But when she finally meets a man she can't control, her self-centered life is turned upside down! Grace Livingston Hill is the beloved author of more than 100 books. Read and enjoyed by millions, her wholesome stories contain adventure, romance, and the heartwarming triumphs of people faced with the problems of life and love.

    When Sherrill finds that the other woman is desperately in love with Carter, she decides the wedding must go on--with the other woman as the bride!Later, as Sherrill arrives at the church to watch the wedding that should have been hers, she stumbles out of the car--and falls into the arms of a passing stranger. When Sherrill looks up to apologize, she sees a tall, handsome man whose piercing eyes seem to see deep within her. Shaken and distressed, Sherrill lets the man help her into the church. He stays close beside her throughout the ceremony and is her encouragement and support through the rest of that painful day.Soon he is no longer a stranger . . . and more than a friend.

    An engrossing, haunting tale that gives us insight into an almost forgotten age. Madam Sugimoto was born in Japan, not in the sunny southern part of the country which has given it the name of "The Land of Flowers," but in the northern province of Echigo which is bleak and cold and so cut off from the rest of the country by mountains that in times past it had been considered fit only for political prisoners or exiles. Her father was a Samurai, with high ideals of what was expected of a Samurai's family. His hopes were concentrated in his son until the son refused to marry the girl for whom he was destined and ran off to America. After that all that was meant for him fell to the lot of the little wavy-haired Etsu who writes here so delightfully of the things that happened in their childhood days in far-away Japan.

    The problem is that the esteemed author, Madame Blavatsky used a prose and style that many contemporary readers would have trouble reading and understanding. The sheer size of the books is formidable. In addition the Secret Doctrine attempts to cover everything from the complete Cosmology of The Universe, God and the devil - just to name a few of the subjects. The third, also called Lost Volume of the work was published and mostly written by her disciple Annie Bessant, who naturally knew a great deal less than her Master.

    This attractive trade paperback edition features a new foreword by Wayne Booth, a new preface and retrospective chapter by the author, and an updated list of suggested readings.In Literature as Exploration, Rosenblatt presents her unique theory of literature and focuses on the immense, often untapped, potential for the study and teaching of literature in a democratic society. The author's philosophy of literature is frequently cited as the first presentation of reader-response theory, but she differs from her successors in emphasizing both the reader and the text. Her transactional theory of literature examines the reciprocal nature of the literary experience and explains why meaning is neither in the text nor in the reader. Each reading is a particular event involving a particular reader and a particular text under particular circumstances. And teachers of literature, Rosenblatt argues, play a pivotal role in influencing how students perform in response to a text.Louise Rosenblatt's Literature as Exploration has influenced literary theorists and teachers of literature at all levels. This attractive trade paperback edition features a new foreword by Wayne Booth, a new preface and retrospective chapter by the author, and an updated list of suggested readings.In Literature as Exploration, Rosenblatt presents her unique theory of literature and focuses on the immense, often untapped, potential for the study and teaching of literature in a democratic society. The author's philosophy of literature is frequently cited as the first presentation of reader-response theory, but she differs from her successors in emphasizing both the reader and the text. Her transactional theory of literature examines the reciprocal nature of the literary experience and explains why meaning is neither in the text nor in the reader. Each reading is a particular event involving a particular reader and a particular text under particular circumstances. And teachers of literature, Rosenblatt argues, play a pivotal role in influencing how students perform in response to a text.

    Taking its name from the inscription on the cover, this brilliant little collection includes the stories, playlets, verses, and moral fragments she wrote likely from ages twelve to eighteen. The volume was produced for the enjoyment of her family and close friends—entertaining it was and is!Now it is available for all of us to see.As a young author, Jane Austen delighted in language, employing it with great humor and surprising skill. She was adept at parodying the popular stories of her day and entertained her readers with outrageous plotlines and characters. Kathryn Sutherland’s introduction places Austen’s earliest works in context and explains how she mimicked even the style and manner in which this contemporary popular fiction was presented and arranged on the page. The work of a young adult, Volume the First nevertheless reveals the development of the unmistakable voice and style that would mark her as one of the most popular authors of all time. None of her six famous novels survives in manuscript. This is a unique opportunity to own a likeness of Jane Austen’s hand in the form of a complete manuscript facsimile.