Serano shares her experiences and observations—both pre- and post-transition—to reveal the ways in which fear, suspicion, and dismissiveness toward femininity shape our societal attitudes toward trans women, as well as gender and sexuality as a whole.Serano's well-honed arguments stem from her ability to bridge the gap between the often-disparate biological and social perspectives on gender. She exposes how deep-rooted the cultural belief is that femininity is frivolous, weak, and passive, and how this “feminine” weakness exists only to attract and appease male desire.In addition to debunking popular misconceptions about transsexuality, Serano makes the case that today's feminists and transgender activist must work to embrace and empower femininity—in all of its wondrous forms.

    Am I normal? (and what is "normal," anyway?) What's up down there? I really like girls, but I like boys sometimes, too. Am I gay, bisexual, or just messed up? Are we both really ready to have sex? Is it ok if I masturbate? I feel like I can't ever say no to my partner. What's the problem? Heather Corinna and Scarleteen.com have been providing sex education and information for young adults, parents, and mentors for nearly ten years. Whether you're straight, gay, sexually active, or just plain curious, S.E.X. spells out everything you need to know, including: A sexual readiness checklist Illustrations of female and male reproductive anatomy How to love your body, even when it's changing every day Tips on safer sex for body, heart, and mind An in-depth birth control breakdown How to create and enjoy the relationships that are right for you Popular mechanics of partnered sex: sexual activities explained, including pregnancy and STI risks STIs 101: what they are and how to keep yourself from getting them

    A mind-melting compilation of gonzo writing, illustration and comics about the most insane, sexy, awkward, cheesy, hilarious, upsetting and jaw-dropping movies in the history of film, Cinema Sewer joyously celebrates the sleaziest aspects of the moviegoing experience, while delving deep into bizarre cinematic history. Bougie's distinctive writing style has made him famous among a loyal following of cult film fans. Includes: •Graphic illustrations by Bougie and associates • Bizarre film trivia • 100 pages of never-before-seen interviews, rants, comics • Rare genre film ads • DIY 'zine aesthetic

    Puar argues that configurations of sexuality, race, gender, nation, class, and ethnicity are realigning in relation to contemporary forces of securitization, counterterrorism, and nationalism. She examines how liberal politics incorporate certain queer subjects into the fold of the nation-state, through developments including the legal recognition inherent in the overturning of anti-sodomy laws and the proliferation of more mainstream representation. These incorporations have shifted many queers from their construction as figures of death (via the AIDS epidemic) to subjects tied to ideas of life and productivity (gay marriage and reproductive kinship). Puar contends, however, that this tenuous inclusion of some queer subjects depends on the production of populations of Orientalized terrorist bodies. Heteronormative ideologies that the U.S. nation-state has long relied on are now accompanied by homonormative ideologies that replicate narrow racial, class, gender, and national ideals. These “homonationalisms” are deployed to distinguish upright “properly hetero,” and now “properly homo,” U.S. patriots from perversely sexualized and racialized terrorist look-a-likes—especially Sikhs, Muslims, and Arabs—who are cordoned off for detention and deportation. Puar combines transnational feminist and queer theory, Foucauldian biopolitics, Deleuzian philosophy, and technoscience criticism, and draws from an extraordinary range of sources, including governmental texts, legal decisions, films, television, ethnographic data, queer media, and activist organizing materials and manifestos. Looking at various cultural events and phenomena, she highlights troublesome links between terrorism and sexuality: in feminist and queer responses to the Abu Ghraib photographs, in the triumphal responses to the Supreme Court’s Lawrence decision repealing anti-sodomy laws, in the measures Sikh Americans and South Asian diasporic queers take to avoid being profiled as terrorists, and in what Puar argues is a growing Islamophobia within global queer organizing.

    It makes an effort to value aspects of historical gay experience that now threaten to disappear, branded as embarrassing evidence of the bad old days before Stonewall. Love argues that instead of moving on, we need to look backward.

    It's punk and life through the lens of Osa, a queer woman of color living in Portland, Oregon. It's got a little bit of everything, including a piece on Go-go music in D.C, which is all wrapped up into a story called the "Black Punk Zine That Never Happened". Osa helps us to understand why we shouldn't dis RuPaul, treats us to a Northwest scene report, and lists bands past and present that feature people of color. We'll be the first to acknowledge that unfortunately, punk today attracts few people of color proportionally, but zines like Shotgun Seamstress will certainly aid a change.

