Beginning with the turn-of-the-century writings of Angelina Welde Grimke and Alice Dunbar Nelson, it charts the evolution of black lesbian and gay fiction into the Harlem Renaissance of Langston Hughes and Countee Cullen and the later postwar era, in which works by Audre Lorde and James Baldwin signal the emerging sexual liberation movements. The 40 authors featured also include Alice Walker, E. Lynn Harris, Audre Lorde, April Sinclair, Jewelle Gomez, Thomas Glave, and Jacqueline Woodson.

    Now, first-time author Lee Hayes takes this hot-button issue to gripping new levels in a novel that transcends all barriers of sex, class, and race."From the outside it looked like the perfect world; exclusive neighborhood, fancy cars, and wealth. If only they knew..."Everything that looks good isn't good for you. From the outside, Kevin Davis' world leaves nothing to be desired. It is a life of luxury, comfort and money, but never judge a book by its cover. His pretend world hides the verbal, physical and sexual abuse he endures at the hands of his perfect man. Passion Marks finds Kevin entangled in a dark web of love, violence, depravity and torment at the hands of his lover, James Lancaster, the ambitious CEO of a rising Houston software firm. In order to free himself from the cycle of violence, Kevin must overcome his personal demons. In this psychological battle of wills, who will be the ultimate victor?Building to an unforgettable climax, and peopled by a cast of richly drawn characters- including Kevin's best girlfriend, Danea, and the mercilessly driven James- this is a powerhouse story of tough love from a supremely talented new author.

    Born into a family whose incremental success bumps them up a notch from their immigrant upbringing and into suburban America, Paul puts his creative, undaunted energy into drawing intricate housing development plans and writing liturgical music.In the lively, loving essays contained in Famous Builder, Lisicky explores the constant impulse to rebuild the self. With gracious, thoughtful candor and pitch-perfect humor, he explores the very personal realms of childhood dreams and ambitions, adolescent sexual awakenings, and adult realities.

    One of Chicano literature's premier poets, Alarcón has brought his luminous images to the page in such acclaimed volumes as Sonnets to Madness and Other Misfortunes and Snake Poems. Now he has assembled the best of his work from fifteen years, along with fourteen new poems, in a book that distills his magical sense of reality into a cup brimming with passion. Raised in Guadalajara and now living in the San Francisco Bay area, Alarcón sees that " 'Mexican' / is not / a noun / or an / adjective / 'Mexican' / is a life / long / low-paying / job." Participating in a poetic tradition that goes back to the mystic Spanish poets of the sixteenth century, he brings us sonnets infused with romance and tenderness—and shorter poems that are direct and hard-hitting commentaries on American society, as he cries out for "a more godlike god," one "who spends nights / in houses / of ill repute / and gets up late / on Saturdays." Alarcón invokes both the mysteries of Mesoamerica and the "otherness" of his gay identity. "My skin is dark / as the night / in this country / of noontime," he writes, "but my soul / is even darker / from all the light / I carry inside." In lyrical poems open to wide interpretation, he transcends ethnic concerns to address social, sexual, and historical issues of concern to all Americans. The fourteen new poems in From the Other Side of Night offer startling new commentaries on life and love, sex and AIDS. Shifting effortlessly between English and Spanish—and even Nahuatl—Alarcón demonstrates the gift of language that has earned him both a wide readership and the admiration of fellow poets. With this book, he invites new readers to meet him where the darkness is palpable and the soul burns bright.