First published in the 1950s, at the height of the McCarthy era, Warlock is not only one of the most original and entertaining of modern American novels but a lasting contribution to American fiction.

    Profusely illustrated, it will give its readers a sense of participation in the past that is all too rare in conventional histories.

    But it is so much more. W. C. Heinz not only serves up a realistic depiction of the circus-like atmosphere around boxing with its assorted hangers-on, crooked promoters, and jaded journalists, but he gives us two memorable characters in Eddie Brown and in Brown's crusty trainer, Doc Carroll. They are at the heart of this poignant story as they bond together with their eye on the only prize that matters—the middleweight championship. The Professional is W. C. Heinz at the top of his game—the writer who covered the fights better than anyone else of his era, whose lean sentences, rough-and-ready dialogue, dry wit, and you-are-there style helped lay the foundation for the New Journalism of Jimmy Breslin, Gay Talese, and Tom Wolfe. And all the trademark qualities of W. C. Heinz are on ample display in this novel that Pete Hamill described as "one of the five best sports novels ever written."

    Each book in the series has been designed with today's young reader in mind. As the words come to life, students will develop a lasting appreciation for great literature.The humor of Mark Twain...the suspense of Edgar Allan Poe...the danger of Jack London...the sensitivity of Katherine Mansfield. Creative Short Stories has it all and will prove to be a welcome addition to any library.

    Dover's final official act is to ordain Springer and send him off to serve as pastor of an all-Black church in Jacksonville, Florida. Springer soon becomes entangled in the city's growing civil rights movement . . . and with the church deacon's earthy young wife, Merita. The Washington post calls this darkly humorous novel by Charles Willeford, one of the great crime writers of the 20th century, "his masterpiece." This new edition is introduced by James Sallis and contains Willeford's previously unpublished play based on the novel.

    The resulting chronicle was hailed by the New York Times as "the best reporting that the period of depression has brought forth in the United States," and forms the heart of the present volume. In prose that is by turns dramatic and naturalistic, inflammatory and evocative, satirical and droll, Wilson painted an unforgettable portrait of a time when "the whole structure of American society seemed actually to be going to pieces." The American Earthquake bookends this chronicle with a collection of Wilson's non-literary articles—including criticism, reportage, and some fiction—from the years of "The Follies," 1923–1928, and the dawn of the New Deal, 1932–1934. During this period, Wilson had grown from a little-known journalist to one of the most important American literary and social critics of the century. The American Earthquake amply conveys the astonishing breadth of Wilson's talent, provides an unparalleled vision of one of the most troubling periods in American history, and, perhaps inadvertently, offers a self-portrait comparable to The Education of Henry Adams .