Among these reasons, Shulman firmly places the responsibility for the magnitude of lost lives at the feet of Adolf Hitler. A combination of the Fuhrer’s military ineptness, his refusal to take advice and his unique position of power made victory in WWII much less likely for Germany. Shulman also gives an account of the major military mistakes made by the German Army — beginning a war with Russia on the eastern front, declaring war on the U.S., and the decisive losses in North Africa. Defeat in the West is an important addition to WWII military history and a must-read for those interested in the subject. “An evaluation of the causes of German defeat, analyzed from interrogations of senior German officers, and a pre-D-day study of the German army, by an officer of the Intelligence Staff of the First Canadian Army.” Kirkus Reviews "His account of the strange relations between Hitler and the German General Staff is most revealing." The Canadian Historical Review "The sources that he has utilized are impressive. They consist essentially of Anglo-American intelligence summaries, which often incorporated captured German documents, of the published records of the Nuremberg Trial, and of his own and other interrogations of German officers." Saturday Review Milton Shulman (1 September 1913 – 24 May 2004) was a Canadian author, film and theatre critic. He joined the Canadian Army in 1944 as a major and by the war's end he was an intelligence officer with the First Canadian Army. He interviewed many of the captured German generals in the following months and years including Gerd von Rundstedt and Kurt Meyer. As a result of these interviews he wrote the classic Second World War military history Defeat in the West.

    One of the first Melvilleans to advance what has since become known as the "theory of the two Moby-Dicks," Olson argues that there were two versions of Moby-Dick, and that Melville's reading King Lear for the first time in between the first and second versions of the book had a profound impact on his conception of the saga: "the first book did not contain Ahab," writes Olson, and "it may not, except incidentally, have contained Moby-Dick." If literary critics and reviewers at the time responded with varying degrees of skepticism to the "theory of the two Moby-Dicks," it was the experimental style and organization of the book that generated the most controversy.

    Antelme's story of his experiences in Germany--his only book--indelibly marked an entire generation, "a work written without hatred, a work of boundless compassion such as that is to be found only in the great Russians."

    It lays a spiritual foundation under the material one of science; one upon which the current New Age movement is built.A century and more ahead of his time, Walter Russell, in The Secret of Light presents a unique Cosmogony, that of a universe in which Creator and Creation are proven to be a seamless, unified whole, and in which the dualism of “mind and matter” disappears.In revelation of what he terms “natural science,” Russell presents a two-way, magnetic-electric thought-wave universe, cyclic in nature and eternally “creating,” as opposed to the “created, expanding, entropic universe” of current science.Russell’s philosophy of the science of Being, the invisible world of Cause—the nature of consciousness, knowing, thinking, sensing, inspiration, intuition, energy, and the creative process—and the science of Expressed Being, the visible world of Effect—the nature of light, the wave structure of universal creation, the creation of the elements that make up our visible world, and the cycle nature of life and death— are proven a unified continuum.The Secret of Light illuminates the many questions regarding the nature of “science and consciousness.” Dr. Francis Trevelyan Miller (LITT.D., LL.D.), Historical Foundations, New York, wrote in 1947 of The Secret of Light,“I hasten to congratulate you on your epoch-making achievement in giving the world The Secret of Light. In this little volume, with its tremendous magnitude of thought, you have given Science and human knowledge a rebirth—a transmigration from its physical plane to its potential grandeur on the cosmic plane.”“You have opened the door into the infinite—science must enter. It may hesitate; it may engage in controversy, but it cannot afford to ignore the principles you have established which eventually will revolutionize man’s concept of himself, his world, his universe, and his human problems.”“You have done for us in the Twentieth Century what Ptolemy, Euclid, Copernicus, Galileo, Kepler did for their earlier centuries. But you have further penetrated all physical barriers and extended your discoveries into definite forms of the infinite law which created our universe and keeps it in operation with mathematical precision through the millions of years.”“Hitherto, Science while delving into these infinite sources has not attempted to define them. It has left the terminology to the ecclesiastics and theological dialectics. You have the courage and vision to start where they leave off — to explore the creative or spiritual law which motivates everything that exists: principles of far greater import than Einstein’s relativity. I hail you as a forerunner of our New Age of Science.”Part I: Omniscience, The Universe of KnowingPart II: Omnipotence, The Universe of Power Part III: Omnipresence; The Universe of Being

    He experimented ceaselessly with new ways of seeing - using photograms, photomontages, film and kinetic sculpture. In his photography he tried to use new angles of view and composition, and he recorded the effects of light on film that only the camera lens could capture. This book contains colour work which has never been published before.

