It offers practical tips and solutions to attracting and identifying birds, offering the best foods for the birds you want to see, and how to deter those unwanted guests to feeding stations. Each chapter focuses on an important aspect of the hobby and guides readers to the essential steps of bird feeding mastery: Founder of Wild Birds Unlimited, Jim Carpenter brings a lifelong passion for birds and bird feeding along with real solutions to make anyone’s backyard a paradise for the birds and for bird watchers.

    A visually stunning, comprehensive resource on North America’s birds of prey Always a popular group of birds, raptors symbolize freedom and fierceness, and in Pete Dunne’s definitive guide, these traits are portrayed in hundreds of stunning color photographs showing raptors up close, in flight, and in action—fighting, hunting, and nesting.   These gorgeous photographs enhance the comprehensive, authoritative text, which goes far beyond identification to cover raptor ecology, behavior, conservation, and much more.   In returning to his forte and his first love, Pete Dunne has crafted a benchmark book on raptors: the first place to turn for any question about these highly popular birds, whether it’s what they eat, where they live, or how they behave.

    Looking at more than 900 species, The Australian Bird Guide is the most comprehensive field guide on Australian birds available, and contains by far the best coverage of southern seabirds. With 249 color plates containing 4,000 stunning images, this book offers a far more in-depth treatment of subspecies, rarities, and overall plumage variation than comparative guides. The artwork meets the highest standards, and the text is rigorously accurate and current in terms of identification details, distribution, and status. The Australian Bird Guide sets a new bar for coverage of Australia's remarkable avifauna and is indispensable to all birders and naturalists interested in this area of the world, including the southern oceans.Brand-new guide with an attractive look and design249 color plates containing 4,000 superb images by some of the most talented illustrators working in Australia todayEvery bird species in Australia is covered (more than 900), including subspecies and raritiesUp-to-date maps reflect the latest information on distributionAccurate and detailed text

    Award-winning artist Alan Woollett shows you the techniques, materials and compositional skills you need to create your own stunning realistic bird artwork using graphite and colored pencils.

    With added albatross. Available from the Gert Macky online bookshop.

    She watched the other harriers as they left to go foraging for food out on the moor. She didn’t join them, for she had felt a quickening in her body, an urge to move to Mallowdale Pike, a rocky crag from where she had fledged nine months ago. After preening, she lifted off from the roost and soared up over the fell.’David Cobham enters Beth’s world to show what being a hen harrier today is like. He immerses himself not only in the day-to-day regimen of her life, the hours of hunting, bathing, keeping her plumage in order and roosting, but also the fear of living in an environment run to provide packs of driven grouse for a few wealthy sportsmen to shoot.The hen harrier is seen as a totemic species in the battle between the conservationists and ruralists, and as one of the key players in this emotive debate, David Cobham is uniquely placed to reflect on Beth’s story. In this powerful narrative, he provides us with a profound tale which helps to illuminate the larger implications of the species’ decline, highlighting the urgent need for conservation efforts to reverse this.

    Compelling, strange and at times both startlingly funny and cruel, Baker's prose is at one with his image as a writer, which has, since the publication of his first work, been characterized as an obsessive recluse. Next to nothing was known about Baker, who died in 1987, until an archive of his materials and those related to him was gifted to the University of Essex in 2013. Only now has it been possible to piece together an accurate view of the life and unpublished work of the man whose writing has been described as "the gold standard for all nature writing" (Mark Cocker), and whose work has influenced naturalists such as Richard Mabey and Simon King, as well as film-makers David Cobham and Werner Herzog. This new book showcases the most compelling parts of the Baker Archive, containing previously unknown elements of his life, many photographs and unpublished poems. It provides an invaluable new insight into both his sensitive and passionate character, and late twentieth century Britian, a country experiencing the throes of agricultural and environmental change.

    At the center of the Year of the Animal was the Royal Menagerie in the gardens of Versailles, dominated by exotic and graceful birds. In the unfolding of his original and sophisticated argument, Sahlins shows how the animal bodies of the menagerie and others were critical to a dramatic rethinking of governance, nature, and the human.The animals of 1668 helped to shift an entire worldview in France—what Sahlins calls Renaissance humanimalism toward more modern expressions of classical naturalism and mechanism. In the wake of 1668 came the debasement of animals and the strengthening of human animality, including in Descartes's animal-machine, highly contested during the Year of the Animal. At the same time, Louis XIV and his intellectual servants used the animals of Versailles to develop and then to transform the symbolic language of French absolutism. Louis XIV came to adopt a model of sovereignty after 1668 in which his absolute authority is represented in manifold ways with the bodies of animals and justified by the bestial nature of his human subjects.1668 explores and reproduces the king's animal collections—in printed text, weaving, poetry, and engraving, all seen from a unique interdisciplinary perspective. Sahlins brings the animals of 1668 together and to life as he observes them critically in their native habitats—within the animal palace itself by Louis Le Vau, the paintings and tapestries of Charles Le Brun, the garden installations of André Le Nôtre, the literary work of Charles Perrault and the natural history of his brother Claude, the poetry of Madeleine de Scudéry, the philosophy of René Descartes, the engravings of Sébastien Leclerc, the transfusion experiments of Jean Denis, and others. The author joins the nonhuman and human agents of 1668—panthers and painters, swans and scientists, weasels and weavers—in a learned and sophisticated treatment that will engage scholars and students of early modern France and Europe and readers broadly interested in the subject of animals in human history.