Outside the Smolny Institute for Noble Young Ladies, an English governess is waiting for her young charge to be released from school. But so are the Tsar’s secret police… Beautiful and headstrong, Sashenka Zeitlin is just sixteen. As her mother parties with Rasputin and her dissolute friends, Sashenka slips into the frozen night to play her part in a dangerous game of conspiracy and seduction. Twenty years on, Sashenka has a powerful husband with whom she has two children. Around her people are disappearing, but her own family is safe. But she's about to embark on a forbidden love affair which will have devastating consequences. Sashenka's story lies hidden for half a century, until a young historian goes deep into Stalin's private archives and uncovers a heart-breaking tale of passion and betrayal, savage cruelty and unexpected heroism - and one woman forced to make an unbearable choice.

    She shows how the vast mass of working people learnt, through their own struggles, that if they did not definitively defeat the capitalist class the only alternative was counter-revolution and military dictatorship. there would be no end to the war, no bread for starving families, or land for the peasantry without soviet rule. She also faces the counter-revolution that overtook the first workers state in history.In spite of the ultimate tragedy that befell the revolution, the creativity and organisational genius of working people, their striving for human dignity and liberation from class rule, are as inspiring today as then.

    Empires collapsed, new countries were born, revolutions shocked and inspired the world. This tumult, sometimes referred to as ‘the literary war’, saw an extraordinary outpouring of writing. The conflict opened up a vista of possibilities and tragedies for poetic exploration, and at the same time poetry was a tool for manipulating the sentiments of the combatant peoples. In Germany alone during the first few months there were over a million poems of propaganda published. We think of war poets as pacifistic protestors, but that view has been created retrospectively. The verse of the time, particularly in the early years of the conflict—in Fernando Pessoa or Filippo Tommaso Marinetti, for example—could find in the violence and technology of modern warfare an awful and exhilarating epiphany. In this cultural history of the First World War, the conflict is seen from the point of view of poets and writers from all over Europe, including Rupert Brooke, Anna Akhmatova, Guillaume Apollinaire, Gabriele D’Annunzio, Vladimir Mayakovsky, Rainer Maria Rilke and Siegfried Sassoon. Everything to Nothing is the award-winning panoramic history of how nationalism and internationalism defined both the war itself and its aftermath—revolutionary movements, wars for independence, civil wars, the treaty of Versailles. It reveals how poets played a vital role in defining the stakes, ambitions and disappointments of postwar Europe.

    Each makes a brilliant marriage that will bring her both happiness and heartbreak. The eldest, Princess Victoria, marries the handsome Prince Louis of Battenberg, the former lover of Lillie Langtry. The next, the exquisite Elisabeth, is swept off to the unbelievable splendor of the Romanov court by Grand Duke Serge, while Irène dazzles Prince Henry of Prussia and takes her place at the court in Berlin. Alix, the youngest, marries the man she has loved since childhood, Tsar Nicholas II of Russia, and becomes the fabled Empress Alexandra.From such exotic locals as Russia, Bulgaria and Ottoman Jerusalem, to the drawing rooms of Sandringham, The Royal Mob is told as an intimate memoir of the eldest sister, Princess Victoria of Hesse, who was the favorite granddaughter of Queen Victoria. Starting in the court of the Queen Empress and ending at the marriage of Victoria’s grandson, Prince Philip, to the future Queen Elizabeth of England, The Royal Mob is the lavish and exciting story of the last royal courts of Europe.