Long before television beamed daily images of combat into our living rooms, Pyle’s on-the-spot reporting gave the American public a firsthand view of what war was like for the boys on the front. Pyle followed the soldiers into the trenches, battlefields, field hospitals, and beleaguered cities of Europe. What he witnessed he described with a clarity, sympathy, and grit that gave the public back home an immediate sense of the foot soldier’s experience. There were really two wars, John Steinbeck wrote in Time magazine: one of maps and logistics, campaigns, ballistics, divisions, and regiments and the other a "war of the homesick, weary, funny, violent, common men who wash their socks in their helmets, complain about the food, whistle at Arab girls, or any girls for that matter, and bring themselves through as dirty a business as the world has ever seen and do it with humor and dignity and courage—and that is Ernie Pyle’s war." This collection of Pyle’s columns detailing the fighting in Europe in 1943–44 brings that war—and the living, and dying, moments of history—home to us once again.

    These books, which form the bulk of current writing, always make you feel as if you had paid for looking into the wrong end of a telescope. Mitchell, on the other hand, likes to start with an unimportant hero, but he collects all the facts about him, arranges them to give the desired effects, and usually ends by describing the customs of a whole community. Commodore Dutch, the subject of one portrait, ‘is a brassy little man who has made a living for the last forty years by giving an annual ball for the benefit of himself.’ Mitchell doesn’t try to present him as anything more than a barroom scrounger; but in telling the story of his career, he also gives a picture of New York sporting life since the days of Big Tim Sullivan. The story called ‘King of the Gypsies’ is even better. It sets out to describe Cockeye Johnny Nikanov, the spokesman or king of thirty-eight gypsy families, but it soon becomes a Gibbon’s decline and fall of the American gypsies; and it ends with an apocalyptic vision that is not only comic but also, in its proper context, more imaginative than anything to be found in recent novels. “Reading some of his portraits a second time, you catch an emotion beneath them that curiously resembles Dickens’: a continual wonder at the sights and sounds of a big city, a continual devouring interest in all the strange people who live there, a continual impulse to burst into praise of kind hearts and good food and down with hypocrisy.” —Malcolm Cowley, The New Republic

    But his profound influence on other photographers, most famously on Diane Arbus, derives not only from his sensational subject matter and his use of the blinding, close-up flash, but also from his eagerness to photograph the city at all hours, at all levels: coffee shops at three in the morning, hot summer evenings in the tenements, debutante balls, parties in the street, lovers on park benches, the destitute and the lonely. No other photographer has better revealed the non-stop spectacle of life in New York City.Weegee's first book, Naked City (1945), was a runaway success and made him a celebrity who suddenly had assignments from Life and Vogue. By the publication of his second book, Weegee's People (1946), he had cut the wires to his police radio and had begun to photograph the furred and bejeweled grandes dames at the Metropolitan Opera as well as his beloved street people. Naked Hollywood (1953) and Weegee by Weegee (1961) feature portraits of Marilyn Monroe, Andy Warhol, John F. Kennedy, Nikita Khruschev, and Liberace -- many of them viewed through the distorted lens of his Weegee-scope.Regarded as some of the most powerful images of twentieth-century photography, Weegee's work now resides in the permanent collection of the Museum of Modern Art.

    The story of the Liri valley battles is accurate and the photographs illustrate both the actual battlefield, individuals, and the conditions that the 5th Army troops had to deal with during the Winter Campaign in 1943/1944 leading up to the Battle for Monte Cassino. If you are interested in the WWII Italian Campaign and the battle prior to Monte Cassino, then this book is a rare find from the period. Those interested in the actions of the 34th, 45th, 36th and 3rd Infantry Divisions in the earliest and difficult days of the war in Europe can get a real first hand look the 5th Army actions of that time.

    "It's going to be out of this world.""And that's exactly what we'll say in our editorial," Jan agreed."I was being personal, not editorial," Danny explained painfully. He went on slowly. "I was thinking of how much I'd like to ask you for a date to go to the play if I weren't afraid you'd snap back that you had to work or you wish I'd drop dead or something."On another day, she might have snapped at him and refused his offer because she was embarrassed. Today it seemed perfectly natural to lean over the banister, smile, and say, "I'd love to go to the play with you, Danny."