Michener brings Hawaii’s epic history vividly to life in a classic saga that has captivated readers since its initial publication in 1959. As the volcanic Hawaiian Islands sprout from the ocean floor, the land remains untouched for centuries—until, little more than a thousand years ago, Polynesian seafarers make the perilous journey across the Pacific, flourishing in this tropical paradise according to their ancient traditions. Then, in the early nineteenth century, American missionaries arrive, bringing with them a new creed and a new way of life. Based on exhaustive research and told in Michener’s immersive prose, Hawaii is the story of disparate peoples struggling to keep their identity, live in harmony, and, ultimately, join together.

    The Hamlet, the first book of the series chronicling the advent and rise of the grasping Snopes family in mythical Yoknapatawpha County, is a work that Cleanth Brooks called "one of the richest novels in the Faulkner canon." It recounts how the wily, cunning Flem Snopes dominates the rural community of Frenchman's Bend - and claims the voluptuous Eula Varner as his bride. The Town, the second novel, records Flem's ruthless struggle to take over the county seat of Jefferson, Mississippi. Finally, The Mansion tells of Mink Snopes, whose archaic sense of honor brings about the downfall of his cousin Flem. "For all his concerns with the South, Faulkner was actually seeking out the nature of man," noted Ralph Ellison. "Thus we must turn to him for that continuity of moral purpose which made for the greatness of our classics."

    These stories are where Chandler honed his art and developed his uniquely vivid underworld, peopled with good cops and bad cops, informers and extortionists, lethally predatory blondes and redheads, and crime, sex, gambling, and alcohol in abundance. In addition to his classic hard-boiled stories–in which his signature atmosphere of depravity and violence swirls around the cool, intuitive loners whose type culminated in the famous detective Philip Marlowe–Chandler also turned his hand to fantasy and even a gothic romance.This rich treasury of twenty-five stories shows Chandler developing the terse, laconic, understated style that would serve him so well in his later masterpieces, and immerses the reader in the richly realized fictional universe that has become an enduring part of our literary landscape.

    It is an enthralling story which has now been turned into both play and musical and is regarded as the finest of this popular author’s many novels.

    At the center of it all is the seventy-seventh Earl, Titus Groan, who stands to inherit the miles of rambling stone and mortar that form Gormenghast Castle and its kingdom, unless the conniving Steerpike, who is determined to rise above his menial position and control the House of Groan, has his way.In these extraordinary novels, Peake has created a world where all is like a dream - lush, fantastical, and vivid. Accompanying the text are Peake's own drawings, illustrating the whole assembly of strange and marvelous creatures that inhabit Gormenghast.Also featuring:Introductory essays by Anthony Burgess and Quentin CrispTwelve critical essays, curated by Peake scholar Peter G. WinningtonFragment of the unpublished novel, Titus Awakes

    In this highly readable, witty and colourful autobiography, reissued by Aurum Press in B-format using the original uncensored text, Flynn reveals himself and his remarkable life as he did nowhere else.

    Marcus Mezentius Manilianus, a learned and wealthy Roman, is travelling in the Orient and arrives in Jerusalem on the day of the crucifixion of Jesus. This marks the departure point on a quest with many questions: Who was this king that died on the cross? What is the secret of his kingdom?

    Haunted by the deaths of his parents and wielding his tin drum Oskar recounts the events of his extraordinary life; from the long nightmare of the Nazi era to his anarchic adventures in post-war Germany.

    His boldness of approach and intense curiosity concerning man and nature are unequalled in the prose literature of our times." It is most fitting that this anthology of "the best" of Henry Miller should have been assembled by one of the first among Miller's contemporaries to recognize his genius, the eminent British writer Lawrence Durrell. Drawing material from a dozen different books Durrell has traced the main line and principal themes of the "single, endless autobiography" which is Henry Miller's life work. "I suspect," writes Durrell in his Introduction, "that Miller's final place will be among those towering anomalies of authorship like Whitman or Blake who have left us, not simply works of art, but a corpus of ideas which motivate and influence a whole cultural pattern." Earlier, H. L. Mencken had said, "his is one of the most beautiful prose styles today," and the late Sir Herbert Read had written that "what makes Miller distinctive among modern writers is his ability to combine, without confusion, the aesthetic and prophetic functions." Included are stories, "portraits" of persons and places, philosophical essays, and aphorisms. For each selection Miller himself prepared a brief commentary which fits the piece into its place in his life story. This framework is supplemented by a chronology from Miller's birth in 1891 up to the spring of 1959, a bibliography, and, as an appendix, an open letter to the Supreme Court of Norway written in protest of the ban on Sexus, a part of which appears in this volume.

    He unpicks every possible root cause of western woman's fear and anxiety in pregnancy, childbirth and breastfeeding and does so with overwhelming heart and empathy. Essential reading for all mothers-to-be!

    Fascinating insight into what motivated and inspired the Manassa Mauler. Well written and a joy to read.

    In an impoverished village in southern Italy, the life and death of Giacamo Nerone has inspired talk of saint­hood. Father Blaise Meredith, a dying English priest, is sent from the Vatican to investigate—and to try to untangle the web of facts, rumors, and outright lies that surround Nerone's life and death. With spiritual frailty as a backdrop, The Devil's Advocate reminds us how the power of goodness ultimately prevails over despair.

    Mary Jane had been sheltered from white antagonisms, and is now suddenly thrust into a world of snobbery, prejudice and suspicion. At first she bitterly resents the role of ambassador, but slowly becomes less defensive and forms a sound relationship with her classmates based on genuine compatability. While the fictional aspects of the story are little more than adequate, the real value for the high school reader is the clear, undeviating challenge to prejudice, the expose of some of its evils in their active and virulent forms, and a removal of the issue from the academic to the recognizable level

    One of the most important contributions in the field of plant ecology during the twentieth century, this definitive survey established the geographical limits, species compositions, and as much as possible of the environmental relations of the communities composing the vegetation of Wisconsin.

    In each case, a general description and history of the dialect is given, followed by an analysis of vowel and consonant peculiarities, of its individual lilt and rhythm, and of its grammar variations. There are also lists of the idioms and idiomatic expressions that distinguish each dialect and exercises using them. American Dialects also includes musical inflection charts and diagrams showing the placement of lips, tongue, and breath.

    Hersey makes the point that wars exist precisely because there are men like Buzz who revel in them. At the same time, he gives us a detailed account of a Flying Fortress crew based in England during WW II. The language is rough and expressive, revealing the loyalties, humor, and camaraderie existing in this wartime atmosphere.

    And it is without a doubt among the most influential photographic books of the twen- tieth century. Capote (1924–1984) published his novella Breakfast at Tiffany’s the year before Observations appeared, and like Avedon, who although still in his mid-thirties was already something of a legend in the fashion industry, Capote knew how to combine the otherworldly attentiveness of an aesthete with an equally passionate engagement with the passing parade. Capote’s crystalline descriptive technique, which many believe he brought to a pitch of perfection with In Cold Blood (1966), may well owe something to the lessons of the all-seeing photographic eye.