In The Captive, Proust’s narrator describes living in his mother’s Paris apartment with his lover, Albertine, and subsequently falling out of love with her. In The Fugitive, the narrator loses Albertine forever. Rich with irony, The Captive and The Fugitive inspire meditations on desire, sexual love, music, and the art of introspection. For this authoritative English-language edition, D. J. Enright has revised the late Terence Kilmartin’s acclaimed reworking of C. K. Scott Moncrieff’s translation to take into account the new definitive French editions of Á la recherché du temps perdu (the final volume of these new editions was published by the Bibliothèque de la Pléiade in 1989).

    Published in 1923, it has been translated into more than twenty languages, and the American editions alone have sold more than nine million copies.The Prophet is a collection of poetic essays that are philosophical, spiritual, and, above all, inspirational. Gibran’s musings are divided into twenty-eight chapters covering such sprawling topics as love, marriage, children, giving, eating and drinking, work, joy and sorrow, housing, clothes, buying and selling, crime and punishment, laws, freedom, reason and passion, pain, self-knowledge, teaching, friendship, talking, time, good and evil, prayer, pleasure, beauty, religion, and death.

    This enormous eBook offers readers the unique opportunity of exploring the prolific writer’s complete works in a manner never before possible. * illustrated with hundreds of images relating to Trollope’s life and works * annotated with concise introductions to the novels and other works * ALL 47 novels – even rare ones - and each with their own contents table * separate contents tables for the Barsetshire and Palliser novels * images of how the novels first appeared, giving your Kindle a taste of the Victorian texts * the Christmas stories, including the scarce novella THE TWO HEROINES OF PLUMPINGTON * rare short story collections like WHY FRAU FROHMANN RAISED HER PRICES AND OTHER STORIES – first time in digital print * both of the rare plays * includes Trollope’s travel writing and classical studies * includes Trollope’s rare biographies of Lord Palmerston, Thackeray and Cicero * the textbook Trollope analysing Caesar’s Commentaries * rare sketches, like the fully illustrated text CLERGYMEN OF THE CHURCH OF ENGLAND, available nowhere else in digital print * boasts a special criticism section, examining Trollope’s contribution to literature * SPECIAL BONUS text of Trollope’s autobiography - explore the author’s interesting life! * scholarly ordering of texts into chronological order and literary genres, allowing easy navigation around Trollope’s immense oeuvre * UPDATED with more images, corrections and improved structure * UPDATED with rare short story THE GENTLE EUPHEMIA CONTENTS: The Barsetshire Series The Palliser Series The Novels THE MACDERMOTS OF BALLYCLORAN THE KELLYS AND THE O’KELLYS THE WARDEN LA VENDÉE BARCHESTER TOWERS THE THREE CLERKS DOCTOR THORNE THE BERTRAMS CASTLE RICHMOND FRAMLEY PARSONAGE ORLEY FARM THE STRUGGLES OF BROWN, JONES AND ROBINSON RACHEL RAY THE SMALL HOUSE AT ALLINGTON CAN YOU FORGIVE HER? MISS MACKENZIE THE BELTON ESTATE THE CLAVERINGS NINA BALATKA THE LAST CHRONICLE OF BARSET LINDA TRESSEL PHINEAS FINN HE KNEW HE WAS RIGHT THE VICAR OF BULLHAMPTON SIR HARRY HOTSPUR OF HUMBLETHWAITE RALPH THE HEIR GOLDEN LION OF GRANPÈRE THE EUSTACE DIAMONDS HARRY HEATHCOTE OF GANGOIL LADY ANNA PHINEAS REDUX THE WAY WE LIVE NOW THE PRIME MINISTER THE AMERICAN SENATOR IS HE POPENJOY? JOHN CALDIGATE AN EYE FOR AN EYE COUSIN HENRY THE DUKE’S CHILDREN AYALA’S ANGEL DOCTOR WORTLE’S SCHOOL THE FIXED PERIOD KEPT IN THE DARK MARION FAY MR. SCARBOROUGH’S FAMILY THE LANDLEAGUERS AN OLD MAN’S LOVE The Shorter Fiction TALES OF OTHER COUNTRIES SERIES I TALES OF OTHER COUNTRIES SERIES II THE GENTLE EUPHEMIA LOTTA SCHMIDT AND OTHER STORIES AN EDITOR’S TALES CHRISTMAS DAY AT KIRKBY COTTAGE NEVER, NEVER — NEVER, NEVER CATHERINE CARMICHAEL WHY FRAU FROHMANN RAISED HER PRICES AND OTHER STORIES THE TWO HEROINES OF PLUMPLINGTON NOT IF I KNOW IT The Short Stories LIST OF SHORT STORIES IN CHRONOLOGICAL ORDER LIST OF SHORT STORIES IN ALPHABETICAL ORDER The Sketches HUNTING SKETCHES TRAVELLING SKETCHES CLERGYMEN OF THE CHURCH OF ENGLAND LONDON TRADESMEN The Travel Writing THE WEST INDIES AND THE SPANISH MAIN NORTH AMERICA AUSTRALIA AND NEW ZEALAND SOUTH AFRICA HOW THE ‘MASTIFFS’ WENT TO ICELAND The Plays DID HE STEAL IT? THE NOBLE JILT The Non-Fiction LIST OF ESSAYS AND ARTICLES THE COMMENTARIES OF CAESAR The Criticism STUDIES IN EARLY VICTORIAN LITERATURE by Frederic Harrison NOTES ON TROLLOPE by Leo Tolstoy EXTRACT FROM ‘THE NEW NOVEL’ by Henry James PARTIAL PORTRAITS: ANTHONY TROLLOPE by Henry James The Biographies THACKERAY LIFE OF CICERO LORD PALMERSTON AN AUTOBIOGRAPHY

