Soon after his parents, German-speaking Jews, had perished at the hands of the Nazis, Celan wrote "Todesfuge" ("Deathfugue"), the most compelling poem to emerge from the Holocaust. Self-exiled in Paris, for twenty-five years Celan continued writing in his German mother tongue, although it had "passed through the thousand darknesses of deathbringing speech." His writing purges and remakes that language, often achieving a hope-struck radiance never before seen in modern poetry. But in 1970, his psychic wounds unhealed, Celan drowned himself in the Seine. This landmark volume includes youthful lyrics, unpublished poems, and prose. All poems appear in the original and in translation on facing pages. John Felstiner's translations stem from a twenty-year immersion in Celan's life and work. John Bayley wrote in the New York Review of Books, "Felstiner translates ... brilliantly."

    This collection features four new stories, translated specially for this volume. It also contains all eight stories that Satyajit Ray translated himself into English.

    There are the Ruttledges, who came from London in search of a different life on the edge of the village lake; John Quinn, who will stop at nothing to ensure a flow of women through his life; Jimmy Joe McKiernan, head of the local IRA as well as town auctioneer and undertaker; the gentle Jamesie and his wife, Mary, who have never left the lake and who know about everything that ever stirred or moved there; Patrick Ryan, the builder who never quite finishes what he starts; Bill Evans, the farmhand whose orphaned childhood was marked with state-sanctioned cruelties and whose adulthood is marked by the scars; and the wealthiest man in town, known as the Shah. A year in the lives of these and other characters unfolds through the richly observed rituals of work and play, of religious observance and annual festivals, and the details of the changing seasons, of the cycles of birth and death. With deceptive simplicity and eloquence, the author reveals the fundamental workings of human nature as it encounters the extraordinary trials and pleasures, terrors and beauty, of ordinary life.By the Lake is John McGahern’s most ambitious, generous, and superbly realized novel yet.(above copied from amazon.com)

    What's less well known about Hughes is that for much of his life he maintained a friendship with Carl Van Vechten, a flamboyant white critic, writer, and photographer whose ardent support of black artists was peerless.Despite their differences — Van Vechten was forty-four to Hughes twenty-two when they met–Hughes’ and Van Vechten’s shared interest in black culture lead to a deeply-felt, if unconventional friendship that would span some forty years. Between them they knew everyone — from Zora Neale Hurston to Richard Wright, and their letters, lovingly and expertly collected here for the first time, are filled with gossip about the antics of the great and the forgotten, as well as with talk that ranged from race relations to blues lyrics to the nightspots of Harlem, which they both loved to prowl. It’s a correspondence that, as Emily Bernard notes in her introduction, provides “an unusual record of entertainment, politics, and culture as seen through the eyes of two fascinating and irreverent men.

    She draws on recently discovered material to shed new light on Wright's relationships with Langston Hughes, Ralph Ellison, and others, and on his self-imposed exile in France (widely blamed for his so-called decline as a writer). In this lively, finely crafted narrative, Wright -- passionate, complex, courageous, and flawed -- comes vibrantly to life.

    But what if, instead of those rather innocuous queries, the child asks things like: What's inside this bunny that makes him move? What if I put a raisin in a dead man's nose? If I leave the paw of a deceased mole in the sun, will it grow sprouts and fungus like potatoes? This is the world of Renee French, who's independent comic book stories have been disturbing readers and provoking reactions since the early '90s. Oni's hefty collection, Marbles In My Underpants, is the first major volume of her work to be published anywhere. It's a comprehensive retrospective, examining French's versatility and the spectrum of her career, from the harsh early work in Grit Bath up to Corny's Fetish, a touching tale of a lonely man and his desire for love. Through horror, psychedelia, and, ultimately, a skewed approach to conventional storytelling, French gets to the dark middle of the human psyche, crafting a truly unique comic-book experience.