John A. James emphasizes that the chief end of every Christian parent must be the spiritual interests, religious character, and eternal salvation of their children.

    The project was partly inspired by the success of John Wilson Croker's Stories Selected from the History as England (1822), but Scott felt that Croker underestimated the intelligence of his juvenile audience. Children, Scott believed, disliked books 'written down' to their level, preferring a challenge to their understanding and curiosity. He hoped to cater, moreover, for both a juvenile and a popular audience and thus to find a way 'between what a child can comprehend and what shall not yet be absolutely uninteresting to the grown reader' (Journal, July 8, 1827). Initially, this middle ground proved elusive, and Scott came to feel that he was guilty of 'writing down' at the beginning of the first volume. James Ballantyne concurred, judging the tone of the opening chapters alternately too historical and too infantile. So familiar was Scottish history to Scott, however, that once he had found a satisfactory register, he worked rapidly upon the manuscript. The First Series, which covered the period between the reign of Macbeth (1033-56) and the Union of the Crowns (1603), was complete by November 1827. It was published on December 15, 1827 with an eye to the Christmas market. It sold so well that before the end of the month, Cadell had commissioned a revised and enlarged second edition.In May 1828 Scott agreed to write a Second Series of Tales. By July, he realized he had so much material that he proposed ending the series with the Union of England and Scotland (1707) then composing a Third Series extending the narrative to the end of the eighteenth century. The Second Series was completed on September 1, 1828 and published on November 27. The Third Series, which culminated in the aftermath of Culloden (1746), appeared on December 21, 1829.In July 1830, agreed to write a fourth series dealing with French history from Charlemagne to Louis XIV. His research for these volumes also fed into his novel Count Robert of Paris (1832) and revisited material used in his earlier Quentin Durward and Anne of Geierstein. Published on December 20, 1830, the Fourth Series was received as favourably as the earlier Tales, and a second French series was pledged for Christmas 1831. Scott completed the first volume but suspended the second midway, in order to concentrate on Count Robert of Paris and Castle Dangerous. On December 15, 1831 Scott received news of the death of the ten-year-old John Hugh Lockhart. He was not to return to the manuscript before his death.http://www.walterscott.lib.ed.ac.uk/w...This scarce antiquarian book is included in our special Legacy Reprint Series. In the interest of creating a more extensive selection of rare historical book reprints, we have chosen to reproduce this title even though it may possibly have occasional imperfections such as missing and blurred pages, missing text, poor pictures, markings, dark backgrounds and other reproduction issues beyond our control. Because this work is culturally important, we have made it available as a part of our commitment to protecting, preserving and promoting the world's literature.