthinkable happens. Kristen is diagnosed with an incurable form of heart disease. Unless she receives a heart transplant, the doctors say she will be dead within the year. With summer vacation fast approaching, Kristen enlists the help of her thrice-divorced sister, Jackie. She packs-up her two teenage daughters, Alison and Emily, and together they drive to an old family beach house on the shores of Sunset Cove, Michigan. It’s here that Kristen hopes to reconnect with her girls, while at the same time building memories that will live on long after she's gone. But the beach house is in a ramshackle state of disrepair – the paint is peeling, the shutters are hanging off, and there’s no television or internet, much to the despair of sixteen-year-old Alison. But Kristin is determined to bring her emotionally fractured family back together. And there, over one memorable summer, Kristen and her girls embark on an emotional journey that will raise them to the heights of love, forgiveness, and self-discovery, as well as plunging them into the dark depths of heartache and despair. Will Kristin be able to open her heart again? And more importantly, will she be able to bring her fractured family back together before time runs out…? Reminiscent of Nicholas Sparks, Remember Last Summer will have you reaching for a tissue, whilst praying for a miracle.