Offering a unique insight into the very essence of graffiti and its creative explosion over the past thirty-five years, it takes us on an adventure throughout the Americas and Europe to almost every corner of the globe." With over 2,000 pictures of artworks from more than 180 international artists, no other book is remotely so comprehensive or up to date. Nicholas Ganz combines his own first-hand experiences with quotes from the artists themselves to offer a true insider's perspective to the key trends and style developments that have made graffiti what it is today: a global phenomenon.

    The concept of pure invention--of creating something from nothing--was in full effect at the end of the 1970s as graffiti ("borrowed" spray paint), breaking (cardboard as dance floor), and outdoor jams (electricity source: the base of street lights) captured the attention of urban youth, coalescing into new forms of artistic expression. Fortunately, photographer Martha Cooper was at the right place at the right time to document the people that created the music, dance, and art that became known worldwide. Cooper followed people who would one day become icons: the Rock Steady Crew, Fab 5 Freddy, Duro and Dondi, Lady Pink, and Afrika Bambaataa, to name a few. Now, Martha Cooper has the reputation of being the first and foremost photographer of hip hop culture in New York City. While the publication of Cooper's photographs in the early 80s disseminated the culture both at home and abroad, her new book, Hip Hop Files: Photographs 1979-1984, makes a significant part of her extensive and unique archive accessible for the first time. From 1999 to 2003, the German hip hop head and music publisher Akim Walta tracked down the subjects in Cooper's legendary shots and conducted numerous interviews obtaining insightful quotes and statements to accompany and add voices to the photographs. Other members of the early hip hop scene, including Zephyr, Charlie Ahearn, Fabel, and Patti Astor, contribute text and essays adding fresh data to the growing body of hip hop history.

    A seminal figure in the subvertising, or culture jamming movement, in which artists and activists subvert an existing advertisement to send out their own message or encourage free thought, English has pirated over a thousand billboards over the last twenty years, replacing existing advertisements with his own hand-painted subvertisements. His paintings have been exhibited in galleries and museums worldwide, from Japan to Europe to the former Soviet Union; and are included in prominent collections, including the Museum of Contemporary Art in Paris and the Whitney Museum in New York.