This is not the novel The Handmaid's Tale. The Handmaid's Tale (1985), by Canadian writer Margaret Atwood, revisits the Anglo-American utopian/dystopian tradition. Appealing to imaginative fiction and the novel of ideas, the construction of perfect - or nightmarish - worlds rouses the reader's socio-political awareness of the present and invites questions on the shape of the near furure. The Handmaid's Tale deconstructs the utopian narrative by breaking the chronological order of the female protagonist's experience into a time-shifting testimony, a quest for meaning and an exploration of self versus the other. The intricate play on word and symbol can be read against the historical background of seventeenth-century New England Puritanism, as well as the twentieth-century New Right and women's rights movements, while inviting reference to the postmodernist outlook. This volume includes a bibliography, a study of the book's context, as well as essays and commentaries; the approach has been adapted to the needs of Capes and Agregation students.

    Original edition has sold more than 85,000 copiesTold in the charming, straightforward tradition of a classic fable, and illustrated as richly as a favorite children’s story, Pearson’s modern-day tale will inspire every adult facing his or her own life challenges.

    This exciting new series assembles key documents and criticism concerning these works that have so recently become central components of the American literature curriculum. Each casebook will reprint documents relating to the work's historical context and reception, present the best in critical essays, and when possible, feature an interview of the author. The series will provide, for the first time, an accessible forum in which readers can come to a fuller understanding of these contemporary masterpieces and the unique aspects of American ethnic, racial, or cultural experience that they so ably portray.Perhaps more than any other single text, Maya Angelou's I Know Why the Caged Bird Sings helped to establish the mainstream status of the renaissance in black women's writing. This casebook presents a variety of critical approaches to this classic autobiography, along with an exclusive interview with Angelou conducted specially for this volume and a unique drawing of her childhood surroundings in Stamps, Arkansas, drawn by Angelou herself.

    From the love affair between a missionary and a drunkard to the mystery surrounding a death at sea, this collection gives a warm and humourous insight into life and history of life in the colonies and stands as a superbly entertaining and compelling testament to Maugham's skill and power as a short story writer.For an alternate cover edition see: https://www.goodreads.com/book/show/3...

    Drawing from the remnants of real-life anecdotes--from Edgar Allan Poe's final days to the agonizing tale of Idilia Dubb--these stories are imagined descents into death's supreme indifference. A true modern inheritor of the legacy of the French Decadent writers, Wittkop spins these tales with her trademark macabre elegance and chilling humor, maneuvering in an uncertain space between dark Romanticism, Gothic Expressionism and Sadean cruelty. "Death is life's most important moment," Wittkop claimed; Exemplary Departures offers five particularly important moments for the English reader's delectation. First published as a set of three novellas in 1995, this translation is of the 2012 edition of five novellas, which include the previously unpublished "Mr. T.'s Last Secret" and "Claude and Hippolyte.

    Chris, best known for his reporting on wars around the world, takes us back to his childhood in his father's universe of Southern intellectuals and backwoods rednecks, of night-fighter pilots in the Pacific, poets in Paris, and martini-drinking ad men in Atlanta. And to the summer of 1971, when James Dickey's first novel, "Deliverance", was made into a movie.That tale of soft suburbanites forced to kill or be killed along the rushing white waters of a wild Georgia river was a huge success, and Jim Dickey, who played the sheriff in the movie, became an instant star. But it was also in that summer that the long, slow process of destruction-- of himself and of his family-- became clear. Poetry gave way to performance, and genius faded behind an alcoholic haze. Jim Dickey's world shrank to Columbia, South Carolina, where he taught at the university. His friends drifted, or were driven, away. So too his sons.For nearly twenty years after his mother drank herself to death in 1976, Christopher hardly saw his father. When they met, it was in passing and on neutral territory-- at a coffee shop at La Guardia Airport, at the university's faculty club. Always, Jim would be drunk. Chris had heard accounts of the horrors in his father's house: an alcoholic second wife, a little daughter forced to rely on her wits and will to survive. But Chris believed that there was nothing he could do about the decisions his father made.Then, in the summer of 1994, pushed by his own wife, Chris went back to South Carolina, back to his mother's grave. He steeled himself against all the madness he knew still lingered there, but hoped that by reuniting with his father he would find what was missing in himself. He discovered he had been right about the horrors of his father's life, but he also found a blood tie that could not be broken, a need for kinship that had to be satisfied. A few months later, as Jim Dickey lay in a hospital near death with liver disease, Chris and his brother, Kevin, and the thirteen-year-old sister they barely knew entered into a conspiracy to save him. And they succeeded.During the last two years of his life, Jim Dickey was physically shrunken and short of breath, but sober. He spoke, as he had not for years, with consistent, dazzling lucidity. He turned his depleting energy to his poetry and breathed new life into it. His wife, who had fought her own terrible battle with depression, slowly found her independence, while his daughter thrived in school. And Chris, whether on long drives with his father through the Carolina flatlands to the coast or sitting with him in the house in Columbia amidst the books, bows, guitars, and manuscripts, found in Jim Dickey's clear-eyed love the father he had missed for so long.Drawing on letters, notebooks, diaries, and Chris's explicit conversations with his father about what happened between them, "Summer of Deliverance" is a superbly crafted memoir of the corrosive effects of fame and an inspiring celebration of love between father and son.

    The months that follow, as he fights his way to a new idea of life, death, and God, are part of his human season. But he also reflects on the years behind him.

    Included in this edition are four plays from his extraordinary career: "Beyond the Horizon, Anna Christie, The Emperor Jones", known for its unusual stage devices and powerful use of symbolism, and "The Hairy Ape", one of O'Neill's experiments in expressionism.