Perhaps we should simply think of it as a divertimento, since the whole enterprise is carried off with a touch of Mozartian levity . . . Burgess’s originality lies in the inventiveness and animation with which he has organized his material.”–Guardian“The whole thing is typically Burgess: hectoring, self-indulgent, entertaining, stirring – and in the attempt to render one art form (Symphony no. 40) by another (Burgess the wordsman) brilliant, futile, and (this is why you should buy it) vital.”–City Limits

    Handsome, ambitious Jamal-a street-savvy crack dealer-is the son of North Philly's most notorious drug kingpin. A history of violence and betrayal lies between their fathers, who are now bitter enemies. After one of his church members is gunned down-with a bullet he is sure is meant for him-Pastor Anderson goes after Frank Nichols, determined to drive him from the neighborhood for good. There's just one problem: Keisha and Jamal are in love.When the families face off on opposite sides of an anti-drug demonstration, a high-ranking police official is killed in the crossfire, and Jamal becomes the prime suspect in the murder. Keisha is left with a choice. Will she stay with her father, in the confines of the sheltered world she's known, or will she venture into the unknown in order to help Jamal clear his name? She chooses Jamal, and in a whirlwind flight across the seamy underside of Philadelphia, Keisha will risk everything for love. Even her life.

    Here is a poet talking to you instead of around himself, while doing absolutely brilliant and outrageous things with language."--Publishers WeeklyStarred Review in Booklist "[C]hoices of poems from each of Harrison's books are passionate and sharp... Of special note is a section from Letters to Yesenin, a book-length poem, and the title poem from The Theory and Practice of Rivers , which contains these echoing lines, 'I forgot where I heard that poems / are designed to waken sleeping gods.' Reading this essential volume, one might imagine that the gods are, indeed, staying up late, reading lights on, turning the pages."Jim Harrison: The Essential Poems is distilled from fourteen volumes--from visionary lyrics and meditative suites to shape-shifting ghazals and prose-poem letters. Teeming throughout these pages are Harrison's legendary passions and appetites, his meditations, rages, and love-songs to the natural world.The New York Times concluded a review from early in Harrison's career with a provocative quote: "This is poetry worth loving, hating, and fighting over, a subjective mirror of our American days and needs." That sentiment still holds true, as Jim Harrison's essential poems continue to call for our fiercest attention.Also included are full-color images of poem drafts--both typescripts and holographs--as well as the letter Denise Levertov sent to publisher W.W. Norton in the early 1960s, advocating for Harrison's debut collection.In his essay "Poetry as Survival," Jim Harrison wrote, "Poetry, at its best, is the language your soul would speak if you could teach your soul to speak." The Essential Poems is proof positive that Jim Harrison taught his soul to speak."In this unforgiving literary moment, we must deal honestly with [Harrison's] life and work, as they are inextricable in a way that is not true of other poets...These poems bear-crawl gorgeously after a genuine connection to being, thrashing in giant leaps through the underbrush to find consolation, purpose, and redemption. In his raw, original keening he ambushes moments of unimaginable beauty, one after another, line after line...The Essential Poems demonstrates perfectly why we should turn to Harrison again. He lived and breathed an American confrontation with the physical earth, married himself to a universe of bodies and stumps and birds, did not try to shuck his grotesque masculinity and stared hard with his one good eye (the left was blinded when he was seven) at the inescapable, beckoning finger of death." --Dean Kuipers, LitHub"The Essential Poems provides a good introduction--or reintroduction--to the work of this singular writer... these pieces illustrate Harrison's range and his ease with various formats, from lyric poems to meditative suites to prose poems. They also spotlight his deep, rugged kinship with rural landscapes and the natural world, where 'the cost of flight is landing.'" --The Washington Post"Jim Harrison's latest collection, The Essential Poems, contains...engaging and enlightening poems [that] should be taught, learned, and loved. Remember this."--New York Journal of Books"Had he been a chef, all the other foodies would have talked about how Jim Harrison dealt with big flavors. In his poems, they're all there -- love and death, remorse and longing, the rocket contrails of living. There's not a lot of small talk in The Essential Poems... this book grabs you by the collar and tells you in eleven hundred ways to wake up."--John Freeman, Executive Editor, "Recommended Reading from Lit Hub Staff""Jim Harrison had an appetite. He devoured the natural world with gusto and wrote about it with wild energy and sweetly caustic wit...Harrison was also a prodigious poet, and this thoughtfully curated collection [The Essential Poems] showcases him at his best. Like his fiction, the poems observe the collision between civilization and the wildness outside our cities; they act like geocaches both harrowing and beautiful... Organized chronologically, the material here becomes a time line distilling Harrison's signature concerns."--Alta"It is hard-boiled poetry, some of the best of its kind, and one is not surprised to know that Harrison has written very tough novels... His poetic vision is at the heart of it all."--Harper's

