Best of
New-York
1963
Can't Anybody Here Play This Game?: The Improbable Saga of the New York Mets' First Year
Jimmy Breslin - 1963
(The title of the book is a quote from Casey Stengel, their manager at the time.) Breslin casts the Mets, who lost 120 games out of a possible 162 that year, as a lovable bunch of losers. And, he argues, they were good for baseball, coming as a welcome antidote to "the era of the businessman in sports...as dry and agonizing a time as you would want to see." Although they were written forty years ago, many of Breslin's comments will strike a chord with today's sports fan, fed up with the growing commercialism of the games. Against this trend Breslin sets the exploits of "Marvelous" Marv Throneberry, Stengel, and the rest of the hapless Mets. "Wonderful."--Charles Salzberg, New York Times. "A touching, enjoyable, and interesting addition to anybody's sports reading list."--Patrick Conway
The Tenants of Moonbloom
Edward Lewis Wallant - 1963
His brother, a slumlord, hires him to collect rent in the buildings he owns in Manhattan. Making his rounds from apartment to apartment, Moonbloom confronts a wildly varied assortment of brilliantly described urban characters, among them a gay jazz musician with a sideline as a gigolo, a Holocaust survivor, and a brilliant young black writer modeled on James Baldwin. Moonbloom hears their cries of outrage and abuse; he learns about their secret sorrows and desires. And as he grows familiar with their stories, he finds that he is drawn, in spite of his best judgment, into a desperate attempt to improve their lives.Edward Lewis Wallant's astonishing comic tour de force is a neglected masterpiece of 1960s America.
The Messenger
Charles Stevenson Wright - 1963
Realistically narrated in the first person by Charles Stevenson -- a light-skinned African American newcomer to Manhattan from small-town Missouri -- the novel dramatizes the isolation and alienation of those who fall prey to America's social, economic, and racial caste systems. Stevenson works as an office messenger and constantly finds himself on the edges of power, yet is utterly devoid of any. A man perceived as neither black nor white, “a minority within a minority,” he drifts through the naturalistic city of New York, where victory and defeat are accepted “with the same marvelous indifference.”