Wild ravings from an insane man turn to prophecy when the Truth is revealed.Cover illustration: Michael WhelanContents:"Introduction" (Lin Carter) "The Other Gods" (1921) "The Tree" (1920) "The Doom That Came to Sarnath" (1919) "The Tomb" (1917) "Polaris" (1918) "Beyond the Wall of Sleep" (1919) "Memory" (1919) "What the Moon Brings" (1923) "Nyarlathotep" (1920) "Ex Oblivione" (1921) "The Cats of Ulthar" (1920) "Hypnos" (1922) "Nathicana" (1927) "From Beyond" (1920) "The Festival" (1923) "The Nameless City" (1921) "The Quest of Iranon" (1921) "The Crawling Chaos" (1920) "In the Walls of Eryx" (1935) "Imprisoned with the Pharaohs" (1924)

    Then, in a state similar to the Buddhic plane, he is able to mingle with them and identify himself with their actors and objects. Still later, there is a transition in which the visions, and the monstrous and demonic forces he has evoked, begin to overpower him, to hurry him on helplessly, under circumstances of fright and panic. Armies of fiends and monsters, many drawn from the worlds of myth and fable, muster against him, pursue him through a terrible cosmos, and he is driven at last to the verge of a gulf into which falls in cataracts the ruin and rubble of the universe; a gulf from which the face of infinity itself, in all its awful blankness, beyond stars and worlds, beyond created things, even fiends and monsters, rises up to confront him." -- Clark Ashton Smith, Argument of 'The Hashish-Eater'