He took murder out of the Venetian vase and dropped it into the alley. He was spare, frugal, hard-boiled, but he did over and over again what only the best writers can ever do at all. He wrote scenes that seemed never to have been written before - Raymond ChandlerNot just the first of a tough school of crime-writing but the best... Hammett had seen the rotten underbelly of his country and wanted others to see it - The TimesHammett's is the America of Prohibition days and over all is the stink of corruption and cordite and hard liquor - Oxford TimesNobody else ever did it quite like this, and no one has ever done it since - The Times Literary SupplementCover illustration by Nancy Slomins

    Jonathan Scrivener. Much to his surprise, he is hired at a lavish salary despite never even meeting Scrivener, and he is told to take up residence at once in the flat of his new employer, who has suddenly disappeared. Mystified by Scrivener’s strange conduct and desperate to learn something about him, it seems Wrexham will get the answers he seeks when Scrivener’s friends begin to visit the flat: Pauline Mandeville, an ethereal beauty, Francesca Bellamy, a widow who may be responsible for the death of her husband, Andrew Middleton, a disillusioned alcoholic, and Antony Rivers, a handsome playboy. But as each of them unfolds his story about Scrivener, it seems that none of them are describing the same person, though all are obsessed with finding him. Why has he hired Wrexham, and why does he seem to have thrust this unlikely group of people together? Is Scrivener engaged in an inscrutable experiment, or could he be laying some kind of trap? Popular in his time for his psychological thrillers, Claude Houghton (1889-1961) was admired by writers as diverse as P. G. Wodehouse, Henry Miller, Hugh Walpole, and Graham Greene, but has fallen into neglect in the past half-century. This new edition restores his masterpiece I Am Jonathan Scrivener (1930) to print and includes Walpole’s introduction from the 1935 edition and an essay by Pulitzer Prize-winning critic and Washington Post columnist Michael Dirda.“So remarkable in truth is this novel that I cannot understand why it is not universally known and admired.” - Hugh Walpole“I Am Jonathan Scrivener remains a tantalizing, highly diverting philosophical novel of rare elegance and wit.” - Michael Dirda

    Scotland Yard)The Death Penalty (from The Saint and Mr. Teal)The Simon Templar Foundation (from The Misfortunes of Mr. Teal)The Unfortunate Financier (from The Saint Intervenes)The Sleepless Knight (from The Saint Intervenes)The High Fence (from The Ace of Knaves)The Affair of Hogsbotham (from Follow the Saint)The Last Word by Leslie Charteris

    Assembled together these reveal the location of a secret document which restores the rightful owners to the local mansion.