Within a year, Gia was one of the top models of the late 1970's, gracing the covers of Cosmopolitan and Vogue, partying at New York's Studio 54 and the Mudd Club while redefining the industry's standard of beauty. She was the darling of moguls and movie stars, royalty and rockers. Gia was also a girl in pain, desperate for her mother's approval. A drug addict on a tragic slide toward oblivion, who started going directly from $10,000-a-day fashion shoots to the heroin shooting galleries on New York's Lower East Side. Finally blackballed from modeling, Gia entered a vastly different world on the streets of New york and Atlantic City, and later in a rehab clinic. At twenty-six, she became one of the first women in America to die of AIDS; a hospital welfare case visited only by rehab friends and what remained of her family. Drawing on hundreds of interviews with Gia's gamily, lovers, friends, and colleagues, Thing of Beauty creates a poignant portrait of an unforgettable character and a powerful narrative about beauty and sexuality, fame and objectification, mothers and daughters, love and death.

    Child abuse investigator Bo Bradley gets the case. Staff at St. Mary’s Hospital for Children assume the boy is mentally impaired because he cannot talk, but Bo remembers a little sister named Laurie. She knows that the boy, like Laurie, is deaf. Complicating things is Bo’s manic depressive disorder, a troubling but occasionally valuable problem for which she always, well sometimes, takes her meds. The prime directive in Bo's job is "Don't become emotionally involved with the child!" But the little boy is so bright inside his silence, and so alone. Bo feels the ominous first ripples of an oncoming manic episode and grabs her meds, but they won't have much effect for weeks and the child is in danger now! Risking her job and ultimately her life in a perhaps-delusional race to protect a four-year-old whose only word is his own name - "Weppo" - Bo finds herself alone with the child in a desert night fraught with terrors as she tries to reach an imagined safety among the Paiute. But political intrigue, desperate secrets and a relentless evil lurk in every shadow of a moonlit landscape in which Bo has only her own intense and uncanny perceptions as guide. She knows she's "crazy," but sometimes crazy sees what rational cannot. And "crazy" is now Weppo's only chance for a life! “A sensationally fine first novel… breathtakingly well-told…”The Los Angeles Times

    She spent most of the next two years on the ward for teenage girls in a psychiatric hospital as renowned for its famous clientele--Sylvia Plath, Robert Lowell, James Taylor, and Ray Charles--as for its progressive methods of treating those who could afford its sanctuary. Kaysen's memoir encompasses horror and razor-edged perception while providing vivid portraits of her fellow patients and their keepers. It is a brilliant evocation of a "parallel universe" set within the kaleidoscopically shifting landscape of the late sixties. Girl, Interrupted is a clear-sighted, unflinching documnet that gives lasting and specific dimension to our definitions of sane and insane, mental illness and recovery.

    Now, in HOW PSYCHOTHERAPY WORKS, Weiss extends his powerful theory and focuses on its clinical applications, often challenging many familiar ideas about the psychotherapeutic process. Weiss' theory, which is supported by formal, empirical research, assumes that psychopathology stems from unconscious, pathogenic beliefs that the patient acquires by inference from early traumatic experiences. He suffers unconsciously from these beliefs and the feelings of guilt, shame, and remorse that they engender, and he is powerfully motivated unconsciously to change them. According to Weiss's theory, the patient exerts considerable control over unconscious mental life, and he makes and carries out plans for working with the therapist to change his pathogenic beliefs. He works to disprove these beliefs by testing them with the therapist. The theory derives its clinical power not only from its empirical origin and closeness to observation, and also from Weiss's cogent exposition of how to infer, from the patient's history and behavior in treatment, what the patient is trying to accomplish and how the therapist may help. By focusing on fundamental processes, Weiss's observations challenge several current therapeutic dichotomies--"supportive versus uncovering," "interactive versus interpretive," and "relational versus analytic."Written in simple, direct language, Weiss demonstrates how to uncover the patient's unconscious plan and how the therapist can help the patient to carry out his plans by passing the patient's tests. He includes many examples of actual treatment sessions, which serve to make his theory clear and usable. The chapters include highly original views about the patient's motivations, the role of affect in the patient's mental life, and the therapist's basic task. The book also contains chapters on how to pass the patient's tests, and how to use interpretation with the patient. Dr. Weiss also provides a powerful theory of dreams and demonstrates how dreams can be utilized in clinical practice.This distinguished volume is a major contribution that will profoundly affect the way one conceptualizes and practices therapy. Theoreticians, investigators, and clinicians alike will find it enlightening reading.

    Available in a completely new edition features original wrap-around cover art and completely re-typeset.STORIES FEATURED: Close to the Bone, Animal Souls, The Best in the Business, Virgin, Cages, Knockouts, Fear of Phobias, Slips, The English Teacher, and The Family Underwater.