It has been stifled by this myopic focus on the present, which is short-sighted and assimilationist.Cruising Utopia seeks to break the present stagnancy by cruising ahead. Drawing on the work of Ernst Bloch, José Esteban Muñoz recalls the queer past for guidance in presaging its future. He considers the work of seminal artists and writers such as Andy Warhol, LeRoi Jones, Frank O'Hara, Ray Johnson, Fred Herko, Samuel Delany, and Elizabeth Bishop, alongside contemporary performance and visual artists like Dynasty Handbag, My Barbarian, Luke Dowd, Tony Just, and Kevin McCarty in order to decipher the anticipatory illumination of art and its uncanny ability to open windows to the future.In a startling repudiation of what the LGBT movement has held dear, Muñoz contends that queerness is instead a futurity bound phenomenon, a "not yet here" that critically engages pragmatic presentism. Part manifesto, part love-letter to the past and the future, Cruising Utopia argues that the here and now are not enough and issues an urgent call for the revivification of the queer political imagination.

    and a small boy very worried.Lydia Weekes is distraught at the break-up of her marriage. When her young son, Charlie, makes friends with the local doctor, Jean Markham, her life is turned upside down.Charlie tells his secrets to no one but the bees, but even he can't keep his mother's friendship to himself. The locals don't like things done differently. As Lydia and the doctor become closer, the rumours start to fly and threaten to shatter Charlie's world.

    Brite’s cheerfully chaotic series starring two chefs in New Orleans. The Value of X introduces G-man and Rickey, who grew up in New Orleans’ Lower Ninth Ward and who are slowly realizing there are only two important things in life: cooking and each other. Rickey’s parents aren’t quite so taken with the boy’s plans and get him an impossible-to-resist place at the Culinary Institute of America.In D*U*C*K, Rickey and G-man’s restaurant, Liquor, is doing well but there are the usual complications of running a kitchen: egos get bruised, people get fired . . . and then Rickey is jumped in an alley by one of their ex-waiters.On the mend, Rickey takes a side job to cater the annual Ducks Unlimited banquet, where every course must, of course, include the ducks the hunters have bagged. Rickey’s crew are ready to meet the challenge, but Rickey’s not sure he can do it all and deal with the guest of honor—his childhood hero, former New Orleans Saints quarterback Bobby Hebert."Fun foodie fiction, and readers will scarf it down as quickly as a plate of blackened crawfish."—Publishers WeeklyOriginally published in limited hardcover editions, these two novels are full of the pure joy of love, hard work, and great food and are a tremendous extension (or introduction) to Brite’s series.Praise fo the Rickey and G-man stories:“A high-end restaurant is...a gift that keeps on giving. The heat, the bickerings and intrigue, the pursuit of perfection, the dodgy money keeping it all afloate: the setting spawns plots...Can the [Liquor] franchise sustain itself? The answer is yes.”—New York Times“World-class satire and perfect New Orleans lit.”—Andrei Codrescu“Steeped in spicy dialogue and [New Orleans] flavor...a behind-the-swinging-door peek into the world of chefs.”—Entertainment WeeklyPoppy Z. Brite’s fiction set in the New Orleans restaurant world includes Prime, Liquor, and Soul Kitchen. She has also published five other novels and three short story collections. She lives with her husband Chris, a chef, in New Orleans.

    Told through a kaleidoscopic braid of stories, letters, and riddles, this stunning debut collection follows Xiaomei's life as she grows into her sexuality and searches for a way to deal with her complicated histories.At times, meditation, celebration, investigation, and elegy, this is a book about personal transformation within the context of a family forced to make do—a Makeshift Family—and how one might create new language to name the New World.

    These weekly portions, read aloud in synagogues around the world, have been subject to interpretation and commentary for centuries. Following on this ancient tradition, Torah Queeries brings together some of the world's leading rabbis, scholars, and writers to interpret the Torah through a bent lens. With commentaries on the fifty-four weekly Torah portions and six major Jewish holidays, the concise yet substantive writings collected here open up stimulating new insights and highlight previously neglected perspectives.This incredibly rich collection unites the voices of lesbian, gay, bisexual, transgender, and straight-allied writers, including some of the most central figures in contemporary American Judaism. All bring to the table unique methods of reading and interpreting that allow the Torah to speak to modern concerns of sexuality, identity, gender, and LGBT life. Torah Queeries offers cultural critique, social commentary, and a vision of community transformation, all done through biblical interpretation. Written to engage readers, draw them in, and, at times, provoke them, Torah Queeries examines topics as divergent as the Levitical sexual prohibitions, the experience of the Exodus, the rape of Dinah, the life of Joseph, and the ritual practices of the ancient Israelites. Most powerfully, the commentaries here chart a future of inclusion and social justice deeply rooted in the Jewish textual tradition.A labor of intellectual rigor, social justice, and personal passions, Torah Queeries is an exciting and important contribution to the project of democratizing Jewish communities, and an essential guide to understanding the intersection of queerness and Jewishness.

    Hate destroys everything. Don't let it destroy you..."For decades, ultra-liberal Windfield College has been a thorn in the side of Northern Virginia's hidebound elite. When a teaching position unexpectedly becomes available, the school hires a former male graduate - now a transsexual woman named Nickie Farrell - as an assistant professor of English. Hoping to find peace, Nickie keeps her secret under wraps until ambitious lesbian student reporter Cinda Vanderhart outs her. And Cinda has noticed something else: both Nickie and a young townie waiter named Collie Skinner have a genetic quirk which causes their eyes to be different colors. Convinced that the similarity is no coincidence, Cinda begins an investigation to discover the connection between them. Meanwhile, in a death-bed confession as she succumbs to years of brutality at the hands of her disgraced cop husband, Collie's mother Luanne reveals that his birth resulted from an illicit affair she had with a long-vanished Windfield college senior named Nick Farrington. Shattered by his mother's death, Collie turns for comfort to Robin Thompson, a gentle-hearted Christian co-worker at the upper-crust Foxton Arms restaurant. As Nickie is stalked by a pair of homicidal sociopaths, Robin finds herself entangled not only in Cinda's investigative machinations but also a murderous plot by former U.S Ambassador and tycoon Eamon Douglass to eradicate the hated college with a suicide detonation of a Cesium 137 dirty bomb. Lives and secrets hang in the balance until everything comes to a head on the morning of Windfield's annual spring picnic: April Fools Day. Filled with richly-drawn characters and building to a stunning climax, SHE'S MY DAD is a story about the destructiveness of hate, the power of love, and the redemptive triumph of good over evil. Like her title character Nickie Farrell, Iolanthe Woulff is a transsexual woman. A fifty-nine-year-old Princeton-educated English major, she lives in Palm Springs, CA, where for several years she wrote a column in a local magazine about the challenges of gender transition. As the eldest child of author Herman Wouk, storytelling has always been dear to Ms. Woulff's heart. Her hope is that besides providing a suspenseful read, SHE'S MY DAD will help to dispel some of the widespread misconceptions about transsexual people.