Caterina Riario Sforza was one of the most prominent women in Renaissance Italy—and one of the most vilified. In this glittering biography, Elizabeth Lev reexamines her extraordinary life and accomplishments.Raised in the court of Milan and wed at age ten to the pope’s corrupt nephew, Caterina was ensnared in Italy’s political intrigues early in life. After turbulent years in Rome’s papal court, she moved to the Romagnol province of Forlì. Following her husband’s assassination, she ruled Italy’s crossroads with iron will, martial strength, political savvy—and an icon’s fashion sense. In finally losing her lands to the Borgia family, she put up a resistance that inspired all of Europe and set the stage for her progeny—including Cosimo de Medici—to follow her example to greatness.A rich evocation the Renaissance,The Tigress of Forlì reveals Caterina Riario Sforza as a brilliant and fearless ruler, and a tragic but unbowed figure.

    His name has become synonymous with cynical scheming and the selfish pursuit of power. Niccolò Machiavelli, Florentine diplomat and civil servant, is the father of political science. His most notorious work, The Prince, is a primer on how to acquire and retain power without regard to scruple or conscience. His other masterpiece, The Discourses, offers a profound analysis of the workings of the civil state and a hardheaded assessment of human nature. Machiavelli’s philosophy was shaped by the tumultuous age in which he lived, an age of towering geniuses and brutal tyrants. He was on intimate terms with Leonardo and Michelangelo. His first political mission was to spy on the fire-and-brimstone preacher Savonarola. As a diplomat, he matched wits with the corrupt and carnal Pope Alexander VI and his son, the notorious Cesare Borgia, whose violent career served as a model for The Prince. His insights were gleaned by closely studying men like Julius II, the “Warrior Pope,” and his successor, the vacillating Clement VII, as well as two kings of France and the Holy Roman Emperor. Analyzing their successes and failures, Machiavelli developed his revolutionary approach to power politics. Machiavelli was, above all, a student of human nature. In The Prince he wrote a practical guide to the aspiring politician that is based on the world as it is, not as it should be. He has been called cold and calculating, cynical and immoral. In reality, argues biographer Miles Unger, he was a deeply humane writer whose controversial theories were a response to the violence and corruption he saw around him. He was a psychologist with acute insight into human nature centuries before Freud. A brilliant and witty writer, he was not only a political theorist but also a poet and the author of La Mandragola, the finest comedy of the Italian Renaissance. He has been called the first modern man, unafraid to contemplate a world without God. Rising from modest beginnings on the strength of his own talents, he was able to see through the pious hypocrisy of the age in which he lived. Miles Unger has relied on original Italian sources as well as his own deep knowledge of Florence in writing this fascinating and authoritative account of a genius whose work remains as relevant today as when he wrote it.

    Here, for the first time in English, is a book that charts the history of seppuku from ancient times to the twentieth century through a collection of swashbuckling tales from history and literature. Author Andrew Rankin takes us from the first recorded incident of seppuku, by the goddess Aomi in the eighth century, through the "golden age" of seppuku in the sixteenth century that includes the suicides of Shibata Katsuie, Sen no Riky? and Toyotomi Hidetsugu, up to the seppuku of General Nogi Maresuke in 1912.Drawing on never-before-translated medieval war tales, samurai clan documents, and execution handbooks, Rankin also provides a fascinating look at the seppuku ritual itself, explaining the correct protocol and etiquette for seppuku, different stomach-cutting procedures, types of swords, attire, location, even what kinds of refreshment should be served at the seppuku ceremony. The book ends with a collection of quotations from authors and commentators down through the centuries, summing up both the Japanese attitude toward seppuku and foreigners' reactions:"As for when to die, make sure you are one step ahead of everyone else. Never pull back from the brink. But be aware that there are times when you should die, and times when you should not. Die at the right moment, and you will be a hero. Die at the wrong moment, and you will die like a dog." -- Izawa Nagahide, The Warrior's Code, 1725"We all thought, 'These guys are some kind of nutcakes.'" -- Jim Verdolini, USS Randolph, describing "Kamikaze" attack of March 11, 1945

    And as mother to the House of Lancaster's last hope, she cannot give up on her son-even when England turns against them. This gripping tale of a queen forced to stand strong in the face of overwhelming odds is at its heart a tender tale of love.

    It is 1497. The news of the survival of Richard Plantagenet, Duke of York, has set royal houses ablaze with intrigue and rocked the fledgling Tudor dynasty. With the support of Scotland's King James IV, Richard-known to most of England as Perkin Warbeck-has come to reclaim his rightful crown from Henry Tudor. Stepping finally onto English soil, Lady Catherine Gordon has no doubt that her husband will succeed in his quest.But rather than assuming the throne, Catherine would soon be prisoner of King Henry VII, and her beloved husband would be stamped as an imposter. With Richard facing execution for treason, Catherine, alone in the glittering but deadly Tudor Court, must find the courage to spurn a cruel monarch, shape her own destiny, and win the admiration of a nation.

    Ivan the Terrible, Catherine the Great, Peter the Great – all left their mark on a nation that pursued expansion to the East, West and South. Many Tsars flirted with reform, but the gap between the rulers and the ruled widened until, in 1917, the doomed last Tsar, Nicholas II, abdicated. The first part of Sixsmith’s history ends with Lenin and the Bolsheviks forcing through the final Revolution and paving the way for the Communist state.Eyewitness accounts and readings from Russian authors and historians, from Pushkin to Solzhenitsyn, enhance this fascinating account, as well as music taken from a wide range of Russian composers including Glinka, Tchaikovsky, Borodin and Shostakovich.

    The narrative format, suspenseful action, and path navigation keep readers reading!

    This haunting gem of medieval art, a subtle and beautiful portrait of a wealthy Bruges merchant and his wife, intrigues all who see it. Is the painting the celebration of marriage or pregnancy, a memorial to a wife who died in childbirth, a fashion statement or a status symbol? Using her acclaimed forensic skills as an art historian, Carola Hicks set out to decode the mystery.She also tells the fascinating story of the painting's survival through fire and battle, and of its owners. Uniquely, for a masterpiece of its age, its provenance can be tracked through every single owner - from the mysterious Mr Arnolfini via various monarchs to being an early star of the National Gallery in 1842- and these owners have a cameo appearance too, in this enthralling story of how an artwork of genius can speak afresh to each new generation.

    Natalie Rothman explores the intersecting worlds of those who regularly traversed the early modern Venetian-Ottoman frontier, including colonial migrants, redeemed slaves, merchants, commercial brokers, religious converts, and diplomatic interpreters. In their sustained interactions across linguistic, religious, and political lines these trans-imperial subjects helped to shape shifting imperial and cultural boundaries, including the emerging distinction between Europe and the Levant.Rothman argues that the period from 1570 to 1670 witnessed a gradual transformation in how Ottoman difference was conceived within Venetian institutions. Thanks in part to the activities of trans-imperial subjects, an early emphasis on juridical and commercial criteria gave way to conceptions of difference based on religion and language. Rothman begins her story in Venice's bustling marketplaces, where commercial brokers often defied the state's efforts both to tax foreign merchants and define Venetian citizenship. The story continues in a Venetian charitable institution where converts from Islam and Judaism and their Catholic Venetian patrons negotiated their mutual transformation. The story ends with Venice's diplomatic interpreters, the dragomans, who not only produced and disseminated knowledge about the Ottomans but also created dense networks of kinship and patronage across imperial boundaries. Rothman's new conceptual and empirical framework sheds light on institutional practices for managing juridical, religious, and ethnolinguistic difference in the Mediterranean and beyond.