Master of the short story form, Edgar Allan Poe composed tales of terror, horror, death, ruin, murder, and revenge. Many of the sixty-eight tales included in this collection—"The Pit and the Pendulum," "The Black Cat," "The Fall of the House of Usher," "The Masque of the Red Death," and "The Tell-Tale Heart," for example—have become landmarks of our literature. Poe also wrote the world's first detective story, "The Murders in the Rue Morgue," which introduced C. Auguste Dupin, the paragon of that now ubiquitous modern character: the thinking man's sleuth. This volume also includes Poe's novella The Narrative of Arthur Gordon Pym, an unearthly sea adventure replete with shipwrecks, ghastly specters and the eternal lure of the unknown.

    A great classical scholar and patriot, he explored metaphysical loneliness in entirely original ways. Though he died young, his influence was enormous, and it is no exaggeration to say that all modern poetry, not only in Italian, derives in some way from his work.Leopardi's poetry is notoriously difficult to translate, and he has been less well known to English-language readers than his central significance for his own culture might suggest. Now Jonathan Galassi, whose translations of Eugenio Montale have been widely acclaimed, has produced a strong, fresh, direct version of this great poet that offers English-language readers a new approach to Leopardi. Galassi has contributed an informative introduction and notes that provide a sense of Leopardi's sources and ideas. This is an essential book for anyone who wants to understand the roots of modern lyric poetry.