Originally published in 1966, it has never gone out of print and has influenced generations of readers all over the world. It includes the famous essays "Notes on Camp" and "Against Interpretation," as well as her impassioned discussions of Sartre, Camus, Simone Weil, Godard, Beckett, Lévi-Strauss, science-fiction movies, psychoanalysis, and contemporary religious thought.This edition has a new afterword, "Thirty Years Later," in which Sontag restates the terms of her battle against philistinism and against ethical shallowness and indifference.

    And much of the material presented here was used in that course. The title should serve well to convey the gist of these various pieces. For all of them are explicitly concerned with the attempt to define and track down the implications of the term "symbolic action," and to show how the marvels of literature and language look when considered form that point of view.

    S. Lewis, whose constant aim was to show the twentieth century reader how to read and how to understand old books and manuscripts.

    It is the only work in which his metaphysical ideas are stated systematically and completely, and his metaphysics are the heart of his philosophical system as a whole. Sherburne has rearranged the text in a way designed to lead the student logically and coherently through the intricacies of the system without losing the vigor of Whitehead's often brilliant prose. "The Key renders Process and Reality pedagogically accessible for the first time."—Journal of Religion

    More than half have not been collected previously. "In these essays we see both Woolf's work and her self afresh" (Chicago Tribune). Edited and with an Introduction by Andrew McNeillie; Index.

    Eco discusses how Joyce's fiction was suffused by its author's reading of St Thomas Aquinas, Giordano Bruno, and Nicola De Cusa.

    

    In addition to essays on individual monuments there are general discussions of given periods & specific problems such as: why did Gothic come into being? Whitney Stoddard explores the interrelationship between all forms of medieval ecclesiastical art & characterization of the Gothic cathedral, which he believes to have an almost metaphysical basis.PrefaceRomanesque FranceEarly Gothic of the twelfth centuryHigh Gothic of the early thirteenth centuryFrom Rayonnant to FlamboyantThe Treasuries of Monasteries & CathedralsBibliographyIndex