In the years that followed, under Emperor Hirohito, conformity was the norm and the Japanese psyche became one of selfless devotion to country and emperor; soon Japanese soldiers were to engage in mass murder, rape, and even cannibalization of their enemies. Horror in the East examines how this drastic change came about. On the basis of never-before-published interviews with both the victimizers and the victimized, and drawing on never-before-revealed or long-ignored archival records, Rees discloses the full horror of the war in the Pacific, probing the supposed Japanese belief in their own racial superiority, analyzing a military that believed suicide to be more honorable than surrender, and providing what the Guardian calls "a powerful, harrowing account of appalling inhumanity...impeccably researched."

    Petersburg's erratic and confused diplomacy. The key to understanding tsarist involvement in East Asia, he explains, is to examine the ideas of those who competed to impose their visions of destiny on the Pacific. Drawing from previously inaccessible archives in Moscow and St. Petersburg, Schimmelpenninck presents a new approach to understanding the causes of the Russo-Japanese War. He begins with lively sketches of Tsar Nicholas II and the four leading proponents of expansion in East Asia­—famous Inner Asia explorer Nikolai Przhevalskii, Sinophile newspaper publisher Prince Esper Ukhtomskii, Finance Minister Sergei Witte, and War Minister Aleksei Kuropatkin. In each case, ideologies of empire are explored in the context of both European and Russian thought. Toward the Rising Sun goes on to reinterpret tsarist prewar democracy—from Russia's involvement in East Asia during the 1890s to Admiral Togo's surprise attack at Port Arthur in 1904—using extensive archival sources. Throughout, Schimmelpenninck demonstrates the ties between ideas and policy. Interweaving intellectual and cultural history with international perspectives, he addresses an important aspect of Russian national identity at a crucial point in history and helps to elucidate the struggle between East and West that continues in Russia today.

    Underpinning this tentative admiration, however, has been a tacit agreement that, for cultural reasons, Japanese jazz “can’t swing.” In Blue Nippon E. Taylor Atkins shows how, strangely, Japan’s own attitude toward jazz is founded on this same ambivalence about its authenticity. Engagingly told through the voices of many musicians, Blue Nippon explores the true and legitimate nature of Japanese jazz. Atkins peers into 1920s dancehalls to examine the Japanese Jazz Age and reveal the origins of urban modernism with its new set of social mores, gender relations, and consumer practices. He shows how the interwar jazz period then became a troubling symbol of Japan’s intimacy with the West—but how, even during the Pacific war, the roots of jazz had taken hold too deeply for the “total jazz ban” that some nationalists desired. While the allied occupation was a setback in the search for an indigenous jazz sound, Japanese musicians again sought American validation. Atkins closes out his cultural history with an examination of the contemporary jazz scene that rose up out of Japan’s spectacular economic prominence in the 1960s and 1970s but then leveled off by the 1990s, as tensions over authenticity and identity persisted. With its depiction of jazz as a transforming global phenomenon, Blue Nippon will make enjoyable reading not only for jazz fans worldwide but also for ethnomusicologists, and students of cultural studies, Asian studies, and modernism.

    An upstate New York book dealer, Hall went to Japan in 1859 to collect material for a book on the country and to serve as correspondent for Horace Greely's New York Tribune. Seeing the opportunities for commerce in Yokohama, he helped found Walsh, Hall, and Co., an institution that became one of the most important American trading houses in Japan. Hall was a shrewd businessman, but also a perceptive recorder of life around him. Privately preserved for more than a hundred years, this document shows Hall to have been an astute observer and story-teller as well as an influential opinion-maker in the United States during the crucial decade of the American Civil War and the end of the Tokugawa Shogunate. While contemporary American and British diplomatic accounts have focused on the official record, Hall reveals the private side of life in the treaty port. The publication of his journal, now in abridged form for the student and general reader, furnishes us with an insightful and sensitive portrayal of Japan on the eve of modernity.