He is equally at ease writing historical tales, such as “Gabrielle de Bergerac,” a love story set in pre-Revolutionary France, as he is exploring contemporary events, as in the three stories that treat the effects of the American Civil War on civilians.James’s psychological acuity is already evident in “Master Eustace,” a study of the ruthlessness of a spoiled child, and in “Guest’s Confession,” where the comic portrayal of an arrogant businessman hints at his cruelty and self-absorption. In “The Romance of Certain Old Clothes,” and “The Last of the Valerii,” James begins to work with the supernatural and fantastic motifs that would continue to surface in his work. Early examples of James’s lifelong fascination with art and artists include “A Landscape Painter,” about a young painter’s attraction to a seemingly simple family living in a desolate coastal town, and “The Madonna of the Future,” where an aging artist avoids the unveiling of his masterpiece.Adumbrating later triumphs and compelling in their own right, these stories reveal and accomplished and cosmopolitan young talent mastering the art of the short story.