Collecting:Five Weeks in a Balloon,Around the World in Eighty Days,A Journey to the Center of the Earth,From the Earth to the Moon,Round the Moon,Twenty-Thousand Leagues Under the Sea,The Mysterious Island.This omnibus offers a unique compilation of seven of Vernes Voyages, stories in which he extrapolated developing technology and invention into marvellous fiction.This volume offers readers a generous introduction to Jules Verne, whose books are as alive today as they were for readers new to the ideas expressed in them during his time.This edition of the text is exquisitely bound in bonded-leather, with distinctive gilt edging and an attractive silk-ribbon bookmark. Decorative, durable, and collectable, these books offer hours of pleasure to readers young and old and are an indispensable cornerstone for any home library.

    Opening with letters written during Steinbeck's early years in California, and closing with a 1968 note written in Sag Harbor, New York, Steinbeck: A Life in Letters reveals the inner thoughts and rough character of this American author as nothing else has and as nothing else ever will.

    The collection contains some of Ellison's best stories from earlier collections and is judged by some to be his most consistently high quality collection of short fiction. The theme of the collection can be loosely defined as God, or Gods. Sometimes they're dead or dying, some of them are as brand-new as today's technology. Unlike some of Ellison's collections, the introductory notes to each story can be as short as a phrase and rarely run more than a sentence or two. One story took a Locus Poll Award, the two final ones both garnered Hugo Awards and Locus Poll awards, and the final one also received a Jupiter Award from the Instructors of Science Fiction in Higher Education (discontinued in 1979). When the collection was published in Britain, it won the 1979 British Science Fiction Award for Short Fiction.His stories will rivet you to the floor and change your heartbeat...as unforgettable a chamber of horror, fantasy and reality as you'll ever experience.-Gallery "Brutally and flamboyantly shocking, frequently brilliant, and always irresistibly mesmerizing."-Richmond Times-Dispatch

     In the late 1960s and early 1970s, there were only three major television networks broadcasting original programs and news. And there was only one Harlan Ellison taking them all to task in a series of weekly essays he wrote for the countercultural, underground newspaper, the Los Angeles Free Press, a.k.a. "The Freep." For nearly four years, he channel surfed through the mire of ABC, CBS, and NBC, finding little of value but much to critique. No one offered a more astute analysis of the idiot box's influence on American culture, or its effects on the intelligence and psyche of viewers.The Other Glass Teat: Further Essays of Opinion on the Subject of Television collects Ellison's final fifty columns, presenting his thoughts on everything from dramas and sitcoms to game shows and roundtable discussions, unleashing his fury against sponsors, the nightly news, and the broadcasts of President Nixon--warning readers about the commander-in-chief's war against the media long before the Watergate scandal broke. As television has evolved into wireless streaming services and digital interactions on portable devices, Ellison's timeless rage against the machine has become prophecy. His plea to unplug is an even more necessary call to action in the face of the twenty-first century's media onslaught. Also available: The Glass Teat: Essays of Opinion on the Subject of Television

    The alphabetically arranged collection provides a generous sampling of each poet with a photo, biographical sketches, and bibliographies.

    

    They take the reader from the backwoods roads of Georgia, to the high altitude of Ruidoso Downs in New Mexico; from the social decay of Atlantic City, to Scotland, where a pilgrimage for art's sake leads to a surprising encounter with history on a hilltop with a view of a fifth of the entire country. McPhee's writing is more than informative; these are stories, artful and full of character, that make compelling reading. They play with and against one another, so that Pieces of the Frame is distinguished as much by its unity as by its variety. Subjects familiar to McPhee's readers—sports, Scotland, conservation—are treated here with intimacy and a sense of the writer at work.

    It fills the needs for a single, up-to-date selection from all of Ogden Nash's previous collections, covering more than four decades of his unique observation of the human condition and his enormously satisfying poetic achievement.

