Best of
Read-For-School

1958

The Story of Helen Keller


Lorena A. Hickok - 1958
    "She's not a poor little thing. She's a strong, healthy child. I suspect she has a better mind than many children who can see and hear." Helen was deaf, dumb and blind, isolated in a world of silence and darkness. She couldn't get out of the black closet she lived in until Annie Sullivan arrived one day, burning with determination to free Helen's mind, and teach her to live as a real human being. The job that Annie Sullivan set for herself and never been accomplished before. At first it looked hopeless, for there didn't seem to be any way to reach the child whose strong will clashed with her teacher's. But then one day Helen realized what was wanted of her, and from her first discovery that "everything has a name," there was no stopping her. Learning was fun, and the once bad-tempered little girl was transformed into a quick and avid pupil who could "see" a lion, ride a horse, swim in the ocean. Helen Keller, denied pity by her wise teacher, became the most famous child in the world, and then a gracious, well-educated woman whose triumphs make a story more moving than any fiction.

George Mueller: He Dared to Trust God for the Needs of Countless Orphans


Faith Coxe Bailey - 1958
    George Mueller—miraculously transformed by the power of Christ, daring to dream a dream and to trust God to bring it to pass.

Examination Day


Henry Slesar - 1958
    His parents don't say much about it. They seem to be worried about Dickie's performance.

The Conversion of the Jews


Philip Roth - 1958
    Each book in the series has been designed with today's young reader in mind. As the words come to life, students will develop a lasting appreciation for great literature.The humor of Mark Twain...the suspense of Edgar Allan Poe...the danger of Jack London...the sensitivity of Katherine Mansfield. Creative Short Stories has it all and will prove to be a welcome addition to any library.

Krapp's Last Tape and Other Dramatic Pieces


Samuel Beckett - 1958
    The stage play Krapp’s Last Tape evolves a shattering drama out of a monologue of a man who, at age sixty-nine, plays back the autobiographical tape he recorded on his thirty-ninth birthday. The two radio plays were commissioned by the BBC; All That Fall “plumbs the same pessimistic depths [as Waiting for Godot] in what seems a no less despairing search for human dignity” (London Times), and Embers is equally unforgettable theater, born of the ramblings of an old man and his wife. Finally, in the two pantomimes, Beckett takes drama to the point of pure abstraction with his portrayals of, in Act Without Words I, frustrated desired, and in Act Without Words I, corresponding motions of living juxtaposed in the slow despair of one man and the senselessly busy motion of another.

The Changeling


Robin Jenkins - 1958
    His teachers admit that he is clever, but only one, Charles Forbes, sees an uncanny warmth in his reticence and in his seemingly insolent smile—so he decides to take Tom on holiday with his own family. This powerful novel explores one of Jenkins's consistent and most fruitful themes—how goodness and innocence are compromised when faced with the pressures of growing up and becoming part of society.

Four Great Plays: Ghosts / The Wild Duck / An Enemy of the People / A Doll's House


Henrik Ibsen - 1958
    Ghosts - the startling portrayal of a family destroyed by disease and infidelity. The Wild Duck - A poignant drama of lost illusions. An Enemy Of The People - Ibsen's vigorous attack on public opinion. And A Doll's House - the play that scandalized the Victorian world with its unsparing views of love and marriage, featuring one of the most controversial heroines - and one of the most famous exits - in the literature of the stage.,p>Although Ibsen outraged many of his contemporaries, he persisted: he shocked the unthinking into thinking and blasted through the thick fog of convention to the restless human passions hidden underneath. Today his plays remain masterpieces of psychological insight and theatrical power.