Knock on Any Door dramatizes young immigrant Nick Romano's struggle to survive when his father's business folds, leaving his family with no choice but to move to a poor neighborhood across town. A series of petty crimes land the former Catholic altar boy in reform school, where forceful "rehabilitation" only creates a hardened and resistant spirit among the inmates. Once released, Nick returns to Chicago, where family conflicts and a brief, tragic marriage spiral him further downward, culminating in his arrest for the murder of a police officer. The whole city watches the thrilling legal battle unfold as Nick takes the stand to fight for his life. Motley researched his novel on the streets of his native Chicago, talking to immigrants about their experiences and visiting juveniles in Illinois's youth detention centers. In Knock on Any Door, Motley creates a painfully vivid picture of poverty, the struggle for ethnic identity, and the flaws of the penal system in urban America.

    When Neil Kingsblood, a typical middle-American banker with a comfortable life, makes the shocking discovery that he has African blood, the odyssey that ensues creates an unforgettable portrayal of two Americas, one black, one white. As timely as when it was first published in 1947, one need only open today's newspaper to see the same issues passionately being discussed between blacks and whites that we find in Kingsblood Royal, says Charles Johnson. Perhaps only now can we fully appreciate Sinclair Lewis's astonishing achievement.

    Torn between their mother's world of genteel respectability and their grandfather's and uncle's world of cowboy masculinity, neither Molly nor Ralph can find an acceptable adult role to aspire to. As events move to their swift and inevitable conclusion, Stafford uncovers and indicts the social forces that require boys to sacrifice the feminine in order to become men and doom intelligent girls who aren't pretty.

    And in the introduction to this new edition, Swallow Press executive editor and author Kevin Haworth calls attention to the contemporary feeling of the story—despite its having been written more than fifty years ago and set several hundred years in the past. As in Lewis’s best-known novel, The Wife of Martin Guerre, the plot derives from Samuel March Phillips’s nineteenth-century study, Famous Cases of Circumstantial Evidence, in which this British legal historian considered the trial of Pastor Sören Qvist to be the most striking case.

    A giant among American writers, he fought throughout his career to capture life in realistic terms. In his stories as well as his celebrated novels, he sought to uncover the problems of common Americans at the turn of the century-their struggles with society and their dreams of power and wealth against a backdrop of threatening poverty. "Dreiser has no peer in the American short story....As fine as his novels are, they do not attain the artistic wholeness of his short tales. Among the moderns, there is almost no one capable of writing tales like these. The best of today is pallid and non-human when compared with Dreiser's compassionate searchings."-from the Introduction by Howard Fast.

    Their paths cross, happily or disastrously, in a book that seems too real to be fiction. As Wallace Stegner writes, the conflict on this particular frontier "has been reproduced in an endlessly changing pattern all over the United States.""Wallace Stegner's story about a rural community is told with subtle restraint in a style which is often poetic and always sensitive."—Chicago Sun Book Week"Incisive, restrained character delineation reminiscent of Willa Cather. Strongly recommended."—Library Journal"Second Growth . . . is a creation of remarkable penetration and skill. Its small, accurate touches build up to a full and firm whole. Its objectivity, its air of knowledge and judgment, are accompanied by an almost lyrical, delicately restrained tenderness. Its prose is disciplined, sensitive and luminous."—New York Times

    A bed-ridden boy relies on his dog for contact with the outside world.Note: First published in Bradbury's collection Dark Carnival, Arkham House, 1947.