These sixty-eight miniature rooms, designed between 1934 and 1940, chronicle both European and American interiors ranging from 16th to the early 20th century. This publication offers stunning full-color photographs of each room.

    It makes an explicit connection between the veils, masks and disguises of Gothic convention, and historically-specific fashion discourses, from the revealing chemise-dress popularized by Queen Marie Antoinette to the subcultural style of contemporary Goths. In so doing it sheds new light on the cultural construction of Gothic bodies. Taking an original interdisciplinary approach, Catherine Spooner offers readings of literary, cinematic and popular cultural texts in the context of fashion from the 1790s to the 1990s. Progressing chronologically from the novels of Radcliffe and Lewis through the "sensation" fiction of the Victorian period and the Gothic fiction of the fin-de-siècle, Fashioning Gothic Bodies culminates with twentieth-century film and the supposed resurgence of the Gothic in pre-Millennial culture.

    The implications of this argument are highly significant. If this is the case, methods are always political, and it raises the question of what kinds of social realities we want to create.Most current methods look for clarity and precision. It is usually said that only poor research produces messy findings, and the idea that things in the world might be fluid, elusive, or multiple is unthinkable. Law's startling argument is that this is wrong and it is time for a new approach. Many realities, he says, are vague and ephemeral. If methods want to know and help to shape the world, then they need to reinvent themselves and their politics to deal with mess. That is the challenge. Nothing less will do.

    Given as remembrances at wakes and funerals, communions and confirmations, holy cards are also a widely popular-and highly collectible-form of folk art. This handsome volume, the only book available on the subject, is both a rich illustrated survey of this devotional art and a gallery of saints organized thematically along with brief biographies, attributes, and powers.Prophets and angels, disciples and evangelists, martyrs and hermits, visionaries and mystics are among the religious figures in Catholicism represented here-in exquisite turn-of-the-century depictions that are at times dramatic or disturbing, at times moving or comforting. Barbara Calamari and Sandra Di Pasqua, who also collaborated on Novena and Holy Places, explain the often enigmatic symbolism in these cards in a beautiful book that makes an ideal gift for first communion, confirmation, or graduation. Author Bio: Barbara Calamari is a freelance writer who has worked in both film and television. Sandra Di Pasqua is a graphic designer and art director. Both authors live in New York City.

    Susan Bell recounts both her long search for a series of sixteenth-century tapestries that celebrated women and her efforts to understand their meaning for Queen Elizabeth I of England and the other powerful women who owned them. Opening a new window on the lives of noblewomen in the Renaissance, the brilliantly colored tapestries that were the ultimate artistic luxury of the day, and the popular and influential fourteenth-century writer Christine de Pizan, Bell pursues a compelling tale that moves from centuries past to today.The tapestries around which this story revolves are linked to Christine de Pizan's Book of the City of Ladies (1405), orginally published six hundred years ago in 1405. The book is a tribute to women that honors two hundred female warriors, scientists, queens, philosophers, and builders of cities. Though twenty-five manuscripts of the City of Ladies still exist, references to tapestries based on the book are elusive. Bell takes us along as she tracks down records of six sets of tapestries whose owners included Elizabeth I of England; Margaret of Austria; and Anne of Brittany, Queen of France. Bell examines the intriguing details of these women's lives—their arranged marriages, their power, their affairs of state—asking what interest they had in owning these particular tapestries. Could the tapestries have represented their thinking? As she reveals the historical, linguistic, and cultural aspects of this unique story, Bell also gives a fascinating account of medieval and early-Renaissance tapestry production and of Christine de Pizan's remarkable life and legacy.

    The case studies presented focus on photographs active in different institutional, political, religious and domestic spheres, where physical properties, the nature of their use and the cultural formations in which they function make their 'objectness' central to how we should understand them.The book's contributions are drawn from disciplines including the history of photography, visual anthropology and art history, with case studies from a range of countries such as the Netherlands, North America, Australia, Japan, Romania and Tibet. Each shows the methodological strategies they have developed in order to fully exploit the idea of the materiality of photographic images.

    Highlights include exquisitely carved and inlaid Jacobean furniture, including the famous bed of Ware; Mortlake tapestries and other luxurious textiles; and the architecture of Inigo Jones and Christopher Wren.

    But is there something missing in their gardens if they ignore their ties to the past? Denise Wiles Adams has written a remarkable book of history and horticulture that documents the changing plant palette of American gardens. From the colonial era to the pre-World War II period, no region of the country is neglected and no major plant group unrepresented. From a database of more than 25,000 plants and hundreds of antique nursery catalogs, she has distilled a unique survey of American ornamental gardens. Nobody concerned with historic homes and properties can afford to be without it. An important resource that will be consulted for generations, "Restoring American Gardens" is a vital link between gardeners and their predecessors throughout history.

    Presenting the traditional jewellery of the region in all its splendour, this book tells the fascinating stories of trade, conquest, faith and the fortune that lie behind it.