Betrayed by her sisters, a tsarina and her infant son are marooned on a barren island until a magical swan helps them regain their rightful heritage.

    Most of them, as Ivan Petrovich told me, were true stories heard from various people.First published anonymously in 1830, Alexander Pushkin’s Tales of Belkin contains his first prose works. It is comprised of an introductory note and five linked stories, ostensibly collected by the scholar Ivan Belkin. The stories center variously around military figures, the wealthy, and businessmen; this beautiful novella gives a vivid portrait of nineteenth century Russian life.It has become, as well, one of the most beloved books in Russian literary history, and symbolic of the popularity of the novella form in Russia. In fact, it has become the namesake for Russia’s most prestigious annual literary prize, the Belkin Prize, given each year to a book voted by judges to be the best novella of the year.It is presented here in a sparkling new translation by Josh Billings. Tales of Belkin also highlights the nature of our ongoing Art of the Novella Series—that is, that it specializes in important although albeit lesser-known works by major writers, often in new tranlsations.The Art of The Novella SeriesToo short to be a novel, too long to be a short story, the novella is generally unrecognized by academics and publishers. Nonetheless, it is a form beloved and practiced by literature's greatest writers. In the Art Of The Novella series, Melville House celebrates this renegade art form and its practitioners with titles that are, in many instances, presented in book form for the first time.

    Shaped by a profound sense of tragic irony, it is a work that gives full play to Victor Hugo's brilliant historical imagination and his remarkable powers of description.

    After Boris Godunov, they evolved into Pushkin's own unique, condensed transformations of Western European themes and traditions. The fearful amorality of A Scene from Faust is followed by the four Little Tragedies, which confront greed, envy, lust, and blasphemy, while Rusalka is a tragedy of a different kind--a lyric fairytale of despair and transformation. Here, James E. Falen's verse translations are accompanied by a first-rate introduction from Caryl Emerson, an equally distinguished Russianist, which emphasizes the cosmopolitan nature of Pushkin's drama, the position of Russian culture on the European stage, together with excellent analyses of the individual works in the volume. Falen's translations of Pushkin are widely admired and his OWC translation of Eugene Onegin is considered the best available. This collection is sure to interest both casual readers and students of Russian literature.