G. Cameron Hurst III provides an overview of martial arts in Japanese history and culture, then closely examines the transformation of these fighting skills into sports. He discusses the influence of the Western athletic tradition on the armed martial arts as well as the ways the martial arts have remained distinctly Japanese. During the Tokugawa era (1600-1867), swordsmanship and archery developed from fighting systems into martial arts, transformed by the powerful social forces of peace, urbanization, literacy, and professionalized instruction in art forms. Hurst investigates the changes that occurred as military skills that were no longer necessary took on new purposes: physical fitness, spiritual composure, character development, and sport. He also considers Western misperceptions of Japanese traditional martial arts and argues that, contrary to common views in the West, Zen Buddhism is associated with the martial arts in only a limited way. The author concludes by exploring the modern organization, teaching, ritual, and philosophy of archery and swordsmanship; relating these martial arts to other art forms and placing them in the broader context of Japanese culture.

    Most published accounts rely on English-language works written in the 1950s and 1960s. The Japanese-language sources have remained relatively inaccessible to Western scholars in part because of the difficulty of the language, a difficulty that Edward J. Drea, who reads Japanese, surmounts. In a series of searching examinations of the structure, ethos, and goals of the Japanese military establishment, Drea offers new material on its tactics, operations, doctrine, and leadership. Based on original military documents, official histories, court diaries, and Emperor Hirohito’s own words, these twelve essays introduce Western readers to fifty years of Japanese scholarship about the war and Japan’s military institutions. In addition, Drea uses recently declassified Allied intelligence documents related to Japan to challenge existing views and conventional wisdom about the war.

    Those were the Samurai. In this comprehensive, enthralling, illustration-filled look at their history, personalities, strategies, costume, and campaign you'll find every detail of their armor and weaponry, as well as information on the Samurai army's development, its organization, and the fighters' feudal obligation. Follow the evolution of the sword and polearms, plus, the technology and deployment of explosives. Take a peek into castle life and the rituals of battle. Case studies, often based on contemporary chronicles, diaries and official records, focus in on the most important invasions and combat situations from 940 to 1638, and religious traditions. A full range of maps chart wartime changes. 320 pages, 175 b/w illus., 7 3/4 x 10.

    This provocative volume challenges traditional readings of western history and literature, and redraws the boundaries of the American West with absorbing essays ranging widely on topics from tourism to immigration, from environmental battles to interethnic relations, and from law to film. Taken together, the essays reassess the contributions of a diverse and multicultural America to the West, as they link western issues to global frontiers.Featuring the latest work by some of the best new writers both inside and outside academia, the original essays in Over the Edge confront the traditional field of western American studies with a series of radical, speculative, and sometimes outrageous challenges. The collection reads the West through Ben-Hur and the films of Mae West; revises the western American literary canon to include the works of African American and Mexican American writers; examines the implications of miscegenation law and American Indian blood quantum requirements; and brings attention to the historical participation of Mexican and Japanese American women, Native American slaves, and Alaskan cannery workers in community life.

    Allison B. Gilmore makes a strong case for the importance of psychological warfare in this theater, countering the usual view of fanatical resistance by Japanese units. Gilmore marshals evidence that Japanese military indoctrination did not produce soldiers who were invulnerable to demoralization and the survival instinct.

    Peasant, poet, and local political activist, Taseko had come to Kyoto to support the nativist campaign to restore the Japanese emperor and expel Western "barbarians." Although she played a minor role in the events that led to the Meiji Restoration of 1868, her actions were nonetheless astonishing for a woman of her day. Honored as a hero even before her death, Taseko has since been adopted as a patron saint by rightist nationalists.In telling Taseko's story, Anne Walthall gives us not just the first full biography in English of a peasant woman of the Tokugawa period (1603-1868), but also fresh perspectives on the practices and intellectual concerns of rural entrepreneurs and their role in the Meiji Restoration. Writing about Taseko with a depth and complexity that has thus far been accorded only to men of that time, Walthall has uncovered a tale that will captivate anyone concerned with women's lives and with Japan's dramatic transition to modernity.