Then one day I started writing . . .' Truman Capote began writing at the age of eight, and never looked back. A Capote Reader contains much of the author's published work: his brilliant and prolific oeuvre of fiction, travel sketches, portraits, reportage and essays. It includes all twelve of his celebrated short stories, together with The Grass Harp and Breakfast at Tiffany's. There are vivid sketches of places from Tangiers to Brooklyn, and fascinating insights into the lives of his contemporaries, from Jane Bowles and Cecil Beaton to Marilyn Monroe and Tennessee Williams. Generous space is devoted to reportage including 'The Muses Are Heard', on his trip to Communist Europe in the 1950s with the cast of Porgy and Bess. In all, A Capote Reader demonstrates the chameleon talents of one of America's most versatile and gifted writers.

    Here for the first time in one volume are her complete stories.

    Time passes and opinions change. “Why should we go on supporting a book which we detest?” Rose Curtland asks. “The brotherhood of Western intellectuals versus the book of history,” Jenkin Riderhood suggests. The theft of a wife further embroils the situation. Moral indignation must be separated from political disagreement. Tamar Hernshaw has a different trouble and a terrible secret. Can one die of shame? In another quarter a suicide pact seems the solution. Duncan Cambus thinks that since it is a tragedy, someone must die. Someone dies. Rose, who has gone on loving without hope, at least deserves a reward.

    Master storyteller, William Trevor's tender and moving story is about a mysterious emigrant couple who have come to Ireland during the Second World War, and the sensitive boy who comes under their gentle spell.

    The story is unified by the actions of one man, Mankunku, a “destroyer,” who is born in mysterious circumstances in a banana plantation and whose identity is as variable as that of his land. This novel traces his development along with that of his unnamed country, from the precolonial era, through the horrors of European subjugation, to independence and the complexities of the postcolonial nation. Along the way, charlatans and saints, workers and bureaucrats, warriors and peacemakers are introduced in a moving mélange of laughter and terror. First published in France in 1987, The Fire of Origins received the 1988 Prix de la Fondation de France and the Grand Prix Litteraire d’Afrique Noire, and has been translated into Spanish, Danish, Norwegian, and Japanese. Mythical, lyrical, powerful, and surreal, it is one of the most ambitious works of fiction to come out of sub-Saharan Africa. This replaces 155652420X.

    As Toni Morrison has said, "All of Forrest's novels explore the complex legacy of Afro-Americans. Like an insistent tide this history . . . swells and recalls America's past. . . . Brooding, hilarious, acerbic and profoundly valued life has no more astute observer than Leon Forrest." All of that is on display here in a novel that give readers a breathtaking view of the human experience, filled with humor and pathos.