Shattuck focuses on the careers of Alfred Jarry, Henri Rousseau, Erik Satie, and Guillaume Apollinaire, using the quartet as window into the era as he explores a culture whose influence is at the very foundation of modern art.

    For some Chinese it marks a national renaissance or liberation, for others a national catastrophe. Among those who discuss or celebrate it most, views vary greatly. Every May for the last forty years, numerous articles have analyzed and commented on the movement. Several books devoted entirely to the subject and hundreds touching on it have been published in Chinese. The literature on the subject is massive, yet most of it offers more polemic than factual accounts. Most Westerners possess but fragmentary and inaccurate information on the subject. For these reasons, preparation of this volume recounting the events of the movement and examining in detail its currents and effects has seemed to me worthwhile.