    Since its original publication, Professor Born (Nobel laureate, 1954) continually updated the book to incorporate new developments in all branches of physics, particularly in the field of elementary particles. For this eighth edition he also wrote a new chapter on the quantum theory of solids.Contents include:Kinetic theory of gasesElementary particlesSpin of the electron and Paul's principleThe nuclear atomWave-corpusclesAtomic structure and spectral linesQuantum statisticsMolecular structureQuantum theory of solidsNuclear physicsOver 40 helpful appendixes, dealing with the mean square deviation, theory of relativity, electron theory, the Compton effect, Hamiltonian theory and action variables, atomic form factor, meson theory, van der Waals forces, and other topics supplement the main text. A bibliography and numerous figures and graphs further enhance the usefulness of Atomic Physics, which retains its value as a broad treatment of basic physics from the special perspective of a towering figure in the field.

    . . . The chief virtue of the book is its systematic character. From Frege to Quine most philosophical logicians have restricted themselves by piecemeal and local assaults on the problems involved. The book is marked by a genial tolerance. Carnap sees himself as proposing conventions rather than asserting truths. However he provides plenty of matter for argument."—Anthony Quinton, Hibbert Journal

    Translated and introduced by H.R. Hays.

    A sharply observed record of day-to-day life under Nazi rule in Paris and a bitter commentary on literary life in those years, it has also been called "a remarkable essay on courage and cowardice" (Caroline Moorehead, Wall Street Journal). Here, David Ball provides not only the first English-translation of this important historical document, but also the first ever annotated, corrected edition. Guéhenno was a well-known political and cultural critic, left-wing but not communist, and uncompromisingly anti-fascist. Unlike most French writers during the Occupation, he refused to pen a word for a publishing industry under Nazi control. He expressed his intellectual, moral, and emotional resistance in this diary: his shame at the Vichy government's collaboration with Nazi Germany, his contempt for its falsely patriotic reactionary ideology, his outrage at its anti-Semitism and its vilification of the Republic it had abolished, his horror at its increasingly savage repression and his disgust with his fellow intellectuals who kept on blithely writing about art and culture as if the Occupation did not exist - not to mention those who praised their new masters in prose and poetry. Also a teacher of French literature, he constantly observed the young people he taught, sometimes saddened by their conformism but always passionately trying to inspire them with the values of the French cultural tradition he loved. Guéhenno's diary often includes his own reflections on the great texts he is teaching, instilling them with special meaning in the context of the Occupation. Complete with meticulous notes and a biographical index, Ball's edition of Guéhenno's epic diary offers readers a deeper understanding not only of the diarist's cultural allusions, but also of the dramatic, historic events through which he lived.

    They had been married just a year when he left Lennox, Connecticut, where both their families live and work. In his taxi ride home, Johnnie receives foreboding hints that all has not been well in his absence. Eager to mend his fraying marriage, Johnnie attempts to cajole Glory to recommit to their life together. But something sinister has taken place during the intervening years—an infidelity that has not gone unnoticed in the superficially placid New England town.Accompanied by a new foreword from Farah Jasmine Griffin on the enduring legacy of Petry’s oeuvre, Country Place complicates and builds on the legacy of a literary celebrity and one of the foremost African American writers of her time.

    It began among the French Creoles of NewOrleans, and after the Civil War developed into a city-wide event with thevisit of the Russian Grand Duke Alexis in 1870.In this reprint of the classic work by one of Louisiana's most notableauthors, Robert Tallant examines the history and customs of Mardi Gras. Hedepicts the glittering balls, the ragtag marching clubs, the hilarious satiresof the Zulu parade, and the grandeur of Rex. The volume tells how Mardi Grashas grown from a simple celebration to become the soul of the city.Robert Tallant (1909-1957) was one of Louisiana's best-known authors, andparticipated in the WPA Writers Project during the 1930s and 1940s. BesidesMardi Gras . . . As It Was , Tallant also wrote Voodoo inNew Orleans and The Voodoo Queen . With Lyle Saxon andEdward Dreyer he co-authored the famous collection Gumbo Ya-Ya.