The young pre-med student felt compelled to intervene in defense of the Panther’s First Amendment right; she ended up handcuffed and thrown into the back of a police car.The War Before traces Bukhari’s lifelong commitment as an advocate for the rights of the oppressed. Following her journey from middle-class student to Black Panther to political prisoner, these writings provide an intimate view of a woman wrestling with the issues of her time—the troubled legacy of the Panthers, misogyny in the movement, her decision to convert to Islam, the incarceration of out spoken radicals, and the families left behind. Her account unfolds with immediacy and passion, showing how the struggles of social justice movements have paved the way for the progress of today.

    This book consists primarily of letters between Rashid and Outlaw, another revolutionary New Afrikan prisoner, smuggled between the segregation wing and general population over a period of months. These comrades educate themselves - and us as well - on Marxism and Maoism, the Five-Percenters, Dialectical Materialism, Dead Prez, Capitalism, Racism, Imperialism, Class Struggle, Revolutionary Nationalism, New Afrikan Independence, Psychology, and a host of other subjects, as they grapple with how to promote revolutionary consciousness in the most hostile of environments.Rashid has been in prison for twenty years - the past eighteen of which in segregation (solitary confinement). Shortly after this correspondence between himself and Outlaw, he and his comrade Shaka Sankofa Zulu founded the New Afrikan Black Panther Party–Prison Chapter. The NABPP-PC has since developed branches in various prisons across the u$ empire and has its own newsletter, Right On!A number of Rashid's essays written as Minister of Defense of the NABPP-PC are also included in this book.

    The book traces the experiences of fugitive slaves, kidnapped Northern-born blacks, and free people of color, exploring the interdependence between plantation life and life in Northern and Southern American towns and illuminating the connections between the successes and difficulties of a wide range of Americans, free and slave, black and white, Northern and Southern. This neo-slave narrative treats the truths of lives touched by slavery with reverence but is not afraid to question the ways the old stories have too often been told. In addition to creating new stories, Suck on the Marrow develops new ways of telling those tales.