A one-time detective and a master of deft understatement, Hammett virtually invented the hard-boiled crime novel. In The Maltese Falcon, Sam Spade, a private eye with his own solitary code of ethics, tangles with a beautiful and treacherous woman whose loyalties shift at the drop of a dime. The Thin Man introduces Hammett's wittiest creations, Nick and Nora Charles, who solve homicides in between wisecracks and martinis. And in Red Harvest, Hammett's anonymous tough-guy detective, the Continental Op, takes on the entire town of Poisonville in a deadly war against corruption."Dashiell Hammett is a master of the detective novel, yes, but also one hell of a writer."—Boston Globe”Hammett was spare, hard-boiled, but he did over and over what only the best writers can ever do. He wrote scenes that seemed never to have been written before.”—Raymond Chandler”Hammett’s prose was clean and entirely unique. His characters were as sharply and economically defined as any in American fiction.”—The New York Times”As a novelist of realistic intrigue, Hammett was unsurpassed in his own or any time.”—Ross Macdonald”Dashiell Hammett’s dialogues can be compared only with the best in Hemingway.”—André Gide”Hammett is one of the best contemporary American writers.”—Gertrude Stein

    Set on the vast northern Great Plains, where the earth has only recently come beneath the plow, the stories and novels in this Library of America volume partake of an impressive physical space and a uniquely American ethnic. Panoramas of lonely prairie and open sky reflect the heroic aspirations and stoicism of her characters and the rebelliousness of their spirit.The Troll Garden (1905) was Cather’s first book of fiction. It contains seven stories, including the justly famous “Paul’s Case,” a study of a young man who escapes the world of the ordinary and briefly tastes the life of romance. Also included is “The Sculptor’s Funeral,” about a world-famous young artist who remains without honor in his native town.O Pioneers! (1913) is the story of a young Swedish-American girl, Alexandra Bergson, who is left to manage the homestead farm when her father dies. Although she must contend with the shiftlessness of two brothers and the brutal murder of a third, her instinctive identification with the forces of nature helps bring the land to abundant fruition, and she finds her own happiness in a kindred spirit—an engraver, gold prospector, and fellow dreamer.In her lyrical novel The Song of the Lark (1915), Cather’s love of music and theater and her faith in the spiritual influence of the Western landscape find expression in the ardent and talented Thea Kronborg. Moving from Colorado to Chicago to the primitive Southwest, Thea finds her destiny not in romance, but as a great Wagnerian soprano in the Metropolitan Opera. Her success, and that of all Cather’s heroines, derives from what the author calls “the naïve, generous country that gave on its joyous force.”A masterpiece at once austere and exuberant, historical and mythical, My Ántonia (1918) portrays a family of Bohemian emigrants on the Nebraska frontier. Despite the suicide of her father and the desertion of the father of her child, Ántonia Shimerda retains an unselfish nature that allows her to undergo years of drudgery and still affirm a courageous passion for life and motherhood—a dauntlessness intrinsically rooted in the awesome wonder of the prairie.One of Ours, winner of the Pulitzer Prize in 1922, portrays the blighting effects of twentieth-century progress on a free spirit from the American frontier. Claude Wheeler, its hero, is an imaginative, restless young man who leaves his claustrophobic small town to become a soldier in France during World War I. The Old World shows him culture, art, generosity, and appreciation, and also the horror, waste, and tragedy of war.

    One of the cars he is hired to demolish is a snow-white Cadillac that was supposed to be a present for the Big Bopper, who died in the Iowa plane crash that killed Buddy Holly and Ritchie Valens. Gastin has a change of heart and takes off in the car, heading for Texas where the Bopper is buried. Armed with a thousand hits of Benzedrine and chased by adversaries real and imagined, Gastin navigates a road trip that covers many miles and states of mind. Traveling in time from the Beat era to the dawn of the sixties, from the coffeehouses of North Beach to the open plains of America, Gastin picks up some extraordinary hitchhikers: the self-proclaimed "world's greatest salesman," the Reverend Double-Gone Johnson, and a battered housewife with a box of old 45s. As the miles and sleepless hours roll by, Gastin's trip becomes a blur of fantasy and reality fueled by a soundtrack of classic rock 'n' roll.

    Collected by Francis E. Skipp, these fifty-eight stories span the breadth of Thomas Wolfe’s career, from the uninhibited young writer meticulously describing the enchanting birth of springtime in “The Train and the City” to his mature, sober account of a terrible lynching in “The Child by Tiger.” Thirty-five of these stories have never before been collected, and “The Spanish Letter” is published here for the first time. Vital, compassionate, remarkably attuned to character, scene, and social context, The Complete Short Stories of Thomas Wolfe represents the last work we have from the author of Look Homeward, Angel, who was considered the most promising writer of his generation (The New York Times).

    Emerging from the harsh realities of difficult lives, the stories are full of the violence of love and the love of violence. The author won the 1995 Steinbeck Award for "Dogs of God".

