This volume brings together his significant writings in poetry and prose, and provides information on the life and times of Ghalib.

    Her easy-to-prepare adaptations shatter the myth that the Bard's primary fare was boiled mutton. In fact, Shakespeare and his contemporaries dined on salads of fresh herbs and vegetables; fish, fowl, and meats of all kinds; and delicate broths. Dried Plums with Wine and Ginger-Zest Crostini, Winter Salad with Raisin and Caper Vinaigrette, and Lobster with Pistachio Stuffing and Seville Orange Butter are just a few of the delicious, aromatic, and gorgeous dishes that will surprise and delight. Segan's delicate and careful renditions of these recipes have been thoroughly tested to ensure no-fail, standout results. The tantalizing Renaissance recipes in Shakespeare's Kitchen are enhanced with food-related quotes from the Bard, delightful morsels of culinary history, interesting facts on the customs and social etiquette of Shakespeare's time, and the texts of the original recipes, complete with antiquated spellings and eccentric directions. Fifty color images by award-winning food photographer Tim Turner span the centuries with both old-world and contemporary treatments. Patrick O'Connell provides an enticing Foreword to this edible history from which food lovers and Shakespeare enthusiasts alike will derive nourishment. Want something new for dinner? Try something four hundred years old.

    Things are looking pretty rosy until she learns that Mrs. Sweetly-who's anything but sweet-is going to be her teacher for the whole year. Not to be daunted, Willie wonders how she can make a good impression on the "sinister" Mrs. Sweetly. And, as Willie soon finds out, the first rule to losing your class pet (and impressing your teacher) is to "volunteer to bring your class pet home." Rule #2? "Make sure you look away while cleaning his cage in your backyard". And so, when Lester, the third grade's beloved floppy-eared guinea pig makes a break for it, Willimena's rules are about to change.

    But histories set in the North are few. In the Shadow of Slavery, then, is a big and ambitious book, one in which insights about race and class in New York City abound. Leslie Harris has masterfully brought more than two centuries of African American history back to life in this illuminating new work."—David Roediger, author of The Wages of WhitenessIn 1991 in lower Manhattan, a team of construction workers made an astonishing discovery. Just two blocks from City Hall, under twenty feet of asphalt, concrete, and rubble, lay the remains of an eighteenth-century "Negro Burial Ground." Closed in 1790 and covered over by roads and buildings throughout the nineteenth and twentieth centuries, the site turned out to be the largest such find in North America, containing the remains of as many as 20,000 African Americans. The graves revealed to New Yorkers and the nation an aspect of American history long hidden: the vast number of enslaved blacks who labored to create our nation's largest city. In the Shadow of Slavery lays bare this history of African Americans in New York City, starting with the arrival of the first slaves in 1626, moving through the turbulent years before emancipation in 1827, and culminating in one of the most terrifying displays of racism in U.S. history, the New York City Draft Riots of 1863. Drawing on extensive travel accounts, autobiographies, newspapers, literature, and organizational records, Leslie M. Harris extends beyond prior studies of racial discrimination by tracing the undeniable impact of African Americans on class, politics, and community formation and by offering vivid portraits of the lives and aspirations of countless black New Yorkers. Written with clarity and grace, In the Shadow of Slavery is an ambitious new work that will prove indispensable to historians of the African American experience, as well as anyone interested in the history of New York City.

    But in the next half century, the culture of slavery became a dominating theme in Southern historiography. In the 1970s it was the subject of the first Chancellor's Symposium in Southern History held at the University of Mississippi. Since then, scholarly interest in slavery has proliferated ever more widely. In fact, the editor of this retrospective volume states that since the 1970s -the expansion has resulted in a corpus that has a huge number of components-scores, even hundreds, rather than mere dozens.- He states that -no such gathering could possibly summarize all the changes of those twenty-five years.-Hence, for the Chancellor Porter L. Fortune Symposium in Southern History in the year 2000, instead of providing historiographical summary, the participants were invited to formulate thoughts arising from their own special interests and experiences. Each paper was complemented by a learned, penetrating reaction.-On balance, - the editor avers in his introduction, -reflection about the whole can convey a further sense of the condition of this field of scholarship at the very end of the last century, which was surely an improvement over what prevailed at the beginning.-The collection of papers includes the following: -Logic and Experience: Thomas Jefferson's Life in the Law- by Annette Gordon-Reed, with commentary by Peter S. Onuf; -The Peculiar Fate of the Bourgeois Critique of Slavery- by James Oakes, with commentary by Walter Johnson; -Reflections on Law, Culture, and Slavery- by Ariela Gross, with commentary by Laura F. Edwards; -Rape in Black and White: Sexual Violence in the Testimony of Enslaved and Free Americans- by Norrece T. Jones, Jr., with commentary by Jan Lewis; -The Long History of a Low Place: Slavery on the South Carolina Coast, 1670-1870- by Robert Olwell, with commentary by William Dusinberre; -Paul Robeson and Richard Wright on the Arts and Slave Culture- by Sterling Stuckey, with commentary by Roger D. Abrahams.Winthrop D. Jordan is William F. Winter Professor of History and professor of African American studies at the University of Mississippi. His previous books include White Over Black: American Attitudes toward the Negro, 1550-1812 and The White Man's Burden: Historical Origins of Racism in the United States, and his work has been published in the Atlantic Monthly, Daedalus, and the Journal of Southern History, among other periodicals.