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    Acknowledged as perhaps the masterpiece of materialist criticism in the English language, this omnibus ranges over British literary history from George Eliot to George Orwell to inquire about the complex ways economic reality shapes the imagination.

    What follows in the succeeding chapters is an attempt to formulate such a synoptic view, to bring together—for the first time, I believe—the results of modern specialized disciplines relating to Homeric studies and the kind of criticism which, twenty years ago, was called “New,” but which no, in modified forms, has become simply this era’s characteristic way of approaching such problems as imagery, action, and the poetic consciousness. —Cedric H. Whitman, from the Preface

    

    He offers a detailed study of the major works of fiction, Buddenbrooks, Tonio Kroher, Death in Venice, The Magic Mountain, Joseph and His Brothers, Doctor Faustus and Felix Krull, as well as a discussion of Mann's most significant political essay, 'Meditations of a Non-Political Man'. Beyond this, Heller's book is a profound commentary on Mann by a mind attuned to (and mouded by) precisely the intellectual and cultural traditions which are so much part of Mann's creative make-up.