Compressing an epic expanse of vision into narratives as hard and wounding as bullets, William Faulkner’s stories evoke the intimate textures of place, the deep strata of history and legend, and all the fear, brutality, and tenderness of which human beings are capable. These tales are set not only in Yoknapatawpha County but in Beverly Hills and in France during World War I; they are populated by such characters as the Faulknerian archetypes Flem Snopes and Quentin Compson (“A Justice”) as well as ordinary men and women who emerge in these pages so sharply and indelibly that they dwarf the protagonists of most novels.--back coverContains:Barn burning --Shingles for the Lord --The tall men --A bear hunt --Two soldiers --Shall not perish --A rose for Emily --Hair --Centaur in brass --Dry September --Death drag --Elly --Uncle Willy --Mule in the yard --That will be fine --That evening sun --Red leaves --A justice --A courtship --Lo! --Ad Astra --Victory --Crevasse --Turnabout --All the dead pilots --Wash --Honor --Dr. Martino --Fox hunt --Pennsylvania Station --Artist at home --The brooch --My Grandmother Millard --Golden land --There was a queen --Mountain victory --Beyond --Black music --The leg --Mistral --Divorce in Naples --Carcassonne.

    Tales include The Doll, Running Wolf, The Little Beggar, The Occupant of the Room, The Man Whom the Trees Loved, The Valley of the Beasts, The South Wind, The Man Who Was Milligan, The Trod, The Terror of the Twins, The Deferred Appointment, Accessory Before the Fact, The Glamour of the Snow, The House of the Past, The Decoy, The Tradition, The Touch of Pan, Entrance and Exit, The Pikestaffe Case, The Empty Sleeve, Violence, and The Lost Valley.

    Fifty-one poets represented--deliberately fewer than inmost anthologies, so that sufficient space can be devoted to each poet to afford a real understanding of his or her work. More recent and less well-known poets are represented wherever possible by works of some length rather than by a scattering of short poems. Brief biographical notes at the endenable the reader to know in what volume of the poet's work each poem originally appeared.

    Auden and Norman Holmes Pearson, presents the greatest of the Romantics in all the fullness and ardor of their vision, including William Blake, Robert Burns, Samuel Taylor Coleridge, William Wordsworth, Lord Byron, Percy Bysshe Shelley, John Keats, Ralph Waldo Emerson, Henry David Thoreau, and Edgar Allan Poe. What emerges is a panoramic view of a generation of artists struggling to remake the world in their own image—and miraculously succeeding.

    Includes The Maine Woods, Cape Cod & Walden.