But when her mysterious new pastor and the town’s most powerful businessman both begin to compete for her affection, Savannah realizes that she must face her past once and for all or leave Paradise forever. But there’s more to the story—and more danger lurking—than Savannah knows.Douglas Wilson has been a pastor for more than forty years and is the author of dozens of books, including the award-winning novel Evangellyfish. The Man in the Dark is his first historical romance novel.

    Raised mostly by his mother with an occasional cameo from his gangster father, Warren had an affinity and talent for music at an early age. Taking to the piano and guitar almost instantly, he began imitating and soon creating songs at every opportunity. After an impromptu performance in the right place at the right time, a record deal landed on the lap of a teenager who was eager to set out on his own and make a name for himself. But of course, where fame is concerned, things are never quite so simple.Drawing on original interviews with those closest to Zevon, including Crystal Zevon, Jackson Browne, Mitch Albom, Danny Goldberg, Barney Hoskyns, and Merle Ginsberg, Nothing's Bad Luck tells the story of one of rock's greatest talents. Journalist C.M. Kushins not only examines Zevon's troubled personal life and sophisticated, ever-changing musical style, but emphasizes the moments in which the two are inseparable, and ultimately paints Zevon as a hot-headed, literary, compelling, musical genius worthy of the same tier as that of Bob Dylan and Neil Young.In Nothing's Bad Luck, Kushins at last gives Warren Zevon the serious, in-depth biographical treatment he deserves, making the life of this complex subject accessible to fans old and new for the very first time.

    The authors of these gospels were intentional in how they handled historical information and sources.Building on recent work in the study of ancient biographies, Craig Keener argues that the writers of the canonical gospels followed the literary practices of other biographers in their day. In Christobiography he explores the character of ancient biography and urges students and scholars to appreciate the gospel writers’ method and degree of accuracy in recounting the ministry of Jesus. Keener’s Christobiography has far-reaching implications for the study of the canonical gospels and historical-Jesus research.Table of Contents:Introduction Part 1. Biographies about Jesus             2. Not a Novel Proposal             3. Examples and Development of Ancient Biography             4. What Sort of Biographies Are the Gospels?             5. What Did First-Century Audiences Expect of Biographies? Part 2 Biographies and History             6. Biographies and Historical Information             7. What Historical Interests Meant in Antiquity             8. Luke-Acts as Biohistory             9. Sources Close to the Events Part 3. Testing the Range of Deviation             10. Case Studies: Biographies of Recent Characters Use Prior Information             11. Flex Room: Literary Techniques in Ancient Biographies Part 4. Two Objections to Gospels as Historical Biographies             12. What about Miracles?             13. What about John? Part 5. Memories about Jesus: Memories before Memoirs             14. Memory Studies             15. Jesus Was a Teacher             16. Oral Tradition, Oral History             17. The Implications of This Study

    Robert Graves was fascinated by what he saw as his work's connection to a lost world of deeply buried folkloric memory. He is a shapeshifter; a seer; a chronicler of battles fought, by sword and with magic, between the ancient kingdoms of the British Isles; a bridge between old Welsh mythologies and the new Christian theology; a 6th-century Brythonic bard; and a legendary collective project spanning the centuries up to The Book of Taliesin's compilation in 14th-century North Wales. He is, above all, no single 'he'.The figure of Taliesin is a mystery. But of the variety and quality of the poems written under his sign, of their power as exemplars of the force of ecstatic poetic imagination, and of the fascinating window they offer us onto a strange and visionary world, there can be no question. In the first volume to gather all of the poems from The Book of Taliesin since 1915, Gwyneth Lewis and Rowan Williams's accessible translation makes these outrageous, arrogant, stumbling and joyful poems available to a new generation of readers.

    A man becomes friends with a bank robber who abducts him and eventually rues his captor’s death. A baby is born transparent.James Tate’s work, filled with unexpected turns and deadpan exaggeration, “fanciful and grave, mundane and transcendent,” (New York Times) has been among the most defining and significant of our time. In his last collection before his death in 2015, Tate’s dark yet whimsical humor, his emotional acuity, and his keen ear for the absurd are on full display in prose poems that finely constructed and lyrical, surrealistic and provocative.With The Government Lake, James Tate reminds us why he is one of the great poets of our age and one of the true masters of the form.