    It also includes a six-page introduction by Simak, and a three-page bibliography of his science fiction books. The book is edited by Angus Wells.Contents:1. A Death in the House2. Day of Truce 3. Final Gentleman4. Madness from Mars5. Shotgun Cure6. Small Deer7. Sunspot Purge8. The Autumn Land9. The Sitters10. The Thing in the Stone

    Ain [nominated, 1969 Nebula Award]AmberjackThrough a Lass DarklyThe Girl Who Was Plugged In [winner, 1974 Hugo Award. Nominated, 1973 Nebula Award. 1974 Locus Poll Award, Best Short Fiction (Place: 4)]The Night-Blooming SaurianThe Women Men Don't See [1974 Locus Poll Award, Best Short Fiction (Place: 18)]FaultLove Is the Plan the Plan Is Death [1973 Nebula Award. Nominated, 1974 Hugo Award. 1974 Locus Poll Award, Best Short Fiction (Place: 3)]On the Last Afternoon

    I Would Have Saved Them If I Could was his second collection of short stories, originally published in 1975."Leonard Michaels's stories stand alongside those of his best Jewish contemporaries - Grace Paley and Philip Roth." - Mona Simpson, The New York Times Book Review"Leonard Michaels was an original... with a concise, pungent and pyrotechnic style that tolerated no flab." - Phillip Lopate, The Nation"As good as any writer you're likely to run across." - Alex Abramovich, Bookforum

    The directors are Alfred Hitchcock, Frank Capra, Vincente Minnelli, George Cukor, Howard Hawks, William A. Wellman, King Vidor, and Raoul Walsh. Speaking with them, Mr. Schickel found in these men a special quality: "They felt in their bones the character and quality of a vanished America." There was something valuable to be learned from them, not merely about the cinema but about the conduct of life. Each of these directors created a canon of work that even today sustains critical analysis without sacrificing popular appeal. Each maintained his artistic integrity while working in an atmosphere generally credited with ruining rather than nurturing talent. Their attitudes, Mr. Schickel writes in his introduction, were "composed of a toughness that was never harsh, a pride in achievement that was never boastful, a self-reliance and an acceptance of the difficulties under which they had labored which contained neither self-pity nor a desire to blame others for the things that had gone wrong." Rich in behind-the-scenes stories about such modern classics as It Happened One Night, Dawn Patrol, The Champ, Born Yesterday, Father of the Bride, and Shadow of a Doubt, as well as in anecdotes about the men and women of Hollywood, this book is an enduring tribute to the men who made the movies. With 33 black-and-white photographs. "Immensely readable and richly informative...it provides a real education in just how movies are made.... One of the best introductions to the cinema that one could ask for."-Library Journal.

    In “Mimsy Were the Borogoves”–the inspiration for New Line Cinema’s major motion picture The Last Mimzy–a boy finds a discarded box containing a treasure trove of curious objects. When he and his sister begin to play with these trinkets–including a crystal cube that magnifies the unimaginable and a strange doll with removable organs that don’t quite correspond to those of the human body–their parents grow concerned. And they should be. For the items are changing the way the children think and perceive the world around them–for better or worse. Ray Bradbury called Henry Kuttner “a man who shaped science fiction and fantasy in its most important years.” Marion Zimmer Bradley and Roger Zelazny said he was a major inspiration. Kuttner was a writer’s writer whose visionary works anticipated our own computer-controlled, machine-made world. At the time of his death at forty-two in 1958, he had created as many as 170 stories under more than a dozen pseudonyms–sometimes writing entire issues of science fiction magazines–in close collaboration with his wife, C. L. Moore. This definitive collection will be a revelation to those who wish to discover or rediscover Henry Kuttner, a true master of the universe.

    Introduction by Lester del Rey.Contents:The Tunnel under the World (1955)Punch (1961)Three Portraits and a Prayer (1962)Day Million (1966)Happy Birthday, Dear Jesus (1956)We Never Mention Aunt Nora (1958)Father of the Stars (1964)The Day the Martians Came (1967)The Midas Plague (1954)The Snowmen (1959)How to Count on Your Fingers (1956) essayGrandy Devil (1955)Speed Trap (1967)The Richest Man in Levittown (1959)The Day the Icicle Works Closed (1960)The Hated (1958)The Martian in the Attic (1960)The Census Takers (1956)The Children of Night (1964)

    This comprehensively produced biography, now published for the first time in paperback, captures in over 100 striking photographs and a sympathetic, meticulously researched text the fullness of a life wholly committed to political, personal, and artistic freedom. From her early days in Hollywood as a silent film actress, through the creative, fruitful years in Mexico with Weston and her political exile in 1930s Europe, to her sudden death in 1942, Tina Modotti's courage, clear vision, and dramatic flair made her one of the most internationally controversial and widely admired artistic figures of her day. Perceptive and authoritative, Tina Modotti lifts the veil on a fragile life of iron.