From the explosions of image and color in In The Shadow of the Sun, The Last of England, The Garden and Wittgenstein, to the somber blacks of his collages and tar paintings, Jarman has consistently used color in unprecedented ways, making his ideas on the subject of interest to filmmakers, film audiences, artists and students alike. Blue, his most personal and innovative film, consists of a compelling soundtrack accompanied by a monochrome blue image and is, among other things, a comment on Jarman's diminishing eyesight due to AIDS. In his signature style, a lyrical combination of classical theory, anecdote, and poetry, Jarman takes the reader through the spectrum, introducing each color as an embodiment of an emotion, evoking memories or dreams. He explains the use of color in Medieval painting through the Renaissance to the modernists and draws on the great color theorists from Pliny to Leonardo. He writes too about the meanings of color in literature, science, philosophy, psychology, religion and alchemy. Read either as a work on color, or a distillation of Jarman's artistic vision, Chroma presents an exciting perspective on the subject.

    Now available in paperback, this volume celebrates an artist whose acute perceptions and imagination embrace not only the photographs of children for which she is renowned, but also earlier landscapes and some unexpected, compelling forays into color and abstract photography. The 60 images include abstract platinum prints, Cibachromes and Polaroids, landscapes, portraits of women and 12-year-olds and her celebrated family pictures. Sally Mann was born in 1951 in Lexington, Virginia, where she continues to live and work. Among her many awards are three National Endowment for the Arts fellowships and a Guggenheim fellowship. Her photographs are in the permanent collections of the Metropolitan Museum of Art, The Museum of Modern Art, New York, the Whitney Museum of American Art, the Smithsonian American Art Museum and The Corcoran Museum of Art, to name just a few. Her books of photographs include Immediate Family and At Twelve: Portraits of Young Women.

    Language:Chinese.The Art of Lisbeth Zwerger

    

    Over 200 activities teach children to explore and understand their world through open-ended art experiences that emphasize the process of art, not the product. Activities are included for painting, drawing, collage, sculpture and construction.

    It grew out of a 15-year collaboration between an esteemed curator and a distinguished photographer. The work of such celebrated masters as Arget, Stieglitz, Cartier-bresson, Brassai, Walker Evans, Robert Frank and Garry Winogrand is presented here, along with extraordinary photos by complete unknowns. Colin Westerbeck's text illuminates each image and he has also contributed a new illustrated afterword for this paperback edition, which examines contemporary street photography.

    Now Douglas W. Druick, Searle curator of European paintings at The Art Institute of Chicago, has gathered more than 500 color and black-and-white reproductions of the artist's well-known and more obscure works.

    His uncompromising style of expression gave form to the anxieties and insecurities that beset Western culture at the turn of the nineteenth century, stigmatizing modern art to this day.

    He was one the most inventive and prolific of the modern masters, working in a dozen different styles, each of which he made uniquely his own, so that a work from his brush is unmistakable in any style/ The forty-eight full-page colour plates in this book illustrate the unparalleled way in which he combined unrivalled imaginative gifts with supreme technical and formal proficiency, from the playfulness of such early pictures as Red and White Domes to the more threatening, bitter satire of the later work.Accompanying the plates are extensive notes and an authoritative introduction, which discusses Klee’s life and the development of this thought and achievement. Douglas Hall's essay on the artist has been revised and expanded for this edition, to make it an invaluable introduction to an extraordinary painter.

    Twombly's early contacts with both the modern European tradition and New York School painting are examined, and the emergence of his own distinct style in the mid-1950s is presented with a new clarity. More than fifty of the artist's most important paintings from all phases of his career are reproduced in color, including recent works never seen outside the studio and several important earlier works not previously published. A dozen sculptures, stretching from the artist's early assemblages of the 1940s through work of recent years, are also reproduced, as well as more than forty works on paper.

    The book reassesses de Kooning's critical status as one of America's greatest and most influential artists, examines the complexity of his painting techniques, and places him in the context of other artists and art movements of his era. The book serves as the catalogue for a major exhibition of de Kooning's work presented at the National Gallery of Art in Washington, the Metropolitan Museum in New York, and the Tate Gallery in London.

    Theorizing Modernism is a re-reading of the modernist tradition in the visual arts that provides a unique view of the history of modern art and art criticism.Concentrating on canonical critical texts and images, the book examines modern art through a rhetoric of representation rather than through formalist criticism or the history of the avant-garde.

    To Paint Her Life tells the story of Salomon's extraordinary life and death.