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    The four years he spent as a soldier were among the most significant in his life and inspired the tales collected here. In ?The Cossacks,? Tolstoy tells the story of Olenin, a cultured Russian whose experiences among the Cossack warriors of Central Asia leave him searching for a more authentic life. ?The Sevastopol Sketches? bring into stark relief the realities of military life during the Crimean War. And ?Hadji Murat? paints a portrait of a great leader torn apart by divided loyalties. In writing about individuals and societies in conflict, Tolstoy has penned some of the most brilliant stories about the nature of war.

    Longfellow's Wayside Inn in Sudbury, Massachusetts, originally known as Howe's Tavern, was the inspiration for Longfellow's widely read book of poems, Tales of a Wayside Inn. He based his works on a group of fictitious characters that regularly gathered at the old Sudbury tavern. Lyman Howe was the character featured in "The Landlord's Tale," and where Longfellow penned the immortal phrase, "Listen, my children, and you shall hear / Of the midnight ride of Paul Revere."

    Undiscovered for more than a century, this edition—with its subtly different characters, dialogue, and ending—is essential reading for devotees of Tolstoy and new readers alike: it is world-class fiction in its most vivid and vital form.

    They were written for the most part between 1325 and 1366, and were organized into the present collection of twenty-four books between 1345 and 1366. THE COLLECTION represents a portrait of the artist as a young man seen through the eyes of the mature artist. Whether in the writing of poetry, or being crowned poet laureate, or in confessing his faults, describing the dissolution of the kingdom of Naples, summoning up the grandeur of ancient Rome, or in writing to pope or emperor, Petrarch was always the consummate artist, deeply concerned with creating a desired effect by means of a dignified gracefulness, and always conscious that his private life and thoughts could be the object of high art and public interest. AS EARLY AS 1436 Leonardo Bruni wrote in his Life of Petrarch: "Petrarch was the first man to have had a sufficiently fine mind to recognize the gracefulness of the lost ancient style and to bring it back to life." It was indeed the very style or manner in which Petrarch consciously sought to create the impression of continuity with the past that was responsible for the enormous impact he made on subsequent generations. THIS COMPLETE TRANSLATION by Aldo S. Bernardo has long been out of print and is reproduced here in its entirety in three volumes. Vol. 1, Books I-VIII. 472 pp. Introduction, notes, bibliography.