She wants room at the table for her own style of consolation and closure: healthy, modern, and vegan. But this is about more than fried chicken versus tofu turkey. Matilda’s return is also stirring up their volatile, unresolved history. And just when they thought it couldn’t get more personal…Matilda’s son, Nick, and Liddy’s niece, Amelia, have met and the sparks are flying. For Matilda and Liddy, their precious kin’s romance is their worst nightmare. Now, it’s all Nick and Amelia can do to survive a family feud that has the whole town talking.The battle for the funeral dinner crown is on. As two strong-willed women wrestle for control, making peace with the past may be the only way to serve the star-crossed lovers a happy ending.

    Trafficked for years, in and out of disgusting drug dens, wh*re houses and seedy clubs, violence is what I know. Death is what I witness. Destruction is what I crave. I've belonged to a dangerous man for ten years now, and I've found a place here among killers and criminals. I've earned his trust, and he sees me as the child he always wished he had. But I serve other purposes as well. See, I'm as beautiful as I am deadly-perfect for catching one's enemy with his pants around his ankles and a gun against his temple. I've climbed the ranks in this new, bizarre family of mine, and I have my sights set on the throne. But there are some who don't exactly approve of my aspirations. After all, who am I but just a useless s*x slave? I'm watched closely. I can feel their eyes on me everywhere I go. One who protects the Capo, one who wants me behind bars, and two that want that throne I'm after. Little do they know, I'm five steps ahead of them already.

    700 miles, no truck and just his loyal dog to accompany him, can he survive in this new world? A world where The System spawns monsters and mutates plants and animals to absorb and refine essence? Let us find out.

    When another date is a no-show, she decides to swear off all men.After taking over from his father as the prez of the Chaos and Carnage MC, Bull’s priorities have been focused in keeping everyone alive. Now’s the time for him to go after the woman he wants—Maddie.Only, she doesn’t even realize how badly he wants her. Bull is determined to show her she’s worth everything, and he won’t take no for an answer. Maddie agrees to one date with him, and little by little, he fills her heart, getting beneath her skin.When an enemy tries to take over his turf, Maddie is attacked. The only thing Bull can do to keep her safe is to push her away, to hurt her in the most painful way.Bull can try to win her back, but he may have lost the love of his life.He broke her heart, but she will find it in her power to build herself up?

    A book of love poems that consciously and subversively hearken back to Shakespeare's sonnets, marking Hofmann's position as one of our necessary poets of erotic desire. These short lyrics come together in their discussion of geography, painting, sculpture, and classical music as if to say that love (that queer love!) is indeed as immortal as a poem. Or as Hofmann himself writes, 'There is so much to say. It may take until night.'" --Jericho Brown, Pulitzer Prize-winning author of The TraditionA Hundred Lovers is a catalog of encounters, sublime, steamy, and frank. Inspired by French autofiction, the poems feel both sharp and diaristic; their lyrical, intimate world brings us everyday scenes imbued with sex. Eros enters, where shame had lived, the speaker observes, as the poems explore risk and appetite, promiscuity and violence, and, in the wake of his marriage, questions about monogamy and desire.Bringing us both the carefully knotted silk ties of the wedding pair and their undress in a series of Hockney-like interiors where passion colors every object, Hofmann speaks plainly of the saliva, tears, and guts of the carnal, just as he does of the sublime in works of art. A Hundred Lovers invites us to consider our own memories of pleasure and pain, which fill the generous white space the poet leaves open to us between his ravishing lines.

    Not when Prince Charming is Waverly University’s starting kicker and 'falls hard' is code for 'breaks leg in three places.' Now the Wildcats’ shot at a national title is on the line, and the fans are out for blood.Me? I'm just trying to get through nursing school and graduate on time. No one knows I was responsible for Chase Spellman’s accident, and I plan to keep it that way.Which might be easier said than done since my new patient is the smooth-talking, sexy-as-sin Prince Charming himself…

    We don't know many people who can write about bras, Donald Tusk and Madeleine Albright all in the same sentence.' - A Little Bird'Scintillating reading.' - The Spectator'Alexandra Shulman's style is unaffected, immediate and hilariously dry. She's brilliant at observing everyday feelings in a joy-sparking turn of phrase.' - Helena Bonham Carter-'Clothes... and other things that matter is a book not only about clothes but about the way we live our lives. From childhood onwards, the way we dress is a result of our personal history. In a mix of memoir, fashion history and social observation I am writing about the person our clothes allows us to be and sometimes the person they turn us into.' - Alexandra ShulmanIn Clothes... and other things that matter, Alexandra Shulman delves into her own life to look at the emotions, ambitions, expectations and meanings behind the way we dress.From the bra to the bikini, the trench coat to trainers, the slip dress to the suit, she explores their meaning in women's lives and how our wardrobes intersect with the larger world - the career ladder, motherhood, romance, sexual identity, ambition, failure, body image and celebrity.By turns funny, refreshingly self-deprecating and often very moving, this startlingly honest memoir from the ex-Editor of British Vogue will encourage women of all ages to consider what their own clothes mean to them, the life they live in them and the stories they tell.

    The long central section, 'Translations from the Pasiphaë', gathers these themes together in a blistering, unforgettable re-telling of the Greek myth of the Minotaur, as seen from the point of view of the bull-child's mother - the betrayed and violated Pasiphaë. The familiar legend of the dashing male hero slaying the monster in the labyrinth is transformed here into a story of ordinary people caught up in an extraordinary cycle of violence, power and the abuse of power. At the centre lies Pasiphaë calling for her son: 'They took him away from me/and they killed him in the dark, for years.'Telling uncomfortable truths, going deep into male and female drives and desires, our most tender and vulnerable places, and speaking of them in frank, unshrinking ways - these poems are afraid, certainly, but also beautiful, resolute and brave.