Henry's tyrannical, brick laying father, Nick, though weak and alcoholic, can still strike fear into the hearts of his sons. His mother, though ill and devout to her Catholicism, still has the power to comfort and confuse her children. This is typical of Fante's novels, it's autobiographical, and brimming with love, death, violence and religion. Writing with great passion Fante powerfully hits home the damage family can wreck upon us all.

    Seizing the occasion, he belted a solo home run- a storybook ending to a storied career. In the stands that afternoon was 28-year-old John Updike, inspired by the moment to make his lone venture into the field of sports reporting. More than just a matchless account of that fabled final game, Hub Fans Bid Kid Adieu is a brilliant evocation of Williams' competitive spirit, an intensity of dedication that still "crowds the throat with joy." Now, on the 50th anniversary of the dramatic exit of baseball's greatest hitter, The Library of America presents a commemorative edition of Hub Fans, prepared by the author just months before his death. To the classic final version of the essay, long out-of- print, Updike added an autobiographical preface and a substantial new afterword. Here is a baseball book for the ages, a fan's notes of the very highest order.

    The opening stories focus on the fragile nature of youth, exemplified in struggles with a father, a friend, an enemy. In part two, Dubus contends with the military, the police, and fate--and then leaves us with the most wrenching of all emotional challenges in the final novella, Adultery. Poignant as parables, alive as fiction, and compelling as pure narrative, these familiar stories never fail to entertain while, at the same time, leaving the reader breathless with the immediacy and depth of real life in the real America.

    The first major work of contemporary fiction ever to use living historical figures as characters, the novel reimagines the three fateful days in 1953 that culminated with the execution of alleged atomic spies Julius and Ethel Rosenberg. Vice-President Richard Nixon - the voraciously ambitious bad boy of the Eisenhower regime - is the dominant narrator in an enormous cast that includes Betty Crocker, Joe McCarthy, the Marx Brothers, Walter Winchell, Uncle Sam, his adversary The Phantom, and Time magazine incarnated as the National Poet Laureate. All of these and thousands more converge in Times Square for the carnivalesque auto-da-fe at which the Rosenbergs are put to death. And not a person present escapes implication in Cold War America's ruthless "public burning."

    Jamie has ditched her husband and is running away with her two baby girls. Bill is dreaming of making it big in a life of crime. They meet on a Greyhound bus and decide to team up.So begins a stunning, tragic odyssey through the dark underbelly of America – the bars, bus stations, mental wards, and prisons that play host to Jamie and Bill as they find themselves trapped in a downward spiral though rape, alcohol, drugs and crime, to madness and death.From the author of Tree of Smoke , winner of the National Book Award for Fiction

    An epic family saga set on the sprawling, beautiful ranches of the American West, from the author of The Power of the Dog, "a masterful novelist working at the peak of his form" (Washington Post). A Western family story at once intimate and epic, this rich, compelling, emotionally charged novel tells the story of the Sweringen family of Idaho: Emma, the matriarch, known as the Sheep Queen ("surely one of the most fascinating characters in current fiction" —Publishers Weekly); the daughter who disappoints her; the grandson who adores her; and the granddaughter, given up for adoption, who spends nearly half her life finding her way back to her family."The Sheep Queen is marvelous...Her reign has a mythic grandeur." —New York Times Book Review"A fine novel...A sense of family as anchor and root and self-definition [gives] the book its considerable strength...Savage is a writer of the first order, and he possesses in abundance the novelist's highest art — the ability to illuminate and move." —The New Yorker

    Ron Decker is a newbie, a drug dealer whose shot at a short two-year stint in the can is threatened from inside and outside. He's got to keep a spotless record or it's ten to life. But at San Quentin, no man can steer clear of the Brotherhoods, the race wars, the relentlessness. It soon becomes clear that some inmates are more equal than others; Earl Copen is one of them, an old-timer who has learned not just to survive but to thrive behind bars. Not much can surprise him-but the bond he forms with Ron startles them both; it's a true education of a felon.

    Swept up in the motley crew, which included Joni Mitchell, Mick Ronson, Allen Ginsberg, Arlo Guthrie, Joan Baez, and Ramblin' Jack Elliot, was playwright Sam Shepard, ostensibly hired to write, on the spot, the script for a Fellini-esque, surreal movie that would come out of the tour. The script never materialized, but throughout the many moods and moments of his travels with Dylan and his troupe, Shepard kept an impressionistic Rolling Thunder Logbook of life on the road. Illuminated by forty candid photographs by official tour photographer Ken Regan, Shepard's mental-snap shots capture the camaraderie, isolation, head games, and pill-popping mayhem of the tour, providing a window into Dylan's singular talent, enigmatic charisma, and vision of America.

    Thirteen-year-old Roger's disappointment is greatest, since, having moved place to place all his life with his gifted actor-father, he longs for some measure of stability. Then Roger and his father discover under peeling wallpaper and rotted paneling traces of a much older, more graceful house, and their misgivings disappear— until, that night, the house is filled with a sound of wild grieving that Roger traces to an empty room. Only Roger— and later his small stepsister Pippa— sees the ghosts, among them that of Tom Garland, a well-known actor in Shakespeare's time. But Roger's father, playing Hamlet in the famous National Theatre, is caught up, unknowingly, in Tom's old tragedy. It is a frightened Roger who has to risk his life to find a way to mend the past before the present becomes its tragic echo. POOR TOM'S GHOST, dramatic, wholly convincing, a fascinating intermingling of the centuries, portrays a family whose uncertain bonds are tested and strengthened by a threat from the past.

    Reprint. PW.

    The story of their life together, rich in anecdotes & with the countless famous people they knew, is a passionate record of their shared experience as lovers, as spouses, as world travelers & as the authors of one of the most famous successful works of scholarship in American literary history. Ariel & Will met & fell in love in 1912. He taught at New York's anarchist Ferrer Center, a young man already in love with the world of ideas, who had quit seminary to his family's chagrin in search of freedom. She was 14, so young that she roller-skated on her way to City Hall for her marriage, the daughter of penniless immigrants struggling to survive in the New World, inheritor of all the rebellious traditions & the determination to survive of the Russian ghetto from which her family came. Together they shared not only a burning love for each other but a hunger for ideas. Their book follows their intellectual journey, beginning with their interest in anarchism (which brought them close to Emma Goldman & Alexander Berkman) & going on thru a long, shared lifetime that brought them honors, fame & acquaintance with almost every major literary & intellectual personality in Europe & the USA. Their book is frank & moving, at once a star-studded history of the decades thru which they lived & worked & an intimate tribute to an enduring love.