    In this Library of America volume are presented the first two novels and a little-known collection of biographical sketches by the man about whom H. L. Mencken said, “American writing, before and after his time, differed almost as much as biology before and after Darwin.”Dreiser grew up poor in a series of small Indiana towns, in a large German Catholic family dominated by his father’s religious fervor. At seventeen he moved to Chicago and eventually became a newspaper reporter there and in St. Louis, Pittsburgh, and New York. Reaction to his first book, Sister Carrie (1900), was not encouraging, and after suffering a nervous breakdown, he went on to a successful career editing magazines. In 1910 he resumed writing, and over the next fifteen years published fourteen volumes of fiction, drama, travel, autobiography, and essays.“Dreiser’s first great novel, Sister Carrie …came to housebound and airless America like a great free Western wind, and to our stuffy domesticity gave us the first fresh air since Mark Twain and Whitman,” Sinclair Lewis declared in his Nobel Prize acceptance speech in 1930. Carrie Meeber, an eighteen-year-old small-town girl drawn to bustling Chicago, becomes the passionless mistress of a good-humored traveling salesman and then of an infatuated saloon manager who leaves his family and elopes with her to New York. Dreiser’s brilliant, panoramic rendering of the two cities’ fashionable theaters and restaurants, luxurious hotels and houses of commerce, alongside their unemployment, labor violence, homelessness, degradation, and despair makes this the first urban novel on a grand scale.In a 1911 review, H. L. Mencken wrote, “Jennie Gerhardt is the best American novel I have ever read, with the lonesome but Himalayan exception of Huckleberry Finn.” Beautiful, vital, generous, but morally naïve and unconscious of social conventions, Jennie is a working-class woman who emerges superior to the succession of men who exploit her. There are no villains in this novel; in Dreiser’s view, everyone is victimized by the desires that the world excites but can never satisfy.Dreiser’s embracing compassion is felt in Twelve Men (1919), a collection of portraits of men he knew and admired. They range from “My Brother Paul” (Paul Dresser, vaudeville musical comedian and composer of “On the Banks of the Wabash” and “My Gal Sal”) to “Culhane, the Solid Man,” a sanatorium owner and former wrestler. Without sentiment but with honest emotion and respect for the bleak and unvarnished truth, Dreiser recalls these anomalous individuals and the twists of fate that shaped their lives.

    Sometimes when she looks at her gnarled brown fingers, they seem alien, wrong, out of place. She remembers having small, pale, delicate hands with painted fingernails. Memories lie upon memories, layers upon layers, like the sedimentary rocks of the desert buttes.Aaron Jacobs, the man Rachel calls father, was a neurologist who discovered how to capture the electrical pattern of a living brain’s thoughts and memories. When his daughter died unexpectedly, the grieving father imposed the electrical pattern of the girl’s brain on a young chimp, creating Rachel, a chimp he recognizes as his daughter.Rachel knows that she is a real girl – but when Aaron Jacobs dies, she must make her way in a world that treats her as nothing but an animal.

    This great Kentucky novelist, short story writer, poet, and teacher writes about his boyhood, his elementary school and high school experiences, and his days at Lincoln Memorial University. He tells of teaching in a one room rural schoolhouse, his experiences as a county school superintendent, and his stay as a teacher at American University in Cairo, Egypt. He explains what classroom methods worked best, and why, and speculates on what has gone wrong with American schools.

    This is not an Austen sequel, but tells the story of Alvey, one of the two girls, who agrees to impersonate the other in order to find herself a refuge where she can complete the novel she has always wanted to write. The Deception proves all too easy, as the family she meets are in desperate need of her help. With the conspiratorial assistance of Louisa's elder sisters, Alvey becomes a member of the troubled Winship family in a rambling Northumberland household. After many complexities and entanglements, she wins their affections to such an extent that as the deception gradually unravels, Alvey is begged by the family to stay on, to the shock of the returning Louisa. Aiken vividly evokes the ambiance of the great country house of the Regency period in a part of the English countryside she knew well from childhood visits.

    In a bleak Texas prison Royce, an alcoholic doctor administers Bobby Mencken's last "high," convinced that the convicted killer was innocent. When Royce's marriage crumbles he takes off for Dallas to search for the real killer.Of Nisbet, Germany's Die Welt wrote, "Neither Norman Mailer nor Truman Capote has in their writing been able to produce such an intensity as Nisbet has achieved."With sharp humor and a poet's ear for language, Nisbet's world may be bleak, but it is frighteningly real. Overlook is proud to bring him to a new generation of readers.

    He separates much fact from fiction and takes into account the ever-growing body of Cather criticism. The author of My Ántonia and Death Comes for the Archbishop was in love with life: here are her passions, prejudices, and quirks of personality. Thoroughly grounded in Cather's writings, which were autobiographical to an uncommon degree, Willa Cather: A Literary Life is likely to stand as the definitive biography of her for years to come.