Freuchen lived there for fifteen years, adopting native ways of life, and married an Inuit woman and had two children. He went on many expeditions, surviving frostbite, snowblindness, and starvation. In Arctic Adventure he writes of polar bear hunts, of meeting people who had resorted to cannibalism in times of famine, and of the moving experience of seeing the sun after three months of winter darkness. He writes about the Inuit with great respect and affection, describing their stoicism amidst hardship, their spiritual beliefs, their ingenious ways of surviving their harsh environment, their humor in the face of danger, and the social politics behind such customs as "wife-trading." Freuchen's warmth, wit, and tremendous literary ability make this book stand out from so many explorers' tales; it is a rich human saga.

    In 1935, she published her masterpiece, Spring Came on Forever, a novel of two Nebraska pioneer families from settlement to the 1930s. Elsewhere an artist of the romance, here Aldrich turns romance on its head. The heroine is Amalia Holmsdorfer, one of a band of German immigrants who settle on the prairie. From her late teens to her mid-eighties she confronts and defeats the forces of nature and society that discourage or ruin others. Her life might be a modest triumph but for one detail: she married the wrong man. Quickly paced and precisely drawn, this novel is Aldrich's greatest tribute to the complexity, humor, endurance, and intelligence of the people who settled the prairie. Whatever its sentiments, it has as many cutting edges as a buzz saw.

    K. Chesterton’s Father Brown may seem a pleasantly doddering Roman Catholic priest, but appearances deceive. With keen observation and an unerring sense of man’s frailties–gained during his years listening to confessions–Father Brown succeeds in bringing even the most elusive criminals to justice. This definitive collection of fifteen stories, selected by the American Chesterton Society, includes such classics as “The Blue Cross,” “The Secret Garden,” and “The Paradise of Thieves.” As P. D. James writes in her Introduction, “We read the Father Brown stories for a variety pleasures, including their ingenuity, their wit and intelligence, and for the brilliance of the writing. But they provide more. Chesterton was concerned with the greatest of all problems, the vagaries of the human heart.”

    Synge is most famous for the riots provoked by his 1907 play The Playboy of the Western World and, indeed, this was neither the first nor the last time that Synge's dramas incited passionate disagreements. But, one hundred years on, it's clear that his writings are amongst Ireland's most brilliant and significant, as well as controversial. Here, for the first time, a single volume collects all of Synge's published plays, including 'Playboy', along with his Poetry and Translations, and the prose works that detail his travels in The Aran Islands, in Wicklow, in Kerry and in Connemara. These are works of lasting and universal value, bringing together the sensibilities of Romanticism and Modernism, and arguing passionately for the freedom of the imagination. At the outset of the twentieth century, they not only gripped audiences with their drama, poetry and humour, they also shaped discussions about the formation of the Irish nation. Now, reading these works together in one volume reveals Synge's value system and shines a penetrating light on a key period in Irish history. A new introduction by Aidan Arrowsmith, of Manchester Metropolitan University, explains Synge s relationship to the intense political turmoil out of which his writing emerged.

    Selected Short Stories contains those selected by Lewis himself for a 1935 edition and illustrates the wide range of his art and interest: tales of romantic fantasy or escape, melodramas of heroic or mock-heroic adventure, boy-meets-girl stories, satires of pretension and folly, and tales of isolation and loneliness. Lewis often played variations on themes more fully developed in his novels. In his introduction, James W. Tuttleton calls Lewis an excellent storyteller with an enviable command of narrative At his best Lewis s short stories, like his novels, accomplish the remarkable feat described by E.M. Forster: What Mr. Lewis has done for myself and thousands of others is to lodge a piece of a continent in our imagination.