    Alongside real-deal photographs of women just like you and me (no airbrushing, no supermodels, no kidding) you’ll find medical pictures of things you need to be able to recognize, true confessions by yours truly, and the encouragement you need to appreciate the uniqueness, strength, and beauty of your body. What are you waiting for?"—Nancy Redd From fashion magazines to taboo Web sites, curious young women have access to tons of old wives' tales about and thousands of airbrushed and inaccurate images of the female body—misinformation and harmful portrayals that can lead to low self-esteem, self-destructive acts, or even disturbing plastic surgery procedures. Teaming up with a leading physician specializing in adolescent health issues, Harvard graduate and former Miss Virginia Nancy Redd now offers a down-to-earth, healing, and reassuring response to those damaging myths. In Body Drama, Redd gives girls insight into the issues they're often too ashamed to raise with a doctor or parent. She also reveals her own experiences with the culture of "American beauty," and shows readers all the many versions of "normal." From body hair and bras, to acne and weight issues, along with crucial issues such as the importance of a healthy self image, Body Drama is a groundbreaking book packed with informative fast facts, FYIs, how-tos, and moving personal anecdotes as well as hundreds of un-retouched photographs. A highly visual book, it’s the first of its kind for women: filled with real information and real photographs of real bodies, to celebrate all our different shapes and sizes. Named by Glamour magazine as one of America’s top-ten college women "most likely to succeed—at anything," Redd has spent the most recent years of her life on a mission to tackle the issues least discussed but most significant in young women’s lives. Celebrating the many versions of "normal," and replacing seriously erroneous information with the honest, medically proven truth in a language all girls can understand, Body Drama dares to empower a new generation—with facts instead of fantasies, and the priceless gift of self-knowledge.

    Drawing on Gilles Deleuze’s notion of “the cinematic”—not just as a phenomenon confined to moving-image media such as film and television but as a set of processes involved in the production and reproduction of social reality itself —Keeling describes how the cinematic structures racism, homophobia, and misogyny, and, in the process, denies viewers access to certain images and ways of knowing. She theorizes the black femme as a figure who, even when not explicitly represented within hegemonic cinematic formulations of raced and gendered subjectivities, nonetheless haunts those representations, threatening to disrupt them by making alternative social arrangements visible.Keeling draws on the thought of Frantz Fanon, Angela Davis, Karl Marx, Antonio Gramsci, and others in addition to Deleuze. She pursues the elusive figure of the black femme through Haile Gerima’s film Sankofa, images of women in the Black Panther Party, Pam Grier’s roles in the blaxploitation films of the early 1970s, F. Gary Gray’s film Set It Off, and Kasi Lemmons’s Eve’s Bayou.

    Here they share all that they’ve learned--plus give you a sneak peek behind bedroom doors as women and men share their favorite moves, mistakes to avoid, and best “oh, yeah!” moments.

    Based on extensive research amongst both migrants who sell sex and social helpers, Sex at the Margins provides a radical analysis. Frequently, says Agustín, migrants make rational choices to travel and work in the sex industry. Although they are treated as a marginalised group, they form part of the dynamic global economy.Both powerful and controversial, this book is essential reading for all those who want to understand the increasingly important relationship between sex markets, migration and the desire for social justice.-from the back cover

    Whether you loved "Fifty Shades of Grey," hated it but couldn’t put it down, or never read it but think your sex life could use some serious spicing up, then "150 Shades of Play" is for you! This helpful and hilarious illustrated A-to-Z guide includes:- How to’s on role play, dirty talk, spanking, bondage & more- Important safety info missing from the Fifty Shades trilogy- A voyeuristic peek at all of Christian Grey’s “hard limits”- Tips on shopping for top-of-the-line kinky accoutrements- Notes on what the Fifty series got wrong about BDSM- Everything beginners need to know to get their kink on!Brought to you by America’s sex-writing sweethearts Em & Lo of EMandLO.com, "150 Shades of Play" will make your Christian and Ana fantasies a reality, both safely and sensually!

    Edie Fake confronts the reader with violent and unexpected manifestations of sexual connection and romantic possession as the Gaylord Phoenix searches for his lost love, his origins and his place in the world.

    This book explores the evolution of Castro's political thinking-and in particular how he philosophically reconciles violence,political power and morality. The author argues that Castro's doctrine of armed struggle is the logical development of his idea of the ethical liberation fighter. At its core is the unremitting emphasis on the ethical use of violence and the occupation of the moral high ground.

    Janet Mason Ellerby follows the crooked path she took from a protected and privileged childhood and early adolescence to her unplanned pregnancy and banishment and to her daughter's birth and adoption. She then delves into the complex journey embarked on over the next thirty-five years, haunted by her first child's memory and attempting to compensate for her loss. Ellerby crafts an autoethnography, relating and reflecting upon the changes in middle-class American attitudes that informed the conservative suburbs of the fifties, through the political revolution of the sixties, seventies, and into today. In so doing, she provides a personal commentary on the shifts in adoption culture and describes the overlooked heartbreak that many birthmothers endure.

