Like many of Poe's poems, it explores the theme of the death of a beautiful woman. The narrator, who fell in love with Annabel Lee when they were young, has a love for her so strong that even angels are envious. He retains his love for her even after her death. There has been debate over who, if anyone, was the inspiration for "Annabel Lee". Though many women have been suggested, Poe's wife Virginia Eliza Clemm Poe is one of the more credible candidates. Written in 1849, it was not published until shortly after Poe's death that same year.

    Some of the celebrated tales contained in this unique volume include the world's first detective stories -- "The Murders in the Rue Morgue" and "The Purloined Letter", and three stories sure to make a reader's hair stand on end -- "The Cask of Amontillado", "The Tell-Tale Heart", and "The Masque of the Red Death".The work includes a new introduction by Stephen Marlowe, author of "The Memoirs of Christopher Columbus" and "The Lighthouse at the End of the World."Besides the five stories already mentioned, it also contains: "The Balloon-Hoax", "Ms. Found in a Bottle", "A Descent into a Maelstrom", "The Black Cat", "The Pit and the Pendulum", The Assignation", "Diddling", "The Man That Was Used Up", and the novel, "Narrative of A. Gordon Pym". These may vary with different editions.The Signet Classic Edition of "The Fall of the House of Usher and Other Tales" has over 250,000 copies in print!Librarian's note: this is a collection by the author of short stories, and one novel, Entries for each of them on their own can be found elsewhere on Goodreads, including the specific entry for the story, "The Fall of the House of Usher".

    Dupin he invented the detective story; and tales such as 'MS. Found in a Bottle' and 'Von Kempelen and His Discovery' pioneered modern science-fiction.As readers will discover, Poe possessed an unrivalled capacity to create atmosphere and suspense, and to probe the dark depths of the human psyche. All the stories in this volume push back the boundaries, making the improbable possible, the familiar terrifying and strange.Contents:9 • Introduction (Selected Tales) • essay by John Curtis19 • The Duc de L'Omelette • [Tales of the Folio Club] • (1832) • shortstory by Edgar Allan Poe (variant of The Duke de L'Omelette)23 • MS. Found in a Bottle • [Tales of the Folio Club] • (1833) • shortstory by Edgar Allan Poe35 • The Assignation • [Tales of the Folio Club] • (1834) • shortstory by Edgar Allan Poe (variant of The Visionary)48 • Ligeia • (1838) • shortstory by Edgar Allan Poe65 • How to Write a Blackwood Article • (1838) • shortstory by Edgar Allan Poe (variant of The Psyche Zenobia)76 • The Fall of the House of Usher • (1839) • shortstory by Edgar Allan Poe96 • William Wilson • (1839) • novelette by Edgar Allan Poe (variant of William Wilson: A Tale)118 • The Murders in the Rue Morgue • [Chevalier Dupin] • (1841) • novelette by Edgar Allan Poe154 • A Descent into the Maelström • (1841) • shortstory by Edgar Allan Poe172 • The Island of the Fay • (1841) • shortstory by Edgar Allan Poe178 • The Colloquy of Monos and Una • (1841) • shortstory by Edgar Allan Poe188 • The Oval Portrait • (1842) • shortstory by Edgar Allan Poe192 • The Masque of the Red Death • (1842) • shortstory by Edgar Allan Poe (variant of The Mask of the Red Death)199 • The Mystery of Marie Rogêt • [Chevalier Dupin] • (1842) • novella by Edgar Allan Poe251 • The Pit and the Pendulum • (1842) • shortstory by Edgar Allan Poe267 • The Tell-Tale Heart • (1843) • shortstory by Edgar Allan Poe273 • The Gold-Bug • (1843) • novelette by Edgar Allan Poe311 • The Black Cat • (1843) • shortstory by Edgar Allan Poe322 • The Premature Burial • (1844) • shortstory by Edgar Allan Poe337 • The Purloined Letter • [Chevalier Dupin] • (1844) • novelette by Edgar Allan Poe357 • The Imp of the Perverse • (1845) • shortstory by Edgar Allan Poe364 • The Facts in the Case of M. Valdemar • (1845) • shortstory by Edgar Allan Poe374 • The Cask of Amontillado • [Fortunado] • (1846) • shortstory by Edgar Allan Poe382 • The Domain of Arnheim • (1842) • shortstory by Edgar Allan Poe (variant of The Landscape-Garden)399 • Von Kempelen and His Discovery • (1849) • shortstory by Edgar Allan Poe

