Owen's poem is known for its horrific imagery and condemnation of war. It was drafted at Craiglockhart in the first half of October 1917 and later revised, probably at Scarborough but possibly Ripon, between January and March 1918.

    Besides such stories as the ants' subterranean city, the spider's suspension bridge, and the caterpillars' processing, he unlocks the mystery behind thunder and lightning, clouds and rain, the year and its seasons, and volcanoes and earthquakes. Suitable for ages 9 to 12.

    Two women uncover the truth in a rural murder investigation.

    Here, he comments on politics, education, the media, religion, and literature. The true subject of Twain's satire and burlesque is that strangest of all animals, the human being. In his novels, travel narratives, stories, essays, and sketches, Twain exposes such a variety of human foibles that one is left either laughing at the folly of human enterprise, blushing with shame at human behavior, or cursing the gods that would create such a silly animal. Twain does all three, often at the same time.

    Al Que Quiere! is the culmination of an experimental period for Williams that included his translations from Spanish. The Spanish epigraph of Al Que Quiere! is from the short story “El hombre que pareci´a un caballo” (“The Man Who Resembled a Horse”) by the Guatemalan author Rafael Are´valo Marti´nez. This centennial edition contains Williams’s translation of the story (made with the help of his father), as well as a fascinating chapter from a book of conversations with Williams, I Wanted to Write a Poem, in which he comments on the individual poems.