Even for those with only a fleeting acquaintance with his unfinished novels, or his stories, diaries and letters, "Kafkaesque" has become a byword for the menacing, unfathomable absurdity of modern existence. Yet for all the universal significance of his fiction, Kafka's writing remains inextricably bound up with his life and work in the Czech capital Prague, where he spent every one of his 40 years. Klaus Wagenbach's biography provides a meticulously researched insight into the author's family background, his education and employment, his attitude to his native city, his literary influences, and his relationships with women. The result is a fascinating portrait of the 20th century's most enigmatic writer, in whose works, as W. G. Sebald recognised, "literary and life experience overlap."

    Like all readers of fiction, Agnès steps out of the world of planned routes, responsibilities, and social self and gives herself up to the discovery of a new landscape, an experience that will transform her. François Ricard's essay enters into the writings of Milan Kundera in much the same way. The landscape he explores includes a chain of ten novels, composed between 1959 and 1999, and two books containing one of the most lucid reflections on the novel.