    In Blake Bailey's masterful and entertaining biography, Yates himself serves as the fascinating lens into mid-century America, a world of would-be artists, depressed housewives, addled businessmen, high living, wistful striving, and self-deception. The story of Richard Yates here stands as a singular reminder of what the writer must sacrifice for his craft, the devil's bargain of artistry for happiness, praise for sanity.

     A vicious pirate known as the Albino is cutting a deadly swath across space, creating turmoil in the Klingon Empire that threatens to spill into the Federation. But this criminal also has a secret that could shake the halls of Imperial power, and his genocidal plans against the race that bore him will have consequences even he cannot imagine, as several unlikely allies join swords to bring the Albino to justice: Hikaru Sulu of the U.S.S. Excelsior; Klingon captains Kor, Koloth, and Kang; and a hotheaded young Federation diplomat named Curzon Dax. Tempered in the flames of their shared adversity, a captaincy is forged, a Blood Oath is sworn...and a hunt begins that will stretch from one generation to the next.

    Consumed by loneliness, guilt and spiraling sense of complete abandonment, K'abel is disconnected, and truly lost in the darkness. But when forced to choose between life and death, she realises that even in our darkest moments, a fire still burns within. And the darker it's gets, the brighter the flame. Raised by Raptors is the epic journey of a girl who has lost everything she knew and loved. But what if everything she thought she knew, she never knew at all? The first installment of a brand new graphic novel written by Oliver Sykes & illustrated by Ben-Ashton Bell.

    Synge. Produced at the Abbey Theater which Synge founded. Represents one of the major dramatic achievements of the 20th century.Includes:The Playboy of the Western WorldRiders to the SeaIn the Shadow of the GlenThe Well of the SaintsThe Tinker's WeddingDeirdre of the Sorrows

    Filled with guilt and indecision, he decides there is only one way to straighten this out....Mike Bartlett's punchy new story takes a playful, candid look at one man's sexuality and the difficulties that arise when you realise you have a choice.Cock premiered at the Royal Court Theatre, London, on November 13, 2009.

    Over the years these authoritative, critically acclaimed editions have been the preferred choice of more than three million readers for personal libraries and individual study as well as for classroom use.

    Bishop said that conversation with Lowell left her feeling "picked up again to the proper table-land of poetry," and she once begged him, "Please never stop writing me letters—they always manage to make me feel like my higher self (I've been re-reading Emerson) for several days." Neither ever stopped writing letters, from their first meeting in 1947 when both were young, newly launched poets until Lowell's death in 1977. The substantial, revealing—and often very funny—interchange that they produced stands as a remarkable collective achievement, notable for its sustained conversational brilliance of style, its wealth of literary history, its incisive snapshots and portraits of people and places, and its delicious literary gossip, as well as for the window it opens into the unfolding human and artistic drama of two of America's most beloved and influential poets.

    

    For to his first work for the theater James Baldwin brought all the fervor and majestic rhetoric of the storefront churches of his childhood along with an unwavering awareness of the price those churches exacted from their worshipers.  For years Sister Margaret Alexander has moved her Harlem congregation with a mixture of personal charisma and ferocious piety.  But when Margaret's estranged husband, a scapegrace jazz musician, comes home to die, she is in danger of losing both her standing in the church and the son she has tried to keep on the godly path. The Amen Corner is a play about faith and family, about the gulf between black men and black women and black fathers and black sons. It is a scalding, uplifting, sorrowful and exultant masterpiece of the modern American theater.

    The Buffalo Hunter chronicles the fixations of a 35-year-old who numbs his fear of women in some very unusual ways...