Redfield presents an imaginative perspective not only on the Iliad but also on the whole of Homeric culture. In an expansive discussion informed by a reinterpretation of Aristotle's Poetics and a reflection on the human meaning of narrative art, the analysis of Hector leads to an inquiry into the fundamental features of Homeric culture and of culture generally in its relation to nature. Through Hector, as the "true tragic hero of the poem," the events and themes of the Iliad are understood and the function of tragedy within culture is examined. Redfield's work represents a significant application of anthropological perspectives to Homeric poetry. Originally published in 1975 (University of Chicago Press), this revised edition includes a new preface and concluding chapter by the author.

    

    Appearing in an English-language paperback edition for the first time, volume 1 analyzes in vivid detail the military tactics and strategies used by the great warriors of antiquity. Delbrück disputes some points in classical history and separates fact from legend in his objective reconstruction of celebrated battles stretching from the Persian Wars to the Peloponnesian War, Alexander's campaign to conquer Asia, the Second Punic War and Hannibal's crossing of the Alps, and the triumph of the Roman legions and Julius Caesar. Walter J. Renfroe Jr. based his much-praised English translation on the third (1920) edition of volume 1.

    In between (with, among others, his speeches for Cluentius and Rabirius), he built a reputation as the greatest orator of his time.Cicero defended his practice partly on moral or compassionate grounds of 'human decency'--sentiments with which we today would agree. His clients generally went free. And in vindicating men--who sometimes did not deserve it--he left us a mass of detail about Roman life, law and history and, in two of the speeches, graphic pictures of the 'gun-law' of small provincial towns.