    Gilded Age elites defined white civilization as the triumphant achievement of exceptional people hewing to a relational ethic of strict self-discipline for the common good. During the early twentieth century, that racial and relational ideal was reconceived in more inclusive terms as “normality,” something toward which everyone should strive. The appearance of inclusiveness helped make “normality” appear consistent with the self-image of a racially diverse republic; nonetheless, “normality” was gauged largely in terms of adherence to erotic and emotional conventions that gained cultural significance through their association with arguments for the legitimacy of white political and social dominance. At the same time, the affectionate, reproductive heterosexuality of “normal” married couples became increasingly central to legitimate membership in the nation.Carter builds his intricate argument from detailed readings of an array of popular texts, focusing on how sex education for children and marital advice for adults provided significant venues for the dissemination of the new ideal of normality. He concludes that because its overt concerns were love, marriage, and babies, normality discourse facilitated white evasiveness about racial inequality. The ostensible focus of “normality” on matters of sexuality provided a superficially race-neutral conceptual structure that whites could and did use to evade engagement with the unequal relations of power that continue to shape American life today.

    She was everyone's mammy, the faithful slave who was content to cook and care for whites, no matter how grueling the labor, because she loved them. This far-reaching image of the nurturing black mother exercises a tenacious hold on the American imagination.Micki McElya examines why we cling to mammy. She argues that the figure of the loyal slave has played a powerful role in modern American politics and culture. Loving, hating, pitying, or pining for mammy became a way for Americans to make sense of shifting economic, social, and racial realities. Assertions of black people's contentment with servitude alleviated white fears while reinforcing racial hierarchy. African American resistance to this notion was varied but often placed new constraints on black women.McElya's stories of faithful slaves expose the power and reach of the myth, not only in popular advertising, films, and literature about the South, but also in national monument proposals, child custody cases, white women's minstrelsy, New Negro activism, anti-lynching campaigns, and the civil rights movement. The color line and the vision of interracial motherly affection that helped maintain it have persisted into the twenty-first century. If we are to reckon with the continuing legacy of slavery in the United States, McElya argues, we must confront the depths of our desire for mammy and recognize its full racial implications.

    By tracing the psychological, cultural, and political meanings of torture at the end of the French empire, Marnia Lazreg also sheds new light on the United States and its recourse to torture in Iraq and Afghanistan.This book is nothing less than an anatomy of torture--its methods, justifications, functions, and consequences. Drawing extensively from archives, confessions by former torturers, interviews with former soldiers, and war diaries, as well as writings by Jean-Paul Sartre, Albert Camus, and others, Lazreg argues that occupying nations justify their systematic use of torture as a regrettable but necessary means of saving Western civilization from those who challenge their rule. She shows how torture was central to guerre r�volutionnaire, a French theory of modern warfare that called for total war against the subject population and which informed a pacification strategy founded on brutal psychological techniques borrowed from totalitarian movements. Lazreg seeks to understand torture's impact on the Algerian population--especially women--and also on the French troops who became their torturers. She explores the roles Christianity and Islam played in rationalizing these acts, and the ways in which torture became not only routine but even acceptable.Written by a preeminent historical sociologist, Torture and the Twilight of Empire holds particularly disturbing lessons for us today as we carry out the War on Terror.

     L. H. Stallings offers distinct close readings of understudied African American women’s texts through a critical engagement with folklore and queer theory. To date, most studies on the trickster figure have rarely reflected the boldness and daring of the figure itself. Emblematic of change and transgression, the trickster has inappropriately become the methodological tool for conservative cultural studies analysis. Mutha’ is Half a Word strives to break that convention. This book provides a much-needed analysis of trickster tradition in regard to gender, sexuality, and Black female sexual desire. It is the only study to focus specifically on trickster figures and African American female culture. In addition, it contributes to conversations regarding the cultural representation of Black female desire in ways that are not strategically invested in heteronormative binaries of male/female and heterosexual/homosexual. The study is distinctly different because it explores folklore, vernacular, and trickster strategies of queerness alongside theories of queer studies to create new readings of desire in literary texts, hip-hop and neo-soul music, and comedic performances by Black females.

