"How to See Fairies" is a delightful treasure chest brimming with fairy-inspired goodies: a gorgeous illustrated book, a blank journal in which to record your own fairy sightings, three note cards, a mini poster and a bookmark. Its nostalgic artwork combined with its contemporary, updated packaging make it a great gift for all ages.

    A beautiful tale of the painted turtle Makinauk, his animal friends, and their discovery of new lands and long-lasting friendship.

    You may think you already know this story about a beautiful servant girl, a cruel stepmother, a magnificent ball, and a lost slipper. But you’ve never heard it for true. Now you can hear the tale from someone who was there: a poor washerwoman from the island of Martinique. She has just one thing in the world to love, her goddaughter Cendrillon. When she finds Cendrillon heartsick over a rich man’s son, at first she doesn’t know what to do. But she has sharp wits, a strong will, and the magic wand her mother left her—and soon she has a plan to give her dear Cendrillon the gift of a love that will change her life. Adapted from a traditional Creole story, this fresh retelling captures all the age-old romance and magic of Cinderella, melding it with the vivid beauty of the Caribbean and the musical language of the islands.

    Illustrated with paintings as graceful and delicate as the lady slipper itself, this unforgettable retelling shows how a child's lost slippers became one of nature's most lovely spring flowers.

    At the same time, it provides us with a fresh perspective on the struggles of the people there. They fight to conserve their culture and a vision of the world which they see as flowering with holiness—a holiness that cannot be measured in dollars or defined by politics.The text for La Historia de los Colores is taken from the communiqué dated October 27, 1994 from Subcomandante Insurgente Marcos to the Mexican People. Originally published in Mexico with illustrations by Domitila Domínguez as La Historia de los Colores © 1996 by Colectivo Callejero, Guadalajara.Who is Marcos?Subcomandante Insurgente Marcos is the military strategist and spokesperson for the Zapatistas, an indigenous guerrilla movement in Mexico. It is his person, more than any other factor, that has pushed the Zapatista movement and the plight of the indigenous people in Mexico onto the international scene. Marcos continues to be the focus of media attention—in Mexico, in the States, and internationally, despite the Mexican government’s attempts to discredit him.On New Year’s Day, 1994, Subcomandante Insurgente Marcos and the Zapatistas, wearing their trademark ski masks, erupted on the world scene by declaring war on the Mexican government and attacking military installations in San Cristóbal, Chiapas. Since that time, Marcos—because of his charm, intelligence and mystique—has become a post-modern revolutionary hero. In his communiqués to the Mexican people, he has often related folktales and stories that reflect the culture and wisdom of the indigenous peoples of Chiapas.But no one seems to know who Subcomandante Insurgente Marcos is. The Mexican Government claims he is Rafael Guillen, but they’re literalists. He says he’s a Mexican like any other, born somewhere between the Atlantic and Pacific Oceans and between the northern and southern borders. He says he wears a ski mask because he is no longer whoever he was.

    She dreams of adventure and longs to travel to distant lands, so when a tall ship appears in the harbor, headed north to the Kingdoms of the Cold, Margaret won't be left behind. But adventures are perilous things. Soon Margaret must face a ferocious sea serpent and even worse dangers. And she must discover the truth about an old woman with strange powers and mysterious plans, or she'll never find a way to bring herself and her true love safely home. Acclaimed author Robert D. San Souci spins a tale of magic, battles, and romance in this traditional Irish story of a young woman whose courage astonishes her enemies -- and even herself.

    Nor ever before in such a charming, conversational yet dramatic and modern way. The tellings of Athena. Aphrodite, and Hera intertwine (though none repeats a myth), enabling us to hear more than one perspective on events and motives -- say, for instance, their wrangle over the golden apple and the outbreak of the Trojan War. And the cast of Olympian, mortal, and animal characters is unforgettable, as it has been since the times of Homer, Hesiod, Virgil, and Ovid, whose originals are the author's first sources here. Miraculous births, triumphs and sorrows in love, spats and adventures are all given a personal vividness, the voice of each goddess bring distinctly her own. An introduction in the author's voice oasis light on the Greeks' sense of right and wrong, and on their attitudes toward the social/political position of women (debased on earth, exalted on high), as well as explaining how children helped in the shaping of this book. In an Epilogue/Afterword, the goddesses personally invite readers to Olympus to choose among them as the young shepherd Paris had to. But now, their rivalries stilled, a sense of sisterhood prevails. Opulent original paintings adorn their tellings; back-matter pages of sculptures, vases, and friezes show how Classical artists imagined the goddesses, whose selves have proved to be deservedly immortal.

    She prefers good books to good looks and keeps both the royal accounts and the castle drawbridge in working order. When her greedy stepmother and stepsister scheme to spend the royal treasury and her father, the king, falls ill, Rosamond must set out in search of the one thing that can cure him -- the healing waters found in the magical well at the end of the world. In the spirit of The Talking Eggs, award-winning author Robert San Souci has once again created a feisty heroine whose generosity and courage save the day combined with Rebecca Walsh's vibrant paintings. This is an adventure story that readers will turn to again and again.

    When Leola wanders away from Grandmama's cottage, she encounters Ol' Mister Weasel and samples the pies, the chairs, and the beds of the three gentle Honeybears.

    On the long winter nights the People huddle around their hearths, fearing visits from terrible Blizzard, who can destroy anything with its icy winds and snow. Among the People lives a young girl named Teune -- the finest robemaker they have ever known. One night while Blizzard rages outside, the sparks from Teune's fire accidentally set fire to Blizzard's magnificent robe and consume it. But while the People Who Fear the Winter Night rejoice that Blizzard is no longer a threat, Teune sorrows to we Blizzard's mighty robe destroyed and sets out to make amends. Robert Sabuda once again demonstrates his extraordinary artistic versatility in these magnificent batik illustrations, with details drawn from authentic folk motifs.

    As you travel across treacherous deserts and through lonely mountain passes, you will learn about the importance of silk as a commodity, see some of the distinctive customs of the Central Asia people, and join in many storytelling sessions at starlit oases and campfires.

    

    Like the tale of the tailor who slew two giants. Or the maid who had to travel to the well at the World's End. Or the old, poor soldier who cheats the foolish farmer. Or, finally, Tattercoats, the ragamuffin who became a princess. Greedy giants, handsome princes, wicked queeens, and a lot of magic all help to ensure that this collection of traditional fairy tales has something for everyone in the family.(paperback reissue of English Fables and Fairy Stories, ISBN 0-19-274137-3)

    A collection of Norwegian folk tales, notable for their gutsy heroines, tongue-in-cheek humour and folksy idiom.

    This Ukrainian Easter story will delight all readers.