    Technically skillful and spiritually haunting, Poe's body of work poems, tales, a novel, and essays—awakens readers to the darker side of humanity. This Norton Critical Edition includes Poe's most important writing, introduced, annotated, and edited by leading Poe scholar G. R. Thompson."Backgrounds and Contexts" includes fifty-seven judiciously chosen documents that illuminate Poe's short but prolific career, among them Poe's reviews, prefaces, and related correspondence as well as thematic pieces dealing with Transcendentalism and alternative Romanticism, psychological science, sensation fiction, and slavery and the South.Fourteen critical essays address the major themes and genres of Poe's work. Among the contributors are Richard Wilbur, Grace Farrell, Barton Levi St. Armand, J. Gerald Kennedy, and John T. Irwin. A Selected Bibliography and an Index to Works and First Lines of Poems are also included.--back coverTable of ContentsAcknowledgments Edgar A. Poe—An American Life (1809-1849) A Note on Texts and Annotations The Texts of The Selected Writings of Edgar Allan Poe POEMS Introduction Tamerlane Dreams Spirits of the Dead Evening Star Imitation Stanzas: In Youth A Dream The Happiest Day The Lake Sonnet—To Science Al Aaraaf Introduction Fairyland [1] Fairyland [2] Alone To Helen [Stanard] Israfel The Sleeper The Valley of Unrest The City in the Sea The Coliseum Sonnet—Silence Dream-Land The Raven Ulalume—A Ballad The Bells To Helen [Whitman] A Dream Within a Dream For Annie Eldorado Annabel Lee TALES AND SKETCHES Introduction Metzengerstein Loss of Breath [A Decided Loss] MS. Found in a Bottle The Assignation [The Visionary] Lionizing [Some Passages in the Life of a Lion] Shadow Silence Berenice King Pest Ligeia How to Write a Blackwood Article A Predicament [The Scythe of Time] The Man That Was Used Up The Fall of the House of Usher William Wilson The Man in the Crowd The Murders in the Rue Morgue A Descent into the Maelström The Colloquy of Monos and Una Never Bet the Devil Your Head The Oval Portrait [Life in Death] The Masque of the Red Death The Pit and the Pendulum The Tell-Tale Heart The Gold-Bug The Black Cat The Premature Burial The Purloined Letter Some Words with a Mummy The Power of Words The Imp of the Perverse The Facts of the Case of M. Valdemar The Cask of Amontillado Hop-Frog The Narrative of Arthur Gordon Pym Selections from Eureka Backgrounds and Contexts Edgar Allan Poe—Preface to Tamerlane and Other Poems Edgar Allan Poe—To B__________ (July 1836) Edgar Allan Poe—To Joseph T. and Edwin Buckingham (May 4, 1833) Edgar Allan Poe—Preface to Tales of the Folio Club Edgar Allan Poe—To T. W. Hite (April 30, 1835) Edgar Allan Poe—Review of Theodore Fay, Norman Leslie Edgar Allan Poe—Review of Morris Mattson, Paul Ulric J. P. Kennedy—To Edgar Allan Poe (February 9. 1836) Edgar Allan Poe—To J. P. Kennedy (February 11, 1836) J. K. Paulding—To T. W. White (March 3, 1836) Edgar Allan Poe—Review of Drake & Halleck (April 1836) Edgar Allan Poe—To Harrison Hall (September 2, 1836) Edgar Allan Poe—Review of Robert M. Bird, Sheppard Lee (September 1836) Edgar Allan Poe—Review of Baron de la Motte Fouqué, Undine (September 1839) Edgar Allan Poe—To Philip P. Cooke (September 21, 1839) Edgar Allan Poe—Review of Thomas Moore, Alciphron Edgar Allan Poe—Preface to Tales of the Groesque and Arabesque Edgar Allan Poe—Prospectus for Penn Magazine Edgar Allan Poe—To William E. Burton (June 1, 1840) Edgar Allan Poe—Review of Edward Lytton Bulwer, Night and Morning Edgar Allan Poe—Review of Lambert A. Wilmer, Quacks of Helicon Edgar Allan Poe—Excordium to Critical Notices Edgar Allan Poe—Review of Henry Wadsworth Longfellow, Ballads and Other Poems Edgar Allan Poe—Two Reviews of Nathaniel Hawthorne, Twice-Told Tales Edgar Allan Poe—To J. E. Snodgrass (June 4, 1842) Edgar Allan Poe—To James Russell Lowell (July 2, 1844) Edgar Allan Poe—Preface to the Marginalia series James Russell Lowell—Our Contributors . . . Edgar Allan Poe Anonymous [Edgar Allan Poe]—Review of Henry Wadsworth Longfellow Edgar Allan Poe—Review of Thomas Hood, Prose and Verse Unsigned Review—Tales of Edgar Allan Poe Edgar Allan Poe—Preface to The Raven and Other Poems Edgar Allan Poe—The Philosophy of Composition Edgar Allan Poe—To P. P. Cooke (August 9, 1846) Edgar Allan Poe—Review of Nathaniel Hawthorne, Twice-Told Tales and Mosses from an Old Manse Edgar Allan Poe—The Poetic Principle Edgar Allan Poe—A Reviewer Reviewed George Graham—The Later Edgar Poe Charles Baudelaire—Edgar Allan Poe: His Life and Works Walt Whitman—[Edgar Poe's Significance] TRANSCENDENTALISM AND ALTERNATIVE ROMANTICISM Introduction Frederic Henry Hedge—On Immanuel Kant and German Transcendentalism Friedrich Schlegel—Fragments from Lyceum, Athenaeum, and Dialogue of Poesie August Wilhelm Schlegel—The Tragic; The Comic Jean Paul Friedrich Richter—Humoristic Subjectivity SCIENCES OF THE MIND Introduction Lavater, Gall, and Spurzheim—From Physiognomical System of Dr. Gall and Spurzheim Orson S. Fowler—From Fowler's Practical Phrenology Thomas C. Upham—From Outlines of Imperfection and Disordered Action POPULAR FICTION: BLACKWOOD'S AND THE SENSATION TALE Introduction Anonymous—Extracts from Gosschen's Diary Anonymous—The Buried Alive William Maginn—The Man in the Bell THE SOUTH AND SLAVERY Introduction James E. Heath—Southern Literature Anonymous—Slavery Edgar Allan Poe—To Beverley Tucker (May 2, 1836) J. V. Ridgely—The Authorship of the Paulding-Drayton Review Edgar Allan Poe—To J. E. Snodgrass (June 17, 1840) Criticism Introduction Floyd Stovall—[Poetry, Imagination, and Cosmos: Poe's Debt to Coleridge] Robert C. McLean—[Poetic Theory and Affective Poetry: Poe and George Tucker] Richard Wilbur—The House of Poe James W. Gargano—The Question of Poe's Narrators Joseph J. Moldenhauer—Murder as a Fine Art: Basic Connections between Poe's Aesthetics, Psychology, and Moral Vision Paul John Eakin—Poe's Sense of an Ending Grace Farrell—The Quest of Arthur Gordon Pym Liahna Klenman Babener—The Shadow's Shadow: The Motif of the Double in Edgar Allan Poe's "The Purloined Letter" Barton Levi St. Armand—The "Mysteries" of Edgar Poe: The Quest for a Monomyth in Gothic Literature Joseph N. Riddel—The "Crypt" of Edgar Allan Poe J. Gerald Kennedy—Phantasms of Death in Poe's Fiction John Carlos Rowe—Poe, Antebellum Slavery, and Modern Criticism Terence Whalen—Average Racism: Poe, Slavery, and the Wages of Literary Nationalism John T. Irwin—Detective Fiction as High Art: Lacan, Derrida, and Johnson on "The Purloined Letter" Selected Bibliography