    Yet in both the developing world and in postindustrial cities of the West, sexual commerce has continued to flourish, diversifying along technological, spatial, and social lines. In this deeply engaging and theoretically provocative study, Elizabeth Bernstein examines the social features that undergird the expansion and diversification of commercialized sex, demonstrating the ways that postindustrial economic and cultural formations have spawned rapid and unforeseen changes in the forms, meanings, and spatial organization of sexual labor.Drawing upon dynamic and innovative research with sex workers, their clients, and state actors, Bernstein argues that in cities such as San Francisco, Stockholm, and Amstersdam, the nature of what is purchased in commercial sexual encounters is also new. Rather than the expedient exchange of cash for sexual relations, what sex workers are increasingly paid to offer their clients is an erotic experience premised upon the performance of authentic interpersonal connection. As such, contemporary sex markets are emblematic of a cultural moment in which the boundaries between intimacy and commerce—and between public life and private—have been radically redrawn. Not simply a compelling exploration of the changing landscape of sex-work, Temporarily Yours ultimately lays bare the intimate intersections of political economy, desire, and culture.

    Madness has been treated not only as a medical or psychological matter, but also as a metaphysical one, encompassing problems of suffering, imagination, history, sex, social and world order, evil, retribution, death, and the afterlife.Madness and the Mad in Russian Culture represents a joint effort by American, British, and Russian scholars - historians, literary scholars, sociologists, cultural theorists, and philosophers - to understand the rich history of madness in the political, literary, and cultural spheres of Russia. Editors Angela Brintlinger and Ilya Vinitsky have brought together essays that cover over 250 years and address a wide variety of ideas related to madness - from the involvement of state and social structures in questions of mental health, to the attitudes of major Russian authors and cultural figures towards insanity and how those attitudes both shape and are shaped by the history, culture, and politics of Russia.

    The wild success of The Ultimate Guide to Anal Sex for Women and The Ultimate Guide to Anal Sex for Men makes it clear that anal sex is hitting the mainstream. Lots of hot women want to strap it on, and their male partners are often happy to oblige. With style and wit, Violet Blue explains pleasure anatomy in men, with ample attention to the prostate gland — the epicenter to male orgasm that’s been called “the male G-spot.” Full of crafty ideas on positions, toys, harnesses, role-play scenarios, and reading your partner like a dirty book, The Adventurous Couple’s Guide to Strap-On Sex offers a step-by-step guide to making sparks fly. And look, ma! No hands.

    He shows how the approaches to the study of nature that emerged in the sixteenth and seventeenth centuries were directly informed by theological discussions about the Fall of Man and the extent to which the mind and the senses had been damaged by that primeval event. Scientific methods, he suggests, were originally devised as techniques for ameliorating the cognitive damage wrought by human sin. At its inception, modern science was conceptualized as a means of recapturing the knowledge of nature that Adam had once possessed. Contrary to a widespread view that sees science emerging in conflict with religion, Harrison argues that theological considerations were of vital importance in the framing of the scientific method.

    The book opens by studying patristic theologies of marriage, which rested on mostly implicit and often incompatible beliefs about sexual difference. However, Roberts argues that Augustine developed a coherent theology of sexual difference, according it a shifting significance from creation to eschaton. Roberts traces how Augustine's theology influenced and was developed by subsequent theologians, such as Bernard of Clairvaux, Luther, Barth, and John Paul II. Finally, Roberts engages today's debates about gay marriage. Before becoming an academic, Dr. Roberts was a journalist. On behalf of PBS television, he covered both the Lambeth Conference in England and the World Council of Churches in Zimbabwe. During those years, he was disappointed by both the liberal and conservative arguments on homosexuality. Left-wingers seemed more interested in privacy, autonomy, and experience than in theology, and right-wingers seemed to have lots of prohibitions but little good news. In the final chapters, this book tries to do better, inviting liberals to improve the standard of their arguments, and explaining what is beautiful and persuasive about the traditional case.

    Working with a wide range of religious, literary, and medical texts and images, Niklaus Largier explores the emotional and sensual, religious and erotic excitement of the whip, a crucial instrument of stimulation in devotional and sexual practices. From early modern pornography to the Marquis de Sade and the fantasies of Swinburne and Joyce, the erotic and devotional imagination drew on the whip.Largier explores how the Reformation and Counter-Reformation problematized the medieval culture of arousal. The stimulating qualities of medieval visual displays, especially flagellant practices, processions, and spectacles, were subjected to a criticism that sought to control the imagination. In modern bourgeois life the practice, effects, and imagery of flagellation became a central site of investigation into concerns and anxieties about exercising emotional self-control and censoring fantasy. Modern references to flagellant practice in the works of Swinburne, Proust, and Joyce testified not only to a -decadent- fascination with -medieval- cultures or -perverse sexuality, - but also to a fascination that nineteenth-century censorship, informed by psychopathological discourses, had obliterated. Such evocations of flagellation, Largier explains, were attempts to recover a culture of stimulation and imagination--both erotic and devotional--that transcended the modern boundaries of sexuality.