    In these highly individual, penetrating essays he has exposed 'the American whole soul' within some of that continent's major works of literature. In seeking to establish the status of writings by such authors as Poe, Melville, Fenimore Cooper and Whitman, Lawrence himself has created a classic work. Studies in Classic American Literature is valuable not only for the light it sheds on eighteenth- and nineteenth-century American consciousness, telling 'the truth of the day', but also as a prime example of Lawrence's learning, passion and integrity of judgement.

    Berdyaev's aim in this book is to examine Dostoevsky's spiritual side, to explore in all its depth the way in which Dostoevsky perceived the universe and to reconstruct out of these elements his entire world-view. Dostoevsky shows us new worlds, worlds in motion, by which alone human destinies can be made intelligible; and these worlds and these destinies can only be grasped by a spiritual analysis. Berdyaev provides such an analysis.

    It is also a landmark event in the history of modern graphic design. The book was inspired by the new optics, where ideas are given form through printed letters, turning them into pictorial signs, and by words that are seen and not heard, as the avant-gardist El Lissitzky wrote. This three-volume slipcased set consists of a facsimile volume that is faithful in size, colour, weight and paper quality to the original; a translation by Peter France of the original text presented in graphic form by Martha Scotford; and Voices of Revolution, a collection of critical essays edited by Patricia Railing that analyze the character and significance of the original publication and describe the inner workings of the poet's construction in sound complemented by the designer's constructions for the eye.

    Each reflects the warmth of a midwestern childhood, a zest for life, and a love of the American language that has never been equaled.

    Valuable as a historical document for its first-hand account of the events during the period of 1917-1922, A Sentimental Journey is also an important experimental literary work—a memoir in the form of a novel.At times lyrical, disturbing, ironic, and erudite, A Sentimental Journey is a singular book from one of the most recognizable and influential voices of twentieth-century Russian literature.

    A vast collection of more than seven hundred quotations meant to inspire genius, this scrapbook contains favored sayings of the late-nineteenth- and early-twentieth-century essayist Elbert Hubbard.

    Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

    This pioneering naturalist novel tells the story of a hard-working, spirited young woman who finds herself in a soul-destroying battle with the imprisoning duties of motherhood and of managing an impoverished household. The novel is particularly noteworthy for its heartbreaking depiction of a woman who suffers not from a lack of love, but from an unrequited longing for self-expression and freedom.

    Van Vechten prefers to describe this work, the action of which passes in New York, 1922, and the hero of which is the god Eros, as "a cartoon for a stained-glass window." He begs his readers to imagine the attitudes of his characters, now sketched rudely in black and white, as they will appear when clothed in their final brilliant and luminous colors. The book is not "romantic" or "realistic" or "life" or "art." Assuredly it is not "fantasy" or "satire." The author has sworn before a notary public that his only purpose in creating THE BLIND BOW-BOY was to amuse. Readers, therefore, are especially warned against the danger of comparing this work with other books, written, apparently, in a somewhat different form, for it should be obvious that no purpose, beyond that just noted, actuated its construction, and no ideas are concealed beneath its surface.-------------The novel begins: "Harold Prewett sat in the broad, black-walnut seat of an ambiguous piece of furniture which branched above, in spreading antlers, into a rack for coats and hats and which below, at either side, provided means for the disposition of canes and umbrellas. The mere presence of these heavy, sullen antlers was sufficiently dispiriting to increase the gloomy atmosphere which environed the young man. The room in which he sat waiting was a hallway."