    Ten years in the writing (it was the book he retired to Walden to work on) and incorporating essays, passages from his journal, and some of his best poems, it is a superbly crafted achievement, its texture enriched by the idealism of the Transcendentalists, the delighted wordplay of an imaginative linguist, the individualism of a young America, and the earthiness of a lover of nature.Walden is a personal declaration of independence, a social experiment, and a voyage of spiritual discovery, set within the seasonal cycle of a year’s “Life in the Woods.” “Simplify, simplify” is the beat of its “more distant drummer”—to abandon waste and illusion, to get to the bottom of life’s essential needs, and to practice a new economy for humane living. Its witty and pointed rhetoric brings together language and nature, the human and nonhuman in unusual conjunctions that resonate with symbolic meanings. A manual of self-reliance as well as a masterpiece of style, it is one of the most fervently loved classics of American literature.The Maine Woods is an account of three trips taken by boat and canoe in 1846, 1853, and 1857 through an unexplored interior bypassed by westward expansion. It describes the virgin rivers and forests of Maine, the customs of woodsmen and Indian guides, the hunting of moose, and the effects of the timber industry and encroaching settlement. An early and eloquent plea for conservation by a far-sighted naturalist, its close observation of the American wild becomes an examination of “the motives which carry men into the wilderness.”Cape Cod is the bleakest of Thoreau’s works, resembling Melville’s prose in its vision of the titanic indifference of nature. Cape Cod appears as both ocean and desert, a vast expanse of shipwrecks and barren soil, peopled by hardy, weathered inhabitants who seem survivors from the age of the first Pilgrims. Based upon his own visits and upon accounts from the earliest times, it is an unsentimental study of human endurance in the face of hostile elements, historical change, and natural decay.

    His simple but profound musings—as well as Civil Disobedience, his protest against the government's interference with civil liberty—have inspired many to embrace his philosophy of individualism and love of nature.

    In it, Thoreau argues that individuals should not permit governments to overrule or atrophy their consciences, and that they have a duty to avoid allowing such acquiescence to enable the government to make them the agents of injustice. Thoreau was motivated in part by his disgust with slavery and the Mexican–American War (1846–1848).